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Nora Sparrow wants to feel safe now that her crazed ex-boyfriend Owen has been exiled from Helicon, the land of the muses. She wants nothing more than to sculpt, dance, and play, the way a muse should. But her fear of Owen casts a shadow over everything. She can’t even commit to a relationship, because she fears being smothered and controlled. Everyone else thinks the threatening message in the snow was a joke. They think Nora’s anxious mind conjured up the bouquet of dead flowers in her tent. But Nora knows that Owen is still after her. Nothing will stand in the way of his obsessive desire to possess her. Not even exile. The Helicon series is a soapy, irreverent portal fantasy wherein the drama of teen relationships tends to overshadow whatever magical threat they’re trying to fight. Lots of drinking, swearing, inappropriate sexual decisions, grappling with sexual orientation and gender, and random appearances by mythological figures thrown in for good measure. It’s genre-bending, impossible to categorize, and for everyone out there who equally loves Gossip Girl, Rocky Horror, and Narnia. Topics: fantasy, magic, myths, legends, Greek mythology, abuse, portal fantasy, fairies, muses, Dionysius, Nimue, King Arthur, Norse mythology, Loki
An Unchanging Blue provides a generous sampling of translations (with German originals) taken from ten collections of Rolf Dieter Brinkmann’s poetry published between 1962 and 1975. An extensive introduction by Mark Terrill contextualizes Brinkmann’s place in postwar German literature.
Lyrics sheds light on all aspects of lyric writing for music and will make songwriters feel more confident and creative when they tackle lyrics. It's perfect for all songwriters: those who don't like their own lyrics and find them difficult to write, experienced writers looking for a creative edge, and those offering lyrics to set to music in a partnership. Topics include channeling personal experiences into lyrics, overcoming writer's block, the right lyrics for a bridge, the separation between lyrics and poetry, exploring imagery and metaphor, avoiding clichés, and more. The book also offers tips on the various styles of lyrics, from protests, spirituals, and confessionals to narratives and comic songs.
IS THERE ANYBODY OUT THE WALL? is an analysis of the movie “Pink Floyd The Wall”. For this study, it is considered the film as revolving around two basic questions: “Is there anybody out there?” and “Is there anybody in there?” With the first starts this process of interpretation. And with the second ends this assay. It is considered, in addition, that the film is a mental machine to travel back in time. It consists of four levers: the real, memories, imagination, and desire. The first allows travelling in present time. The second allows travelling in past time. The third allows travelling in possible time, potential. And the fourth allows travelling in future time. Thanks Pink Floyd by make my life more bearable. In moments of disappointment toward the world, toward life, always I have returned to his songs. His high notes immediately have connected my nervous system with the cosmos, with the universe. Thanks for the spatial connection. For me, the screams of the vocal cords, to extend the duration of guitar notes beyond the usual, are the portal to cross the wall.
Pink Floyd: Behind the Wall is a comprehensive history of the legendary band featuring photos, album covers, and posters as well as insight into their iconic songs and albums.
China On Video is the first in-depth study that examines smaller-screen realities and the important role they play not only in the fast-changing Chinese mediascape, but also more broadly in the practice of experimental and non-mainstream cinema. At the crossroads of several disciplines—film, media, new media, media anthropology, visual arts, contemporary China area studies, and cultural studies--this book reveals the existence of a creative, humorous, but also socially and politically critical "China on video", which locates itself outside of the intellectual discourse surrounding both auteur cinema and digital art. By describing smaller-screen movies, moviemaking and viewing as light realities, Voci points to their "insignificant" weight in terms of production costs, distribution size, profit gains, intellectual or artistic ambitions, but also their deep meaning in defining an alternative way of seeing and understanding the world. The author proposes that lightness is a concept that can usefully be deployed to describe the moving image, beyond the specificity of recent new media developments and which can, in fact, help us rethink previous cinematic practices in broad terms both spatially and temporally.
A fashion designer turned writer details her bohemian life in this illustrated memoir—“Think Eat, Pray, Love . . . only cooler” (Marie Claire). Bella Pollen wants to feel like she belongs, but she never learned how. The middle child of transatlantic parents, she constantly moved back and forth between England and America, home and away, family and freedom. Now an adult, she struggles to contain an adventurous spirit within the confines of conventional living. In Meet Me in the In-Between, the international bestselling author takes us on an illustrated journey through her life, from her privileged childhood in Upper Manhattan through her marriage to the son of a Mafioso, to Mexican border towns where she falls in with a crowd of Pink Floyd–loving smugglers. Throughout all, Bella grapples with relationships, motherhood, career ups and downs, and a pathological fear of being boring. With a mix of humor and pain, this is “a poignant, beautifully written memoir” of one woman’s quest for the extraordinary in her ordinary life (The Mail on Sunday).
Lyrics sheds light on all aspects of writing lyrics for music and will make lyricists and songwriters feel more confident and creative when they tackle lyrics. It's perfect for all songwriters: those who don’t like their own lyrics and find lyrics difficult to write, experienced writers looking for a creative edge, and those offering lyrics to set to music in a partnership. The book discusses channeling personal experiences into lyrics, overcoming writer's block, the right lyrics for a bridge, the separation between lyrics and poetry, exploring imagery and metaphor, avoiding clichés, and more. It also offers tips on the various styles of lyrics, from protests, spirituals, and confessionals to narratives and comic songs. New to this edition are artist and song references throughout to reflect musical history to date. Also, a new section provides examples of taking lyric ideas right through the drafting process, illustrating development and re-drafting and using a handful of contrasting approaches.
The images we see within ourselves are often the truth. And the images that are out there around us are often the lies of those who want to destroy us. Frank's soul is destroyed. Abandoned by his parents, deported to homes and institutions, he doesn't seem to speak, has no contacts and is completely withdrawn socially. In order to survive everyday life, he increasingly builds a wall around himself and drifts more and more into surreal, psychedelic dream worlds. Frank jumps through time and is haunted by bad memories. His only companion since childhood is his girlfriend Lillith. But she of all people seems to turn against him when he needs her the most... Inspired by psychedelic music, Elias J. Connor tells a visually stunning story about a trauma we may not be able to understand in this social drama.
Beyond its elucidation and critique of traditional ‘notation-centric’ musicology, this book's primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters’ final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters’ third solo album Amused to Death (1993). This book's analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners’ interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, which—to paraphrase the music journalist Karl Dallas—is to affirm human values against everything in life that should conspire against them.