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"The acclaimed steampunk series from graphic-novel pioneer Bryan Talbot explores an alternate, art-nouveau world populated by intelligent animals, a human underclass, and wondrous technology"--
Beware the Badger! The acclaimed steampunk series from graphic-novel pioneer Bryan Talbot explores an alternate art-nouveau world populated by intelligent animals, a human underclass, and wondrous technology. Within this rich fantastical milieu, the relentless Detective-Inspector LeBrock of Scotland Yard pursues shadowy death squads, psychotic killers, dark political conspiracies, ruthless crime lords, and bloodthirsty cults through the streets of London and the Belle Epoque Paris known as Grandville, the center of the greatest empire on earth. Grandville Integral collects all five Grandville novels in one deluxe digital volume accompanied by voluminous author notes never before in print. Collects Grandville, Grandville Mon Amour, Grandville Noël, Grandville Bete Noire, and Grandville Force Majeure.
'I've never come across a fictional world as fully-realised as Bryan Talbot's Grandville... It's a world you'll never tire of exploring' IAN RANKIN Beware the Badger! The acclaimed steampunk series from graphic-novel pioneer Bryan Talbot explores an alternate art-nouveau world populated by intelligent animals, a human underclass, and wondrous technology. Within this rich fantastical milieu, the relentless Detective-Inspector LeBrock of Scotland Yard pursues shadowy death squads, psychotic killers, dark political conspiracies, ruthless crime lords, and bloodthirsty cults through the streets of London and the center of the greatest empire on earth, the Belle Epoque Paris known as Grandville. Grandville L'Intégrale collects all five Grandville novels in one deluxe hardcover volume accompanied by voluminous author notes never before in print. *WITH AN INTRODUCTION BY IAN RANKIN* 'I have greatly enjoyed the Grandville books. I think they're superbly designed, beautifully conceived, admirably written - everything about them is terrific' PHILIP PULLMAN 'These ingeniously plotted fantasies will make you bark with laughter' METRO 'Utterly delightful' THE TIMES 'Bryan Talbot is a genius' OBSERVER
In Grandville, the first volume in the series, Talbot brings us a steampunk masterpiece. IIt tells the story of detective Inspector LeBrock of Scotland Yard as he stalks a gang of murderers through the heart of Belle Epoque Paris. In this alternative reality France is the major world power and its capital throngs with steam-driven hansom cabs, automatons and flying machines. The characters are mostly animals, though there is an underclass of humans, often referred to as 'dough faces'. Visually stunning, Grandville is a fantastical and audacious rollercoaster ride that will add to Talbot's reputation as one of the best graphic novelists in the world.
Sunderland! Thirteen hundred years ago it was the greatest center of learning in the whole of Christendom and the very cradle of English consciousness. In the time of Lewis Carroll it was the greatest shipbuilding port in the world. To this city that gave the world the electric light bulb, the stars and stripes, the millennium, the Liberty Ships and the greatest British dragon legend came Carroll in the years preceding his most famous book, Alice in Wonderland, and here are buried the roots of his surreal masterpiece. Enter the famous Edwardian palace of varieties, The Sunderland Empire, for a unique experience: an entertaining and epic meditation on myth, history and storytelling and decide for yourself — does Sunderland really exist?
Part personal history, part biography, Dotter of Her Father's Eyes contrasts two comingofage narratives: that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of awardwinning graphicnovel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father's Eyes is smart, funny, and sadan essential addition to the evolving genre of graphic memoir. * Bryan Talbot is recognized worldwide as one of the true original voices in graphic fiction. * Bryan Talbot's Grandville Mon Amour was nominated for a 2011 Hugo Award.
Le blaireau est de retour! Alone in Grandville, Detective Inspector LeBrock stalks a growing religious cult led by a charismatic unicorn messiah who, along with his con-men partners, are responsible for horrific mass murder. With Paris in the grip of the mysterious crime lord Tiberius Koenig and increasingly violent attacks by human terrorists, can LeBrock stop the inevitable slide into fascism? And could these conditions all be the manipulations of a centuries-old conspiracy to throw the world into war? From the imagination of Bryan Talbot comes Grandville Noël, the fourth installment of the acclaimed steampunk fantasy series.
An adult science-fiction epic of boundless imagination and audacious vision, The Adventures of Luther Arkwright and Heart of Empire are brought together for the first time in one essential hardcover volume, including bonus material and an afterword by Warren Ellis.
Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.