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The first book to examine the rich jewelry traditions of the Batak people in Indonesia is a gorgeous tribute to a vanishing way of life. Batak jewelry is characterized by a wide variety of materials and forms, and has many functions: Jewels can be status symbols, badges of rank, attributes of membership into a certain age group, amulets and talismans, or simply ornaments. Men, women, small children, and even babies were once adorned with gold, silver, brass, bronze, or the gold-and-copper alloy known as suasa. Today, the Batak wear traditional jewelry only for celebrations like weddings, and these stunning works are rapidly disappearing, being melted down or sold. The nearly 300 precious works shown here are artifacts of a once-flourishing jewelry tradition.
This book commemorates the remarkable gift of over 400 works from the collection of Barbara and David Kipper to the Art Institute of Chicago. These outstanding pieces of jewelry and ritual objects offer a material record of vanishing ways of life. Used as portable forms of wealth, as personal adornment, and in religious practice, they represent a broad spectrum of cultures. The majority comes from the Himalayan region, including Tibet, Nepal, Bhutan, and Mongolia, and other pieces hail from Afghanistan, China, India, Indonesia, Kazakhstan, Pakistan, Turkmenistan, and Uzbekistan. The catalogue showcases stunning works--including delicate amulet boxes, other Tibetan Buddhist artifacts, and ornate Turkmen jewelry--through dramatic photography undertaken specifically for this publication. With five essays placing the objects in the contexts of their native regions, Vanishing Beauty offers a beautiful presentation of creativity and craftsmanship from across Asia.
Ethnic Jewellery from Indonesia: Continuity, Creativity and Evolution is a compelling introduction to the little known visual power and beauty of the body adornments used by the myriad peoples of Indonesia s outer islands, including Sumatra, Borneo, Sulawesi, Sumba and Maluku. Illustrated with more than 500 rare pieces that have been accumulated since the 1970s by collector Manfred Giehmann, the book explores the depth and breadth of an ancient and magnificent tradition, revealing the fruits of careful documentation that has taken place over a period of decades. It will provide information on the origin, meaning and purpose of the jewellery items, as well as unique insights into the people who crafted and wore the jewellery for ritual or ceremonial functions. Ethnic Jewellery: Continuity, Creativity and Evolution is a definitive work on the subject and a testimony to the greatness of a fast-disappearing Indonesian tradition."
Jewelry & personal adornment.
Gold Jewellery of the Indonesian Archipelago features more than 500 stunning, never-before published examples of tribal, ethnic, ancient and courtly body ornaments from Indonesia's outer islands - Sumatra, Borneo, Sulawesi, the Lesser Sunda Islands and Maluku. Written by Anne Richter, author of Arts and Crafts of Indonesia and Jewelry of Southeast Asia, and Bruce Carpenter, acknowledged expert with more than 20 years of experience in the field of Indonesian art, history and culture, and more than 16 books to his name, this volume provides a compelling introduction to the little-known visual power and beauty of Indonesian jewellery. Illustrated with archival artwork and maps as well as photos of carefully selected rare ornamental adornments, this book also traces the historical origins of Indonesia's remarkably diverse culture and peoples.
The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.
A comprehensive anthropological history of the Batak several groups with distinct, albeit related, languages and customs ethnic groups from the highlands of North Sumatra, Indonesia.
Using a combination of tapestry, and lace-making techniques- Barbara Natoli Witt's necklaces are stunning intricate webs of ancient beads, colored threads, artifacts and gem stones from Asia, Africa, the Americas and Europe. Nartoli Witt was a pioneer in the wearable art movement that began in San Francisco and has been creating her necklaces for over 40 years.
- Features rare island artefacts- Covers both Indonesian and Timorese textiles and jewelryThread and Fire is a fascinating journey through the centuries-old trade networks that developed across a group of archipelagos along the equator. Of the 18,000 islands, more than 900 are permanently settled by over 360 ethnic groups, speaking 700 languages and dialects. For centuries this vast and rich environment favored local and regional exchanges, and it was only later that people visited from afar. New connections integrated these archipelagoes with the distant civilizations of continental Asia: first India, later China and from the 13th century onwards, the Islamic world. Finally, with the arrival of Europeans in the early 16th century, global trade and connections grew rapidly. Spices and forest & sea products were the focus of foreign interests, and textiles were the currency for their acquisition. These imported textiles, complemented with ornaments and jewelry, soon became part of the region's social fabric, indispensable items of gift and exchange, essential markers for the indictment of ceremonies, rights of passage and signifiers of rank and prestige. Thread and Fire explores and illustrates those ancient connections and traditions through Indonesian and Timorese textiles, regalia and jewelry from the Francisco Capelo collection, assembled over a 20-year period and now part of the permanent collection of Casa Asia-Colecao Francisco Capelo in Lisbon.