Download Free Gold Foil Ornate Floral Pattern Notebook Book in PDF and EPUB Free Download. You can read online Gold Foil Ornate Floral Pattern Notebook and write the review.

For all initials and covers, click on store name Bittoon Kittoon Press above. 8.5 inch x 11 inch Wide-Ruled Journal and Diary. Soft Glossy Cover. These uniquely drawn Red and Peach Roses whisper of peaceful days and elegant surroundings. The leaves and roses feature lustrous gold colored edging. Display your personal style with your first initial embellished with gold filigree scrolls. Included inside your beautiful journal: 154 Pages of Wide-Ruled Blank Lined Notebook-Sized Pages Left Vertical Line for Side Notes Full Edge to Edge Line Width Front page has space for you to describe your journal. High Quality White Paper. BONUS: A coloring page featuring the front cover design. Thank you for being a valued customer of Bittoon Kittoon Press! We hope you enjoy using this journal as much as we enjoyed creating it. It is our pleasure to delight you. Please do not hesitate to provide feedback about your new journal. Published by Bittoon Kittoon Press. Designed in the USA. Printed by Amazon Kindle Direct Publishing. (c) Bittoon Kittoon Press. All Rights Reserved.
- Size: 10 x 7 x 3/4" - Hardcover - Printed and Embossed PU Cover with "Guest Book" Hot-stamp -
This book acts as a showcase for a collaborative art project sponsored by artists Angela Cartwright and Sarah Fishburn. The project explores the theme of "gardens" as a metaphor for peace, beauty, tranquility, reflection, and creativity, while at the same offering readers an inspiring collage workbook that explores the techniques, methods, and the insights of the participating artists. The book includes inspiring garden-related quotes that artists can use in their own work, a blank "garden gate" template, and a gallery of garden-themed imagery that readers can alter and use in their own artwork.
Higinio V. Gonzales (1842–1921) was more than a gifted metalworker. A man of varied talents whose poems and songs complement his work in punched tin, Gonzales transcends categorization. In The Artistic Odyssey of Higinio V. Gonzales, Maurice M. Dixon, Jr., who has spent more than thirty years studying New Mexico tinwork, describes the artist’s signature techniques. Featuring translations of Gonzales’s poetry, this book restores a long-forgotten New Mexican innovator to the prominence he deserves. Recounting the scholarly detective work that revealed the full scope of Gonzales’s art and career, Dixon tells the story of a craftsman who was also a poet. He begins with Gonzales’s first signed literary work, a handwritten birthday poem decorated with beautifully drawn flowers and birds, dated 1889, and then pieces together the artist’s life and career. Through meticulous research into manuscripts and the dates of tin cans that Gonzales repurposed into elegant, fanciful frames, niches, sconces, and religious decorations, Dixon identifies as Gonzales’s numerous pieces of poetry and tinwork once attributed to anonymous poets and artists. His most important discovery served as a Rosetta stone: an ink wash and watercolor drawing in an ornamental tin frame (housed at the Millicent Rogers Museum in Taos), whose documented provenance helped Dixon to identify Gonzales’s other artwork. More than 100 color photographs of Gonzales’s tinwork and more than a dozen translations of the artist’s poetic and musical works punctuate the narrative. Both a catalogue raisonné of a hitherto little-known artist and an anthology of his writings, this book reconstructs the creative life of a long-overlooked talent, one whose quest for beauty resulted in a prolific body of art and literature.
Author of the biography of Whitman and several other books about the poet, general coeditor of The Collected Writings, and for 25 years the leading scholar of Leaves of Grass, Allen has now produced a critical guide for an intelligent reader's analysis and evaluation of current interpretations and approaches to Whitman's poetry. Its five sections are concerned with: a) the Whitman man-or-beast myth; 2) the 'long foreground' to the Leaves; 3) the nine editions, 1855-1892, of Whitman's book...; 4) the central themes or subject matter that give it unity, and the views of critics...; and 5) its form and structure as seen in a dozen individual lyrics. The result is a useful, valuable, and even remarkable capstone to a long career devoted to the study of 'A Bible for Democracy' (Whitman's phrase for Leaves of Grass).