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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Foreword by Adrian Dannatt. Text by Pierre Berge, Peter Marino, Reed Krakoff.
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
"Art auctions have long captured the public imagination. They regularly make news headlines and have become synonymous with glamour, money and social distinction. The marketing of auction houses and the works they sell has resulted in firms attaining authoritative positions and the ability both to influence and reflect collecting tastes. Pedigree and panache is the first comprehensive history of the art auction in Australia. In this fascinating work, Shireen Huda investigates the construction of the glamorous reputation of art auctions and art auction houses. Featuring absorbing case studies of key art auctions and major art auction houses in Australia (including Christies, Sothebys and Deutscher-Menzies) the work provides an overview of the origin and international development of art auctions. The development of the Australian marketplace is then explored, detailing colonial inception and continuing until Christies' withdrawal of its saleroom presence in 2006."--Provided by publisher.
This is a biography of American landscape painter Sanford Robinson Gifford, a leading member of the Hudson River School. It discusses he extensive travels in search of scenic landscapes.
What does it mean to paint a flag and to paint it in 2020? Through art historical, sociocultural, and philosophical lenses, Dieter Roelstraete undertakes an investigation of vexillology?the study of flags?as a way to decipher World Paintings, the new series of works by Norwegian artist Fredrik Værslev depicting national flags. Flags connote territorial belonging and whereas class, racial, and sexual identity continue to dominate the political discourse of art, national identity has long been shrouded in taboo. In times of ever-tensing culture wars?wars fought over symbols (flags, hymns, face masks, statues)?and unparalleled racial strife, Værslev?s artistic proposition is an especially contentious yet also a painfully timely one. Worldwide, COVID-19?enforced semi- or total lockdowns induce nations, borders, and sovereignties to regain weight. In its reinterpretation of the standard sizes and colors of national flags, especially through expressive whites (smears of colored paint soiling unpigmented portions of the canvas), this new body of work syncs with the artist?s earlier projects such as the canopy, terrazzo, trolley, sail, and window paintings, all of which trigger a tension between seeing an image as an image and seeing it as a representation, between the idea of mastery and the general avoidance of authorial mark making. Along with Roelstraete?s essay, the publication includes reproductions of forty-five World Paintings, and it is available with three different cover designs, imitating the national flags of Greece, the United States of America, and Uzbekistan.00Exhibition: Giò Marconi Gallery, Milan, Italy (22.09.2020-22.01.2021).
This striking new book features 18 paintings by the renowned American abstract painter Helen Frankenthaler. Showcasing eighteen of Frankenthaler’s paintings, dating from 1962 to 1987, this beautiful book highlights the diverse relationship between drawing and painting evident in the artist’s work. The book includes color plates of all 18 works, as well as nine double-page spread details. Never-before-published documentary material appears throughout new and insightful texts by John Elderfield, Francine Prose, and Carol Armstrong. This book accompanies the 2016 exhibition of Frankenthaler’s work at Gagosian Gallery Beverly Hills.