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Short-listed for the 2020 PEN/Robert W. Bingham Prize for Debut Short Story Collection “As profound as it is lyrical. The stories are music.” —Marcela Davison Avilés, NPR In Ayse Papatya Bucak’s dreamlike narratives, dead girls recount gas explosions and a chess-playing automaton falls in love. A student stops eating, and no one knows whether her act is personal or political. A Turkish wrestler, a hero in the East, is seen as a brute in the West. And in the masterful title story, the Greek god Apollo confronts his personal history to memorialize, and make sense of, generations of war. A joy and a provocation, Bucak’s stories confront the nature of memory with humor and myth, performance and authenticity.
This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Opening the oversized pages of Celestial Gallery is akin to entering a grand museum. This impressive, high-quality production features White Tara, Green Tara, the Medicine Buddha, and many other celestials, while lending new meaning to the terms full-size and full-color. Four color printing with spot varnish throughout.
John Payne Collier (1789–1883), one of the most controversial figures in the history of literary scholarship, pursued a double career. A prolific and highly influential writer on the drama, poetry, and popular prose of Shakespeare’s age, Collier was at the same time the promulgator of a great body of forgeries and false evidence, seriously affecting the text and biography of Shakespeare and many others. This monumental two-volume work for the first time addresses the whole of Collier’s activity, systematically sorting out his genuine achievements from his impostures. Arthur and Janet Freeman reassess the scholar-forger’s long life, milieu, and relations with a large circle of associates and rivals while presenting a chronological bibliography of his extensive publications, all fully annotated with regard to their creditability. The authors also survey the broader history of literary forgery in Great Britain and consider why so talented a man not only yielded to its temptations but also persisted in it throughout his life.