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The Whole History of Grandfather's Chair is a book by Nathaniel Hawthorne. A children's story where a grandfather warmly relates the regional history of New England.
In writing this ponderous tome, the author's desire has been to describe the eminent characters and remarkable events of our early annals by relating the adventures to a chair. The chair is made to pass from one to another of whom he thought it most desirable for the young reader to have vivid and familiar ideas, and whose lives and actions would best enable him to give picturesque sketches of the times. On its sturdy oaken legs it trudges diligently from one scene to another, and seems always to thrust itself in the way, with most benign complacency, whenever an historical personage happens to be looking for a seat.
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This eBook features the unabridged text of ‘The Whole History of Grandfather’s Chair by Nathaniel Hawthorne - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Nathaniel Hawthorne’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Hawthorne includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Whole History of Grandfather’s Chair by Nathaniel Hawthorne - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Hawthorne’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
1878. The Riverside Literature Series. With a biographical sketch notes and illustrations. In this volume Hawthorne takes an interesting look at Colonial America by following the history of a chair beginning with the first settlers of America. Grandfather tells stories to the children about the owners of the chair as it is passed through the ages from those who first left English persecution up to the time of American independence. Some of the stories include John Smith, John Eliot (translator of the Indian Bible), Pine Tree Shillings (American coinage), French and Indian War, Liberty Tree, Stamp Act, Hutchinson Mob, Boston Tea Part, and Declaration of Independence. See other titles by this author available from Kessinger Publishing.
Hero–or Nazi? Silvia Foti was raised on reverent stories about her hero grandfather, a martyr for Lithuanian independence and an unblemished patriot. Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’s account of her wrenching twenty-year quest for the truth, from a beautiful house confiscated from its Jewish owners, to familial confessions and the Holocaust tour guide who believed that her grandfather had murdered members of his family. A heartbreaking and dramatic story based on exhaustive documentary research and soul-baring interviews, The Nazi’s Granddaughter is an unforgettable journey into World War II history, intensely personal but filled with universal lessons about courage, faith, memory, and justice.
CHAPTER I. GRANDFATHER AND THE CHILDREN AND THE CHAIR. GRANDFATHER had been sitting in his old arm-chair all that pleasant afternoon, while the children were pursuing their various sports far off or near at hand, Sometimes you would have said, "Grandfather is asleep;" hut still, even when his eyes were closed, his thoughts were with the young people, playing among the flowers and shrubbery of the garden. He heard the voice of Laurence, who had taken possession of a heap of decayed branches which the gardener had lopped from the fruit-trees, and was building a little hut for his cousin Clara and himself. He heard Clara's gladsome voice, too, as she weeded and watered the flower-bed which had been given her for her own. He could have counted every footstep that Charley took, as he trundled his wheelbarrow along the gravel-walk. And though' Grandfather was old and gray-haired, yet his heart leaped with joy whenever little Alice came fluttering, like a butterfly, into the room. Sire had made each of the children her playmate in turn, and now made Grandfather her playmate too, and thought him the merriest of them all. At last the children grew weary of their sports, because a summer afternoon is like a long lifetime to the young. So they came into the room together, and clustered round Grandfather's great chair. Little Alice, who was hardly five years old, took the privilege of the youngest, and climbed his knee. It was a pleasant thing to behold that fair and golden-haired child in the lap of the old man, and to think that, different as they were, the hearts of both could be gladdened with the same joys. "Grandfather," said little Alice, laying her head back upon his arm, "I am very tired now. You must tell me a story to make me go to sleep." "That is not what story-tellers like," answered Grandfather, smiling. "They are better satisfied when they can keep their auditors awake." "But here are Laurence, and Charley, and I," cried cousin Clara, who was twice as old as little Alice. "We will all three keep wide awake. And pray, Grandfather, tell us a story about this strange-looking old chair." Now, the chair in which Grandfather sat was made of oak, which had grown dark with age, but had been rubbed and polished till it shone as bright as mahogany. It was very large and heavy, and had a back that rose high above Grandfather's white head. This back was curiously carved in open work, so as to represent flowers, and foliage, and other devices, which the children had often gazed at, but could never understand what they meant. On the very tip-top of the chair, over the head of Grandfather himself, was a likeness of a lion's head, which had such a savage grin that you would almost expect to hear it growl and snarl. The children had seen Grandfather sitting in this chair ever since they could remember anything. Perhaps the younger of them supposed that he and the chair had come into the world together, and that both had always been as old as they were now. At this time, however, it happened to be the fashion for ladies to adorn their drawing-rooms with the oldest and oddest chairs that could be found....