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For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
After a week of hearing ghostly noises, a man is visited in his home by the spirit of his mother, dead for three decades. She reproaches him for his dissolute life and begs him to have Masses said in her name. Then she lays her hand on his sleeve, leaving an indelible burn mark, and departs... A Lutheran minister, no believer in Purgatory, is the puzzled recipient of repeated visitations from "demons" who come to him seeking prayer, consolation, and refuge in his little German church. But pity for the poor spirits overcomes the man's skepticism, and he marvels at what kind of departed souls could belong to Christ and yet suffer still... Hungry Souls recounts these stories and many others trustworthy, Church-verified accounts of earthly visitations from the dead in Purgatory. Accompanying these accounts are images from the "Museum of Purgatory" in Rome, which contains relics of encounters with the Holy Souls, including numerous evidences of hand prints burned into clothing and books; burn marks that cannot be explained by natural means or duplicated by artificial ones. Riveting!
'The disease he has is addiction,' Nina Renata Aron writes of her boyfriend. 'The disease I have is loving him.' Their affair is dramatic, urgent - an intoxicating antidote to the lonely days of early motherhood. But soon, K starts using again. Even as his addiction deepens, she stays, thinking she can save him. It's a familiar pattern, developed in an adolescence marred by family trauma - how can she break it? If she leaves, has she failed? In this unflinching memoir, Aron shows the devastating effect of addiction on loved ones. She also untangles the messy ties between her own history of enabling, society's expectations of womanhood and our ideas of love. She cracks open the feminised phenomenon of co-dependency, tracing its development from the formation of Al-Anon to recent research in the psychology of addiction, and asks uncomfortable questions about when help becomes harm, and when we choose to leave.
In 1712, the Society for the Propagation of the Gospel in Foreign Parts opened its mission near present-day Albany, New York, and began baptizing residents of the nearby Mohawk village Tiononderoge, the easternmost nation of the Haudenosaunee (Iroquois) Confederacy. Within three years, about one-fifth of the Mohawks in the area began attending services. They even adapted versions of the service for use in private spaces, which potentially opened a door to an imagined faith community with the Protestants. Using the lens of performance theory to explain the ways in which the Mohawks considered converting and participating in Christian rituals, historian William B. Hart contends that Mohawks who prayed, sang hymns, submitted to baptism, took communion, and acquired literacy did so to protect their nation's sovereignty, fulfill their responsibility of reciprocity, serve their communities, and reinvent themselves. Performing Christianity was a means of "survivance," a strategy for sustaining Mohawk life and culture on their terms in a changing world.
From the moment that Tsars as well as hierarchs realized that having their subjects go to confession could make them better citizens as well as better Christians, the sacrament of penance in the Russian empire became a political tool, a devotional exercise, a means of education, and a literary genre. It defined who was Orthodox, and who was 'other.' First encouraging Russian subjects to participate in confession to improve them and to integrate them into a reforming Church and State, authorities then turned to confession to integrate converts of other nationalities. But the sacrament was not only something that state and religious authorities sought to impose on an unwilling populace. Confession could provide an opportunity for carefully crafted complaint. What state and church authorities initially imagined as a way of controlling an unruly population could be used by the same population as a way of telling their own story, or simply getting time off to attend to their inner lives. Good for the Souls brings Russia into the rich scholarly and popular literature on confession, penance, discipline, and gender in the modern world, and in doing so opens a key window onto church, state, and society. It draws on state laws, Synodal decrees, archives, manuscript repositories, clerical guides, sermons, saints' lives, works of literature, and visual depictions of the sacrament in those books and on church iconostases. Russia, Ukraine, and Orthodox Christianity emerge both as part of the European, transatlantic religious continuum-and, in crucial ways, distinct from it.
On The Contrary contains a balance of writings by men and women. The essays are presented in pairs, a man and a woman writing on each topic. This balanced juxtaposition allows students to discuss, think, and write about changing roles and relationships without being forced into either a feminist or traditionalist party line. The essays in each section reverberate suggestively with each other and this effect is reinforced by the discussion questions, writing topics, and introductory material. An additional table of contents arranges the essays according to rhetorical rubrics.
Fascinating texts written on small gold tablets that were deposited in graves provide a unique source of information about what some Greeks and Romans believed regarding the fate that awaited them after death, and how they could influence it. These texts, dating from the late fifth century BCE to the second century CE, have been part of the scholarly debate on ancient afterlife beliefs since the end of the nineteenth century. Recent finds and analysis of the texts have reshaped our understanding of their purpose and of the perceived afterlife. The tablets belonged to those who had been initiated into the mysteries of Dionysus Bacchius and relied heavily upon myths narrated in poems ascribed to the mythical singer Orpheus. After providing the Greek text and a translation of all the available tablets, the authors analyze their role in the mysteries of Dionysus, and present an outline of the myths concerning the origins of humanity and of the sacred texts that the Greeks ascribed to Orpheus. Related ancient texts are also appended in English translations. Providing the first book-length edition and discussion of these enigmatic texts in English, and their first English translation, this book is essential to the study of ancient Greek religion.
About the Book Can Coby Rodriguez save the world? After six lost babies, Dina Rodríguez gives birth to her healthy baby girl, Coby, who is deemed by a mystic to be the seventh of the good-natured souls that will play a key role in guiding Coby's life to an extraordinary destiny. After she graduates from West Point at the top of her class, Coby is assigned to a harrowing mission to stop the diabolical plans of vengeful Fahid from destroying the entire capitalistic system of the western world. At great peril to ·herself and her family, Coby is forced to make many sacrificial choices 7th Soul's positive themes inspire self-belief, curiosity, and love for family.
Where is your solace when you have lived a life without religion or faith, only to find out nearing the hour of your death you have nothing to trust. Even a life of constant faith can end with fear of the damnation threatened by your minister. What if you are gay, or lesbian, locked away in prison, or hopelessly addicted to drugs or alcohol? When the fear of death occupies your mind, what can you turn to? Where is the truth? What happens when I die? Which church is the right one? Will there be rapture? Is God on our side? Can I really get into heaven for an adequate donation? Thousands are in prison, thousands are gay, and thousands have no religious affiliations at all. Yet in every heart lies the fear of damnation and the uncertainty of what may await us on the other side. Gays are called abominations by churches and good Christians; sentenced to exclusion and damned forever. Prisoners are for the most part condemned to hell for their crimes. The everyday average person does not go to church at all. I offer these untold thousands a new answer, a plausible alternative to sackcloth and ashes. I offer a faith in the absolute "understanding" that awaits us after death. I ask readers to look past the ranting and threats of all religions. You need to see that they are selling heaven. There is no Bible thumping or condemnation in chapter and verse. This is a religious, anti-religious book. I offer piece of mind, even hope for your personal end times. It is not deep nor psychologically steeped in conjecture. Free yourself from bondage and fear. Share the story. The End Times may be here! This book can help you prepare.