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SECRET MARRIAGE?She called herself "Charlie Smith," and only Denver McCaine remembered her as Adrianna Charlyne Chandler. But Charlie was no longer the aloof-but-beautiful heiress a rugged mercenary like him could only dream about. Now she was a struggling single mom who'd run from the husband her wealthy family had chosen for her. And her new life was wonderful—until her family found her…. The only way Charlie could keep her happy home was if she pretended to be Denver's wife. But her son secretly longed to make Denver his real dad. And soon Charlie wondered how much tender loving protection she could take before dreams of happily-ever-after took hold of her wistful heart….
There was a time gone by yet not known to many of us, which is dredged up and recovered in East Side Stories; this was the time of the Great Depression. In this fictional account, twenty stories in all , we delve into the lives of immigrants and their families who lived in the tenements of the Lower East Side of New York City. There is the aged actor who sings and speaks in many voices; there is Orchard Street with its pushcarts; there is the story of a young woman faced with the dilemma of whether or not to agree to a marriage with a much older man, one who has a good steady job. We meet a woman, deserted by her husband, who lives with a gambler who promises to marry her. There is a story of two boys, one Jewish, the other Italian, whose algebra teacher's moods fluctuate up and down. And there is a woman ostracized by her neighbors. There is the story of the girl who hates herself and what she is. We meet an entrepreneur who plays every angle to keep his business afloat . Then there is the cross-eyed boy who feels cursed; and the gangsters from Murder Inc. who shoot dice on the street. There is the boy who pines for a girl who lives nearby. There are stories of events at a junior high school; another of a college student and his black friend, Earl, and their adventure in a Spanish class. There is more. And all in all they are a mosaic of those times and that place.
Known to the world as Goldie, Vijay Anand, the visionary Hindi film director and screenwriter, whose oeuvre includes such respected and successful films as Kala Bazaar, Tere Ghar Ke Saamne, Guide, Teesri Manzil, Jewel Thief, Johny Mera Naam, Tere Mere Sapne, Blackmail and Kora Kagaz, amongst many more, has remained largely uncelebrated. Goldie was one of the few ‘complete’ filmmakers in the Hindi film industry, who had the ability to look beyond stereotypes and help actors re-invent themselves. A rare non-filmy personality in the midst of the otherwise quite filmy industry folks, he always saw himself as a student and an explorer, and is credited with bringing newness and slickness to Hindi cinema. In his prolific career, Goldie directed 17 movies, acted in 19 and wrote over a dozen, many under the family banner—Navketan Films, established in 1949 by his two older brothers, the iconic star-actor Dev Anand, and director Chetan Anand. In Goldie: The Man and His Movies, which is the only published biography of this astoundingly talented filmmaker, Anitaa Padhye, film journalist and author, chronicles the life and times of this maverick artist, as narrated to her by the man himself over many meetings, prior to his sudden demise on 23 February 2004.