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“In early ’77 I asked Grant if he’d form a band with me. ‘No,’ was his blunt reply.” Grant McLennan didn’t want to be in a band. He couldn’t play an instrument; Charlie Chaplin was his hero du jour. However, when Robert Forster began weaving shades Hemingway, Genet, Chandler and Joyce into his lyrics, Grant was swayed and the 80s indie sensation, The Go-Betweens, was born. These friends would collaborate for three decades, until Grant’s tragic, premature death in 2006. Beautifully written – like lyrics, like prose – Grant & I is a rock memoir akin to no other. Part ‘making of’, part music industry exposé, part buddy-book, this is a delicate and perceptive celebration of creative endeavour. With wit and candour Robert Forster pays tribute to a band who found huge success in the margins, who boldly pursued a creative vision, and whose beating heart was the band’s friendship.
The Go-Betweens, one of Australia’s most talented and influential bands, very nearly wasn’t. Grant McLennan didn’t want to be in a group, and couldn’t even play an instrument. That didn’t stop the singer-songwriter duo of Forster/McLennan becoming one of the most acclaimed partnerships in Australian music history. Just as The Go-Betweens always defied categorisation, Grant & I is like no other rock memoir. At its heart is a privileged insight into a prolific artistic collaboration that lasted three decades, and an extraordinary friendship that rode out the band’s break-up to remain strong until Grant’s premature death in 2006. Unconventional in lineup and look, noted for near misses and near hits, always a beat to one side of the mainstream – the band’s unusual beginnings were followed by twists that often confounded its members as well as fans and record companies. The story of The Go-Betweens is also the story of the times, and Grant & I is a wonderfully perceptive look at the music industry and a brilliantly fresh take on the sounds of the era. As distinctive a writer of prose as he is of songs, Robert Forster is wise and witty, intimate and frank, astute and knowledgeable. There could be no better tribute than Grant & I to this partnership and band who remain loved and revered. 'The truest and strangest poet of his generation.' Nick Cave 'An odyssey of friendship, ambition and the struggle of art. Clear-eyed and compelling.' Paul Kelly 'Grant & I is a beautifully written book . . . You long to hear McLennan’s voice, to view the band, and Forster, through his eyes. There is still, even after McLennan’s death, a sense of potential about this relationship.’ Los Angeles Review of Books. ‘Forster’s account is melancholic, cheery, and self-deprecating all at once. It is often unruly and mischievous as well. Rather than presenting a stock-standard Australian success story, Grant & I offers up the tangled lives of two kindred spirits who decided to make music together.’ Doug Wallen, Australian Book Review 'As a survey of a sui generis carrer, as a glimpse into the formation and working methods of a superlative songwriter, and as an ultimately poignant chronicle of a friendship, Grant & I weaves a memorable story with wit, art and heart.' Readings Monthly ‘The main focus is as admirable as it is surprising. Forster’s topic is rarely himself or McLennan. Instead, it’s the stuff of which their days were made, the music of The Go-Betweens . . . Forster is not at all sentimental about their friendship, until he has to be . . . And their relationship is not at all dramatic, until, of course, it is, at which point, it is gutting, sudden and tragic.’ The Saturday Paper ‘The Go-Betweens were fascinating for teaming two very different singer-songwriters – the sweetly melodic Grant McLennan and ragged rock poet Robert Forster. Robert’s account of their journey is as compelling as it is sprightly.’The Weekly Review ‘This moving memoir . . . is a fascinating glimpse into a life richly lived and a key friendship along the way . . . [Forster] has gone on to honour his departed friend in many ways and now, importantly, with this warm, witty and at times searingly honest book.’ The Courier-Mail ‘His writing is sharp, with an undercurrent of ironic humour but, when it comes to the big moment with which the book climaxes, he handles it with emotional precision . . . You can read this as a book about the music industry. You can read it as a book about the mysterious synergies of art. Or you can read it is a book about the non-erotic love that can exist between men.’ The Age ‘An engrossing, textured insight into [Forster’s] friendship with his fellow, but more introverted, singer-songwriter while documenting the highs and lows of The Go-Betweens’ battles with record labels in the UK, US and at home. The book is also a wonderful insight into the punk, post-punk and ’90s music scenes, detailing the band’s brushes with REM, Nick Cave’s The Birthday Party, Lloyd Cole and Scottish cult act Orange Juice.’ The Advertiser (Adelaide) ‘[A] beautifully documented account . . . The heart of Forster’s story is deeper and more poetically drawn than simple band autobiography, however. It’s the unveiling of a friendship, a partnership, even a love affair, of sorts, that ended in tragic circumstances . . . His natural talent for the written word blossoms from almost every page of this colourful account of his relationship with McLennan . . . Forster writes from the heart.’ Weekend Australian ‘Forster’s half of the tale is passionate, funny, unflinchingly honest and ultimately very moving in the hours of his friend’s strange, tragically premature passing . . . What we have in The Go-Betweens is a beautiful puzzle that invites imagination to rule.’ The Saturday Age This project has been assisted by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.
'Entertaining, affectionate and righteous' Guardian 'Says so much about being a woman' Cosey Fanni Tutti In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey’s music career was just beginning, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by gossip and feminism, books and gigs and rock ’n’ roll love affairs. Thorn takes stock of thirty-seven years of friendship, teasing out the details of connection and affection between two women who seem to be either complete opposites or mirror images of each other. She asks what people see, who does the looking, and ultimately who writes women out of – and back into – history.
When Robert Forster and Grant McLennan formed the Go-Betweens in Brisbane in 1977, they were determined to be different. They were angular, spare, and poetic when crashing direct­ness was the prevailing style. Their heroes were Dylan, Creedence, and Television, when it was more fashionable to cite the Stooges and the New York Dolls. Their attitude was as punk as any­­one’s, but their lyrical guitar pop stood in sharp contrast to the trends of the day. The Go-Betweens story is a fascinating one. With cornerstone drummer Lindy Morrison – and, later, additional members Robert Vickers and Amanda Brown – the band recorded six albums in the 1980s that are among the finest work of the decade, and earned them a reputation as “the ultimate cult band.” And as one reviewer of the original 1997 edition of this book noted, “Unlike most rock groups, the Go-Betweens had personalities as well as talent”—which makes for a compelling read, even if you’re not yet a fan. David Nichols relates the Go-Betweens story with wit and verve, and for this edition he completely updated the book, adding chapters on the members’ subsequent solo careers in the 1990s, the subsequent reuniting of Forster and McLennan under the Go-Betweens name, and the band’s flourishing second life in the new millennium, tragically cut short by the sudden death of Grant McLennan in 2005.
From top experts in the field, the definitive guide to grant-writing Written by two expert authors who have won millions of dollars in government and foundation grants, this is the essential book on securing grants. It provides comprehensive, step-by-step guide for grant writers, including vital up-to-the minute interviews with grant-makers, policy makers, and nonprofit leaders. This book is a must-read for anyone seeking grants in today's difficult economic climate. The Only Grant-Writing Book You'll Ever Need includes: Concrete suggestions for developing each section of a proposal Hands-on exercises that let you practice what you learn A glossary of terms Conversations with grant-makers on why they award grants...and why they don't Insights into how grant-awarding is affected by shifts in the economy
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A deep and compassionate novel about a young man who returns to 1940s Cajun country to visit a Black youth on death row for a crime he didn't commit. Together they come to understand the heroism of resisting. "An instant classic." —Chicago Tribune A “majestic, moving novel...an instant classic, a book that will be read, discussed and taught beyond the rest of our lives" (Chicago Tribune), from the critically acclaimed author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman. "A Lesson Before Dying reconfirms Ernest J. Gaines's position as an important American writer." —Boston Globe "Enormously moving.... Gaines unerringly evokes the place and time about which he writes." —Los Angeles Times “A quietly moving novel [that] takes us back to a place we've been before to impart a lesson for living.” —San Francisco Chronicle
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
A funny, appealing and big-hearted memoir of how one of Australia's leading comic talents, Corinne Grant, learned to reconcile love, loss, lack of cupboard space and far too much stuff.
#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.
The New York Times–bestselling alternative history of the Civil War reaches its thrilling climax in this “swiftly paced and authentically grounded novel” (Booklist). After his great victories at Gettysburg and Union Mills, General Robert E. Lee fails to attain final victory with his attack on Washington, D.C. But even as Union General Dan Sickles secures Washington, he and his valiant Army of the Potomac are trapped and destroyed. For Lincoln there is only one hope left: that General Ulysses S. Grant can save the Union cause. It is now August 22, 1863. Lee must conserve his remaining strength while maneuvering for the killing blow that will take Grant’s army out of the fight. Pursuing the remnants of the defeated Army of the Potomac up to the banks of the Susquehanna, Lee is caught off balance when news arrives that General Ulysses S. Grant, in command of more than seventy thousand men, has crossed that same river, a hundred miles to the northwest at Harrisburg. As General Grant brings his Army of the Susquehanna into Maryland, Robert E. Lee’s Army of Northern Virginia maneuvers for position. Grant first sends General George Armstrong Custer on a mad dash to block Lee’s path toward Frederick and with it control of the crucial B&O railroad. The two armies finally collide in Central Maryland, and a bloody week-long battle ensues along the banks of Monocacy Creek. This must be the “final” battle for both sides.