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A study of how and why US-Latin American relations changed in the 1930s: “Brilliant . . . [A] charming and perceptive work.” ―Foreign Affairs During the 1930s, the United States began to look more favorably on its southern neighbors. Latin America offered expanded markets to an economy crippled by the Great Depression, while threats of war abroad nurtured in many Americans isolationist tendencies and a desire for improved hemispheric relations. One of these Americans was Franklin Delano Roosevelt, the primary author of America’s Good Neighbor Policy. In this thought-provoking book, Bolton Prize winner Fredrick Pike takes a wide-ranging look at FDR’s motives for pursuing the Good Neighbor Policy, how he implemented it, and how its themes played out up to the mid-1990s. Pike’s investigation goes far beyond standard studies of foreign and economic policy. He explores how FDR’s personality and Eleanor Roosevelt’s social activism made them uniquely simpático to Latin Americans. He also demonstrates how Latin culture flowed north to influence U.S. literature, film, and opera. This book is essential reading for everyone interested in hemispheric relations.
The New York Times bestseller: “A superb, thoughtful biography” of the creator and star of Mister Rogers’ Neighborhood (David McCullough). Fred Rogers was an enormously influential figure in the history of television and in the lives of tens of millions of children. Through his long-running television program, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work. King explores Rogers’s surprising decision to walk away from his show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.
Very few works of history, if any, delve into the daily interactions of U.S. Foreign Service members in Latin America during the era of Roosevelt’s Good Neighbor Policy. But as Jorrit van den Berk argues, the encounters between these rank-and-file diplomats and local officials reveal the complexities, procedures, intrigues, and shifting alliances that characterized the precarious balance of U.S. foreign relations with right-wing dictatorial regimes. Using accounts from twenty-two ministers and ambassadors, Becoming a Good Neighbor among Dictators is a careful, sophisticated account of how the U.S. Foreign Service implemented ever-changing State Department directives from the 1930s through the Second World War and early Cold War, and in so doing, transformed the U.S.-Central American relationship. How did Foreign Service officers translate broad policy guidelines into local realities? Could the U.S. fight dictatorships in Europe while simultaneously collaborating with dictators in Guatemala, El Salvador, and Honduras? What role did diplomats play in the standoff between democratic and authoritarian forces? In investigating these questions, Van den Berk draws new conclusions about the political culture of the Foreign Service, its position between Washington policymakers and local actors, and the consequences of foreign intervention.
Our neighborhoods need more people who know and care for each other in the world in which we live. Our neighborhoods need people like YOU! What does it mean to be a good neighbor? A little boy named Warner learns what it means to be welcoming, spontaneous, generous, helpful, responsible, and community-minded from the people on his street. Follow along with him and become a neighbor ambassador on your street.
Cultural diplomacy—“winning hearts and minds” through positive portrayals of the American way of life—is a key element in U.S. foreign policy, although it often takes a backseat to displays of military might. Americans All provides an in-depth, fine-grained study of a particularly successful instance of cultural diplomacy—the Office of the Coordinator of Inter-American Affairs (CIAA), a government agency established by President Franklin D. Roosevelt in 1940 and headed by Nelson A. Rockefeller that worked to promote hemispheric solidarity and combat Axis infiltration and domination by bolstering inter-American cultural ties. Darlene J. Sadlier explores how the CIAA used film, radio, the press, and various educational and high-art activities to convince people in the United States of the importance of good neighbor relations with Latin America, while also persuading Latin Americans that the United States recognized and appreciated the importance of our southern neighbors. She examines the CIAA’s working relationship with Hollywood’s Motion Picture Society of the Americas; its network and radio productions in North and South America; its sponsoring of Walt Disney, Orson Welles, John Ford, Gregg Toland, and many others who traveled between the United States and Latin America; and its close ties to the newly created Museum of Modern Art, which organized traveling art and photographic exhibits and produced hundreds of 16mm educational films for inter-American audiences; and its influence on the work of scores of artists, libraries, book publishers, and newspapers, as well as public schools, universities, and private organizations.
Originally published in 1979. American diplomacy during Franklin D. Roosevelt's presidency has received much attention, with one notable exception—the United States' relations with Latin America. Irwin Gellman's book corrects this past neglect through a perceptive analysis of FDR's "Good Neighbor" efforts in Latin America. Based on a fresh examination of State Department records and extensive manuscript sources (including an unprecedented use of Nelson Rockefeller's oral history archives), the book points out the complexities of Good Neighbor diplomacy and its intimate relationship to Roosevelt's global strategies. As background to his discussions of FDR's policies, Gellman looks first at how Latin American affairs were handled during the administrations of Harding, Coolidge, and Hoover, the three Republicans who preceded Roosevelt in office. Good Neighbor diplomacy, Gellman shows, was not a carryover from these administrations; it bore the distinctive mark of FDR's own making. He then describes how Roosevelt's policy of nonintervention worked, particularly how military force was superseded by more subtle diplomatic maneuverings. Turning to a discussion of economic relations with Latin America, Gellman focuses on how the United States' own situation—cut off from international trade by the Depression—encouraged regional expansion. And, finally, he looks at how Roosevelt parlayed the threat of war in Europe and the specter of Nazi penetration in the Americas to further solidify a hemispheric stand. Gellman's account vividly demonstrates that Good Neighbor diplomacy was as much the product of personality as it was of policy. In particular, it emerged out of the rivalries and alliances among three men: Roosevelt; his Secretary of State, Cordell Hull; and Assistant Secretary of State, Sumner Welles. Gellman (the first to have access to FBI files on Welles) characterizes FDR as an astute politician who saw an opportunity to use pan-Americanism to restore America to world prominence—yet could not handle the personality conflicts among those in his own ranks. Gellman shows how tenuous a government policy can be when so much of it depends on personal control and influence.
In The Last Good Neighbor Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR's Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Zolov shows how President Adolfo López Mateos (1958–1964) leveraged Mexico's historical ties with the United States while harnessing the left's passionate calls for solidarity with developing nations in a bold attempt to alter the course of global politics. During this period, Mexico forged relationships with the Soviet Bloc, took positions at odds with US interests, and entered the scene of Third World internationalism. Drawing on archival research from Mexico, the United States, and Britain, Zolov gives a broad perspective on the multitudinous, transnational forces that shaped Mexican political culture in ways that challenge standard histories of the period.