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Grammardog Teacher's Guide contains 16 quizzes for this novel. All sentences are from the novel. Figurative language includes: "She herself had seen nothing, not the shadow of a shadow" "the inner chamber of my dread" "the grey dawn admonished us to separate" "We lived in a cloud of music and affection and success and private theatricals" "The place, with its grey sky and withered garlands, its bared spaces and scattered dead leaves, was like a theater after the performance - all strewn with crumpled playbills."
Grammardog Teacher's Guide contains 16 quizzes for this novel. All sentences are from the novel. Figurative language features onomatopoeia ("tap tap," "crunch crunch," "swish swish," "bang," "thump"), and language characteristic of Naturalism ("There was not the thickness of a sheet of paper between the right and wrong of this affair." "The chilly Antarctic can keep a secret." ". . . sniffing the intoxicating breath of that wasted opportunity").
The thrust of this book is to provide a model of lexical relations which reconciles the lexicon's idiosyncratic and productive aspects. Building on work in Head-Driven Phrase-Structure Grammar, an organization of lexical knowledge is proposed called the Type Underspecified Hierarchical Lexicon through which partial regularities, medium-size generalization, and truly productive processes receive a unified model. Its basic thesis is that all lexical relations reduce to categorization (the membership of the two related lexemes in a common category) and that category intersection is the only mechanism needed to model lexical processes provided lexical items can be stored partially underspecified as to their category membership. Aside from the conceptual simplification that results from this move, the book demonstrates that several empirical and theoretical benefits accrue to this architecture; in particular, many salient properties of morphological processes are shown to reduce to inherent, formal properties of the organization of the lexicon.
The basic claims of traditional truth-conditional semantics are that the semantic interpretation of a sentence is connected to the truth of that sentence in a situation, and that the meaning of the sentence is derived compositionally from the semantic values meaning of its constituents and the rules that combine them. Both claims have been subject to an intense debate in linguistics and philosophy of language. The original research papers collected in this volume test the boundaries of this classic view from a linguistic and a philosophical point of view by investigating the foundational notions of composition, values and interpretation and their relation to the interfaces to other disciplines. They take the classical theories one step further and closer to a realistic semantic theory that covers speaker’s intentions, the knowledge of discourse participants, meaning of fiction and literature, as well as vague and paradoxical utterances. Ede Zimmermann is a pioneering researcher in semantics whose students, friends, and colleagues have collected in this volume an impressive set of studies at the interfaces of semantics. How do meanings interact with the context and with intentions and beliefs of the people conversing? How do meanings interact with other meanings in an extended discourse? How can there be paradoxical meanings? Researchers interested in semantics, pragmatics, philosophy of language, anyone interested in foundational and empirical issues of meaning, will find inspiration and instruction in this wonderful volume. Kai von Fintel, MIT Department of Linguistics
Everyone in Dawn Powell's New York satire Angels on Toast is on the make: Lou Donovan, the entrepeneur who ricochets frantically between his well-connected current wife, his disreputable ex, and his dangerously greedy mistress; Trina Kameray, the exotic adventuress whose job title is as phony as her accent; T.V. Truesdale, the man with the aristocratic manner, the fourteen-dollar suit, and the hyperactive eye for the main chance. A dizzyingly fast-paced and deliriously entertaining novel.
This text introduces statistical language processing techniques--word tagging, parsing with probabilistic context free grammars, grammar induction, syntactic disambiguation, semantic word classes, word-sense disambiguation--along with the underlying mathematics and chapter exercises.
This scathing “comedy of manners” set in the 1940s “steers us through the lives of women who come to New York . . . for love, money, opportunity, and a good time” (New York Times). At the center of this 1942 novel are a wealthy, self-involved newspaper publisher and his scheming, novelist wife, Amanda Keeler—who ensnares Ohioan Vicky Haven in her social and romantic manipulations. Author Dawn Powell always denied Amanda Keeler was based upon the real-life Clare Boothe Luce until years later when she discovered a memo she’d written to herself in 1939 that said, “Why not do a novel on Clare Luce?” Which prompted Powell to write in her diary, “Who can I believe? Me or myself?” Set against an atmospheric backdrop of New York City in the months just before America’ s entry into World War II, A Time of Be Born is a scathing and hilarious study of cynical New Yorkers stalking each other for various selfish ends.
Rediscovered in the 1980s, Dawn Powell is now widely acknowledged as one of the best 20th century American writers. Come Back to Sorrento' centres around the life of Connie Benjamin, a village shoemaker's wife, who was raised in a wealthy household and had pretensions toward an operatic career, and Blaine Decker, the new high school music teacher, a homosexual in a closeted era. Drawn together into a powerful friendship of dependence, they transend the monotony of their lives to create a drama richer than reality.'