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A detailed and highly illustrated survey of medieval book hands, essential for graduate students and scholars of the period.
English manuscript painting achieved great mastery during the period from 1280 to 1400 with the development of an intrinsically native style, exemplified by the East Anglian school, that flourished throughout London and the provinces during the 14th century. Although ecclesiastical and private devotional needs largely determined the style and type of book, courtly and aristocratic patronage provided French, Belgian, and Italian influences that are also evident in the manuscripts of this period. This catalogue and study of 158 Gothic manuscripts--some of them famous, and all outstanding masterpieces--demonstrates these links and developments in the illuminated style.
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
One of the major examples of 14th-century English illumination, the Psalter of Robert de Lisle is among the outstanding treasures in the British Library. The new paperback edition includes the complete illustration cycle reproduced in colour, each miniature being accompanied by the same detailed introductory text as in the original edition. The illustrations are preceded by a compre- hensive introduction treating the style and iconography of the miniatures in the context of contemporary English painting, analysing the pictorial and textual components of the unusual and elaborate moral and theological dia- grams, and offering conclusions about patronage, date and provenance. An appendix provides a handlist of more than thirty manuscripts containing the same group of diagrams, known as the Speculum theologie, with a group of additional copies research since the first edition. This edition also has a new preface and postscript which evaluate recent research bearing on the manuscript, as well as an updated bibliography. 'The Psalter is one of the masterpieces of English Gothic Illumination from the first half of the four- teenth century ... Sandler's book is a welcome contribution to the Literature.'
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1966. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Spirited history and comprehensive instruction manual covers 13 styles (ca. 4th–15th centuries). Excellent photographs; directions for duplicating medieval techniques with modern tools. "Vastly rewarding and illuminating." — American Artist.
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
Prior to the invention of the printing press, all books had to be written by hand. Manuscripts are the beautiful manifestation of this craft, and the most precious and expensive of such manuscripts were 'illuminated' through the use of brightly coloured pigments and gold embellishments. Beginning with a fresh and thoughtful introduction to illuminated manuscripts, Illuminated Manuscripts Masterpieces of Art goes on to showcase key works in this stunning artistic genre.