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With its beautiful imagery and vibrant illustrations Grandmother, Have the Angels Come? celebrates the relationship between old and young, while touching on the subject of aging in a subtle, lyrical manner. Denise Vega's graceful, rhythmic dialogue combine with stunning art from Hula Lullaby's Erin Eitter Kono to tackle a tough subject with a graceful and spiritual touch.
The true story of a little girl's dream in which angels visited her and said they were taking her Grandmother to Heaven to see Jesus; on that same night her Grandmother dies unexpectedly.
On the precipice of a serious illness, Sylvie wakes up to find a snow angel who tells her he will protect her, and when she finally recovers, she purposefully puts herself in precarious situations to try and meet him again.
Grace has always had wild red hair like no one else in her family and a birthmark on her shoulder that her mother told her was the mark of an angel. When Grace is sent from New York to spend the summer with her grandmother in Trinidad, she looks through the family album and discovers a blurred photograph of a stranger with a birthmark -- her birthmark -- and Grace is full of questions. No one is able to identify the man in the photo, and Grace is left with no choice but to find out who he is and what he might mean to her. What Grace does not know is that her search will lead to a discovery about herself and her family that she never could have imagined. Tracey Baptiste's first novel is a tender coming-of-age story set on the island of Trinidad. Angel's Grace explores the meaning of identity and truth, and the unbreakable ties of a family bound by love.
The Second Book of Joy: Blood of Angels is the first notebook of family lore that Professor Bo Wolfson researched in The Books of Joy: Burning Streams. These are the magical tales about their enslaved ancestors that his lover Eva Dennison fought with him to destroy. In their collected memoirs, nine enslaved women tell how they freed themselves and took over their owners' Mississippi breeding plantation, using African, African American, and European folktales to describe the magic and willpower that set them free. From the tale of a beautiful woman imprisoned in a tower to save her village from slave raiders to the murdered girl whose spirit is trapped in her bedroom mirror, these stories build to a bloody battle between the shape-shifting freed people hiding in plain sight and the bounty-hunting patrollers who pursue them. The blue-eyed African American girl who masquerades as the freed people's owner must learn, in the end, to choose the love and freedom in hiding that she can have or succumb to the death that is its only alternative.
This book was written with great love to celebrate all the grandmas who watch their grandbabies from above. After my mother died, I realized that the most wonderful grandmother in the world would never be known by her grandchildren. I wrote this book so that grandchildren may hear the stories of the magnificent angels that watch over them. My mother was an amazing artist. This book is illustrated with her paintings. The book is suitable for all ages, but may have special meaning for children age three to six. This is the period in childhood development when death is first conceptualized. For new readers, the font and spacing are optimized for the child's comprehension. I hope your child enjoys the book and it helps you to share stories of the angel in your life.
For fans of How to Babysit a Grandpa comes a tongue-in-cheek story that is a step-by-step manual for putting your monster to bed. If you have a monster that won’t go to bed, don’t bother asking your parents to help. They know a lot about putting kids to bed, but nothing about putting monsters to bed. It’s not their fault; they’re just not good at it. Read this book instead. It will tell you what to feed your monster before bed (it’s not warm milk), and what to sing to your monster (it’s not a soothing lullaby), and what to read to your monster to send him off to dreamland in no time (the scarier, the better). Just make sure you don’t get too good at putting monsters to bed—or you might have a BIG problem on your hands! Praise for Zachariah OHora: “The text is pitch-perfect, and the art is its match.” —Chicago Tribune (Wolfie the Bunny) “Picture books with hip, quirky illustrations that are not just funny but also have plenty of heart are hard to find. The stylish My Cousin Momo by Zachariah OHora has it all.” —The Boston Globe (My Cousin Momo) [set star] “OHora’s acrylic paintings are the heart of this tale. They clearly show everyone’s feelings . . . and there are brilliant bits of humor and whimsy.” —School Library Journal, starred review (Wolfie the Bunny) “OHora could paint stones in the street and make them funny.” —Publishers Weekly (My Cousin Momo)
A memoir expresses the poverty, personal hardships, and prejudice of the author's life growing up as a second generation Crow Indian on a reservation, and the bond she formed with her grandmother, a medicine woman.
What does one say when an infant dies? How do you give comfort to your friend, family member or client? Where Do Angels Go? Is short on words, but filled with space, space to reflect and work through the stages of grief, providing a way to fill the empty arms and empty hours, empowering self-help to self-healing.