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This title encourages pupils to examine the developments in post-war Britain and to consider how they have contributed to today's society. Stimulating activities cover economic developments and industrialisation, recreational and religious choices, and Britain's relations with other communities and countries.
Over 15 million adults in Great Britain have been to Butlins and they know Billy Butlin as the man who revolutionized their holiday habits. The general public revere him as the man who made luxury holidays affordable to the average British family, but do they know the true Billy Butlin? Butlins in its Prime is the second instalment in the life of Rocky Mason, focusing on his 30 year career working for a British holiday institution as well as his own personal tribute to the man, known as "The Holiday Camp King." With over 50 archive pictures, this book is a must for any Butlins Devotee
An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.
Well, it took along time to write, I hope you think its worth it. Whats it about? A good question, I wish I knew. You could read it to find out. Basically its about my career in show business as a thespian. Well, they cant touch you for it. I come from a working class family who had no roots in show business. My interest began at an early age. My father often took me to our local theatre where we would sit in the Gallery to see the shows. I just loved it and wanted to be part of it. But how to do it, that was the question. When at first you dont succeed, pack it in. Not me, I ignored that completely. I was given a book one Christmas on HOW TO BECOME A COMEDIAN. Ive been trying ever since. After that, I went into a local Concert Party and at last I had my feet on the ladder of success but I had a long way to go before I turned professional. I was In the RA.F. 1951/53 doing my National Service where I did shows with professional entertainer Johnny Leeson and Guest Artist, Dennis Spicer, (a ventriloquist) and Terry Seabrooke (A Comedy Magician) who became a lifelong friend. Can you believe it, I was defending my Country. God knows what would have happened if we had been at war. We would have thrown jokes at the enemy, not bombs. After leaving the R.A.F. in July 1953, I joined another Concert Party called, The Barnstormers. I was also doing The Working Mens Clubs, for the enormous fee, when I say enormous, I was on 5 per night and for that, I did 4 spots. Well, you have to start somewhere. In August 1960 I married my wife Jan. Weve now been married for over 50 years. Not a bad run for show business. Is it? In 1963 I turned professional when I was offered my first summer season on the Isle of Wight. In 1965 I did my first Pantomime Aladdin at my Local Rep. This was the start of many years doing weekly Repertory Theatre up and down the country, and in 1971, I was offered a National Tour appearing in Agatha Christies FIDDLERS FIVE. I was busy in the 1970s doing summer seasons and pantomimes in England, Scotland, and Wales In the 1980s and 90s I moved into television and Commercials. I wrote a musical in the 1990s called, The FLANAGAN & ALLEN Story in which I played my Idol BUD FLANAGAN, on and off for the next 12 years, Finally, it was time for me to hang up my fur coat and straw boater. I did achieve my ambition and became professional. I also met and worked with many stars.
Goodnight Campers! traces the development of the British holiday camp from its origins at the turn of the century and tells the complete story of a fascinating part of our popular culture.
The book looks at the emergence of the prefab as a unique housing form. It examines the reasons prefabs have survived way beyond their design life of fifteen years, when other post-war housing types have been demolished. There is no other single text that sets the temporary housing programme in context.
In every area of life, traditional, centralized party politics has been failing and the seeds of a new form of political life are being sown. This is true in housing, health, education, consumption and transport, where public policy is attracting increasing criticism. In an age of social alienation and urban despondency Richer Futures is a timely response to the growing interest in community-based, self-help action. It introduces new forms of communication and decision-making and sets out a programme for a sustainable politics. Contributions from some of the best-known thinkers and writers on contemporary urban, cultural and social policy (and campaigns) in Britain today pay tribute to the ideas and industrious activities of the influential writer and commentator Colin Ward. This uplifting collection of essays looks forward to a new politics of self-management and environmentally aware and sustainable lifestyles. Ken Worpole has written a number of books on urban and cultural policy, and a series of influential reports for Comedia, Demos and the Department of the Environment. Originally published in 1999
From William Morris to Oscar Wilde to George Orwell, left-libertarian thought has long been an important but neglected part of British cultural and political history. In Anarchist Seeds beneath the Snow, David Goodway seeks to recover and revitalize that indigenous anarchist tradition. This book succeeds as simultaneously a cultural history of left-libertarian thought in Britain and a demonstration of the applicability of that history to current politics. Goodway argues that a recovered anarchist tradition could—and should—be a touchstone for contemporary political radicals. Moving seamlessly from Aldous Huxley and Colin Ward to the war in Iraq, this challenging volume will energize leftist movements throughout the world.
Here Comes the Sun looks at how social reformers, planners and architects in the early twentieth century tried to remake the city in the image of a sunlit, ordered utopia. While much has been written about architectural modernism, Worpole concentrates less on buildings and more on the planning of the spaces in-between – the parks, public squares, open-air museums, promenades, public pools and other public leisure facilities. Life in the open was of particular concern to early urban planners and reformers, with their dreams of release from the confines of overcrowded, unsanitary slums. Picturing youthful working-class bodies made healthy by exercise and tanned by the sun, they imagined an escape route from cities. Worpole demonstrates how open-air public spaces became sought-after commissions for many early modernist architects in the early 1900s, resulting in the transformation of the European cityscape. "...a fascinating account of the political idealism that informed urban planning for the first two-thirds of the twentieth-century...full of insights into how public space influences a sense of belonging and ownership."—The Guardian "This is one of those books you stroke lovingly. Open it, and there is page after page of beautiful photographs...this book combines history, society, politics, environment and place in a well-written and emotive text. The strength of the book is the way it crosses these traditional boundaries and disciplines."—Town and Country Planning "Drawing on architectural theories, philosophy, literature and even film-making, Worpole's book is wide-ranging and erudite and should be of interest to the layperson as well as to the urban planner. It is also elegantly written and complemented by a mixture of black and white and colour photographs to provide a visual emphasis to the points he raises."—N16 Magazine
A nostalgic look back at the rise and decline of the Scottish seaside holiday.