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A sumptuous history of Golden Age Spain that explores the irresistible tension between heavenly and earthly realms. Incomparable Realms offers a vision of Spanish culture and society during the so-called Golden Age, the period from 1500 to 1700 when Spain unexpectedly rose to become the dominant European power. But in what ways was this a Golden Age, and for whom? The relationship between the Habsburg monarchy and the Roman Catholic Church shaped the period, with both constructing narratives to bind Spanish society together. Incomparable Realms unpicks the impact of these two historical forces on thought and culture and examines the people and perspectives such powerful projections sought to eradicate. The book shows that the tension between the heavenly and earthly realms, and in particular the struggle between the spiritual and the corporeal, defines Golden Age culture. In art and literature, mystical theology and moral polemic, ideology, doctrine, and everyday life, the problematic pull of the body and the material world is the unacknowledged force behind early modern Spain. Life is a dream, as the title of Calderón’s famous play of the period proclaimed, but there is always a body dreaming it.
Taking up the invitation extended by tentative attempts over the past three decades to construct a functioning definition of the genre, Jonathan Bradbury traces the development of the vernacular miscellany in sixteenth- and seventeenth-century Spain and Spanish-America. In the first full-length study of this commercially successful and intellectually significant genre, Bradbury underlines the service performed by the miscellanists as disseminators of knowledge and information to a popular readership. His comprehensive analysis of the miscelánea corrects long-standing misconceptions, starting from its poorly-understood terminology, and erects divisions between it and other related genres. His work illuminates the relationship between the Golden Age Spanish miscellany and those of the classical world and humanist milieu, and illustrates how the vernacular tradition moved away from these forebears. Bradbury examines in particular the later inclusion of explicitly fictional components, such as poetic compositions and short prose fiction, alongside the vulgarisation of erudite or inaccessible prose material, which was the primary function of the earlier Spanish miscellanies. He tackles the flexibility of the miscelánea as a genre by assessing the conceptual, thematic and formal aspects of such works, and exploring the interaction of these features. As a result, a genre model emerges, through which Golden Age works with fragmentary and non-continuous contents can better be interpreted and classified.
"Explores the role of the sacrament of penance in the religion and society of early modern Spain. Examines how secular and ecclesiastical authorities used confession to defend against heresy and to bring reforms to the Catholic Chiurch"--Provided by publishers.
Early modern Spain has long been viewed as having a culture obsessed with honor, where a man resorted to violence when his or his wife's honor was threatened, especially through sexual disgrace. This book--the first to closely examine honor and interpersonal violence in the era--overturns this idea, arguing that the way Spanish men and women actually behaved was very different from the behavior depicted in dueling manuals, law books, and honor plays of the period. Drawing on criminal and other records to assess the character of violence among non-elite Spaniards, historian Scott K. Taylor finds that appealing to honor was a rhetorical strategy, and that insults, gestures, and violence were all part of a varied repertoire that allowed both men and women to decide how to dispute issues of truth and reputation.
Charles V, Emperor of Europe and the New World, is the central figure in the second volume of Hugh Thomas's great history of the Spanish Empire. It begins with the return of the remnants of Magellan's expedition around the world in 1522 and ends with Charles's death in 1558. In the decades between, the Spaniards conquer Guatemala, Yucatan, Columbia, Venezuela, Peru and Chile, and control the banks of the mighty River Plate; the audacious conquistador Francisco de Orellana journeys down the Amazon, Cabeza de Vaca walks from Florida to Mexico, Juan Vazquez Coronado pioneers into New Mexico and Hernando de Soto vainly pursues worldly riches in Florida, Mississippi and Georgia. Hugh Thomas writes vividly, conveying the conquerors' almost disbelieving sense of what they were achieving. The discovery and subjugation of so many native peoples raised enormous controversy within Spain about how they should be treated, a debate Thomas explores perceptively, with an eye for resonances have lasted centuries. Hugh Thomas brings alive one of the most extraordinary and influential moments in High Renaissance and world history.
A book about life in Spain from the succession of Philip II (1556) to the death of Philip IV (1665). The author relies primarily upon careful use of literary works and travel accounts written during this 'golden age'. In addition to delightful descriptions and anecdotes, he has woven into his text important political and economic developments. He provides a general view of Spain, stressing the importance of the Catholic faith and the emphasis upon personal honour, before surveying life and society in urban and rural areas. He then examines in some detail life in the Church, university, military and home; public entertainment; and the picaresque life.
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius -- the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
For nearly five centuries, lay religious groups throughout the Spanish-speaking world have staged elaborate public processions commemorating the events of Christ's passion during Holy Week. In the Golden Age, such processions featured extraordinarily lifelike sculpted images that were naturalistically painted, elaborately clothed and adorned, and surrounded by convincing stage properties and scenography--all of which combined to create a profound impression on spectators. Long dismissed as a minor form of popular art, these polychrome wood sculptures emerge from this book as a unique genre, one that can be best understood within its ritual context. Here, Susan Verdi Webster explores the Holy Week processions of penitential confraternities in Golden-Age Seville, for which many of Spain's greatest sculptors created some of the most illusionistic works ever. She demonstrates how the pivotal role of the sculptures in procession transformed them from carved wooden objects to catalysts for intense spiritual and emotional experiences shared by spectators in the streets. Drawing on extensive archival evidence and contemporary chronicles, Webster is among the first to examine in depth Spanish processional sculpture, its patrons, and its ritual function. Her inquiry wends through a kaleidoscopic variety of arenas--artistic, religious, social, cultural, and political--to provide a fascinating perspective on popular religious devotion in Golden-Age Spain and on a previously undervalued dimension of Spanish sculpture.