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Provides an extensive chronology and an introduction which explains the nature of Gothic and shows how it has evolved. Includes entries on major writers, and works of geographical variants like Irish, Scottish or Russian Gothic and Female Gothic, Queer Gothic and Science Fiction.
One of the central images conjured up by the gothic novel is that of a shadowy spectre slowly rising from a mysterious abyss. In The Rise of the Gothic Novel, Maggie Kilgour argues that the ghost of the gothic is now resurrected in the critical methodologies which investigate it for the revelation of buried cultural secrets. In this cogent analysis of the rise and fall of the gothic as a popular form, Kilgour juxtaposes the writings of William Godwin with Mary Wollstonecraft, and Ann Radcliffe with Matthew Lewis. She concludes with a close reading of the quintessential gothic novel, Mary Shelley's Frankenstein. An impressive and highly original study, The Rise of the Gothic Novel is an invaluable contribution to the continuing literary debates which surround this influential genre.
It is customary to regard gender roles and representation in nineteenth-century Spain as polarized and predictable. But in this volume, leading scholars from the UK and USA not only discuss the patriarchal emphasis of Spanish culture, but also demonstrate that this was a period in which the relations between men and women were being constantly negotiated, challenged, and redefined as part of an on-going transformation of political and national identities.
Behind the pine grove the setting sun had left a zone of fire against which the trunks of the pine trees stood out like bronze columns. The path was rugged and uneven, giving evidence of the ravages wrought by the winter rains; at intervals loose stones, looking like teeth detached from the gum, rendered it still more impracticable. The melancholy shades of twilight were beginning to envelop the landscape; little by little the sunset glow faded away and the moon, round and silvery, mounted in the heavens, where the evening star was already shining. The dismal croaking of the frogs fell sharply on the ear; a fresh breeze stirred the dry plants and the dusty brambles that grew by the roadside; and the trunks of the pine trees grew momentarily blacker, standing out like inky bars against the pale green of the horizon. [pg 002] A man was descending the path slowly, bent, apparently, on enjoying the poetry and the peace of the scene and the hour. He carried a stout walking-stick, and as far as one could judge in the fading light, he was young and not ill-looking. He paused frequently, casting glances to the right and to the left as if in search of some familiar landmark. Finally he stood still and looked around him. At his back was a hill crowned with chestnut trees; on his left was the pine grove; on his right a small church with a mean belfry; before him the outlying houses of the town. He turned, walked back some ten steps, stopped, fronting the portico of the church, examined its walls, and, satisfied at last that he had found the right place, raised his hands to his mouth and forming with them a sort of speaking trumpet, cried, in a clear youthful voice: "Echo, let us talk together!"
A novel about the fortunes and loves of an Irish family, the father, Fitzalan, a military man, Amanda, the daughter, and the son, Oscar, in the lordly circles of Scottish and English society, and especially their relationship to the people of Dunreath Abbey.
"Gothic Terrors brings together two discursive fields that have had very little contact hitherto: Gothic Studies and Hispanism. Though widely accepted in English studies, Hispanists seldom invoke the concept of a Gothic mode existing beyond its first appearance in the eighteenth century. Highlighting Gothic elements in mainstream Spanish fiction from the nineteenth century until the present day, Lee Six challenges the view that Spanish writers rejected what the Gothic had to offer. Through close study of texts by Benito Pérez Galdós, Emilia Pardo Bazán, Miguel de Unamuno, Camilo José Cela, Adelaida García Morales, Espido Freire, and Javier García Sánchez, Lee Six traces the evolution of three staples of the Gothic: the heroine imprisoned on grounds of madness, the doubled or split character, and the use of violent, gory description. Persuasively argued and well researched, Gothic Terrors reflects on the Gothic presence in Spanish mainstream literature and identifies two important ways in which it crosses cultural divides: the traditional gulf between high and low culture within Spain, and the engagement of Spanish creative writers with transnational literary trends. Gothic Terrors will thus appeal to Gothic scholars who are interested in the Spanish dimension of their field, as well as to Hispanists who may have been unaware of how relevant and useful Gothic studies could be for them."--Publisher's website.
Leopold, Lord of St. Iver, sets his sights on the beautiful young Ethelwina, Countess of Auburne, and determines to possess her body and her estates. When she rebuffs his proposals of marriage, he imprisons her in his impenetrable castle in the mountains of Wales. Trapped in a dungeon in the ruined northern tower, Ethelwina will have to overcome Leopold's diabolical plots, including his intention to destroy her will by the use of potions, and his threat to rape her if she refuses to become his bride. But the dungeon holds still more terrors for Ethelwina. Inside her chamber are a bloodstained mattress and a rusty dagger, and when a vengeful spectre that seems to be the ghost of her father appears to her, she will have to solve the mystery of his fate and revenge his death! One of the finest Gothic novels of the 1790s, Ethelwina; or, The House of Fitz-Auburne (1799) has remained out of print for almost 210 years and can be found in only three libraries worldwide today. This new edition features the unabridged text of the three volume first edition along with a new introduction that reveals for the first time the details of T. J. Horsley Curties's life, a portrait of the author, and a reproduction of the frontispiece of the first edition.
Since Franco's death Spain has become a land of extraordinary paradoxes - a nation where traditional values vie with increased sexual freedom, where the meseta and sierras are becoming deserted while the workers' suburbs are packed with a new, streetwise generation. John Hooper's authoritative study of this new Spain focuses on issues affecting the ordinary Spaniard - housing, education, religion, public and private morality. He illuminates the quirks of a society of police trade unions and wife-swapping bars, a nation in which the king pays tax yet almost tow thirds of the unemployed do not qualify for welfare payments.