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God's Phallus explores the dilemmas created by the maleness of God for the men of ancient Judaism and for Jewish men today.
Beginning with an overview of the symbolism of creative forces in general, The Phallus first examines the representation of male fertility in such forms as the menhirs or standing stones of prehistoric Europe; the Mahalinga and Svayambhu of India; and the ancient Greek Omphalos. The second part of the book surveys the presence of ithyphallic gods in archaic shamanistic religions (the Lord of the Animals), the Greek pantheon (Hermes, Priapus), and the Hindu deities (Ardhanarishvara, the androgyne). Danielou also explores the role of Shaivist and Dionysian initiatory rites in bringing men into communion with the creative forces of life. Illustrated throughout with photographs and line drawings of European and Indian art, The Phallus celebrates the expression of the masculine in the religious traditions of East and West. Phallic imagery, in one form or another, may be found in the artistic traditions of virtually every world culture since prehistoric times. Alain Danielou here unveils the religious impulse underlying art that at first glance seems to have no purpose beyond the erotic.
Japan’s Sexual Gods is an authoritative and original work that describes the unique deities represented by sexual objects in certain Japanese shrines and temples. Hundreds of sexual shrines still exist in spite of previous repression and range from the Tagata Shrine with its well-known giant festival phallus to small obscure places. Many also contain female sexual imagery and some phalluses act in a protective role. The study is based on observations of over 500 sexual sites including phallic festivals, many of which are modern inventions created purely for commercial reasons. The study makes an assessment of the place of sexual beliefs in modern Japan and includes almost 300 stunning original photographs, a glossary and a highly detailed map.
Deconstruction is so labyrinthine (and rumored to be fatal) that it’s become the monster that murdered philosophy. When Jacques Derrida, the father of deconstruction, uses buzz-words such as “phallogocentrism” and “transcendental signified,” humanities students and aspiring philosophers may get weak in the knees. Following up on the success of Derrida For Beginners, Jim Powell’s Deconstruction For Beginners is an irreverent romp through deconstructive domains. Though Powell offers lucid explanations of the most important deconstructive ideas and texts, he also dive into lesser known works. One of these, The Right to Look, finds Derrida offering his thoughts on a photo-novella consisting of images of women making love with each other. Powell then goes on to explore how deconstruction, like an unruly mistress, has escaped Derrida, especially in the realm of architecture. Then, based on Derrida’s assertion that deconstruction happens differently in different cultures, Powell examines how – through Buddhism and Taoism – deconstruction took place in ancient India, Japan, and China.
There is not, and never was, a monolithic masculinity; there are, and always have been, multiple masculinities. Today diversity with regard to gender and sexuality is beginning to be recognized and celebrated even while many religious denominations still resist these cultural changes. This book offers pastoral interpretations of these social shifts in light of psychological principles, applying them to topics such as the moral disapproval of masturbation; the efforts of some churches to convince homosexual men to adopt a heterosexual orientation; the dynamics of male envy of female longevity; the homosexual tendencies of King James of England and Scotland; and biblical portraits of God's body, gender, and sexuality. The authors make a special use of the psychoanalytic concept of sublimation--that is, the redirection of sexual desires that are considered unacceptable or unworthy toward interests and aspirations that are considered acceptable and worthy. While the use of psychoanalytic hermeneutics here is likely to raise various red flags for potential religious readers (especially for those who have been informed that Sigmund Freud was hostile toward religion), this book presents a rather different Freud by focusing on religious sublimation.
Originally published in 1940, this classic study of two schizophrenic case-histories further opened up the seemingly intractable problem of this condition; a task preceded by Jung’s own Psychology of Dementia Praecox. It was Baynes’s grasp of the meaning of the symbol coupled with his wide scholarship that enable him to explore the case-histories in such remarkable and fruitful depth, thus linking pathological psychology through graphic expression and the dream of the myths of mankind and the universal man. This was truly a scientific task. In case 1, the series of dreams, fantasies and active imagination, fully illustrated by the patients’ spontaneous paintings, suggested to him a kind of mythological imagery. Baynes then demonstrates the emergence and development of a hero myth together with its therapeutic effect upon the patient, as an inner personal experience of death and rebirth. Baynes also applied the methods of synthesis to the understanding of modern art and its reflection of the spirit of the times – a realization of the basic split in the socio-religious structure of European Culture. In case 2, the subject was an artist, and out of his own split he seemed to have created a symbolic bridge that would be a therapeutic bridge for himself and a possible model for curing the evil of the times in which we then were living.
In this strikingly original work, Stephen Moore considers God's male bodies--the body of Yahweh in the Hebrew Bible, and the Father of Jesus Christ, and Jesus himself in the New Testament--and our obsessive earthly quest for a perfect human form. God's Gym is about divinity, physical pain, and the visions of male perfectability. Weaving together his obsession with human anatomy and dissection, an interest in the technologies of torture, the cult of physical culture, and an expert knowledge of biblical criticism, Moore explains the male narcissism at the heart of the biblical God. God's Gym is an intensely personal book, brimming with our culture's phobias and fascinations about male perfectability.
Introducing the Women's Hebrew Bible is an up-to-date feminist introduction to the historical, socio-political, and academic developments of feminist biblical scholarship. In the second edition of this popular text Susanne Scholz offers new insights into the diverse field of feminist studies on the Hebrew Bible. Scholz provides a new introductory survey of the history of feminism more broadly, giving context to its rise in biblical studies, before looking at the history and issues as they relate specifically to feminist readings and readers of the Hebrew Bible. Scholz then presents the life and work of several influential feminist scholars of the Bible, outlining their career paths and the characteristics of their work. The volume also outlines how to relate the Bible to sexual violence and feminist postcolonial demands. Two new chapters further delineate recent developments in feminist biblical studies. One chapter addresses the relationship between feminist exegesis and queer theory as well as masculinity studies. Another chapter problematizes the gender discourse as it has emerged in the Christian Right's approaches to the Old Testament.
Legal Friction: Law, Narrative, and Identity Politics in Biblical Israel tracks the mystery of narratives in the Hebrew Bible and their allusions to Sinai laws by highlighting intertextual allusions created by verbal resonances. While the second and the third parts of the volume illustrate allusions to Sinai narratives made by some narratives occurring in the post-Sinaitic era, twenty-three Genesis narratives are analyzed to show that the protagonists were bound by Sinai Laws before God supposedly gave them to Moses, anticipating the Book of Jubilees. Legal Friction suggests that most of Genesis was composed during or after the Babylonian exile, after the codification of most Sinai laws, which Genesis protagonists consistently violate. The fact that they are not punished for these violations implies to the exiles that the Sinai Covenant was unconditional. In addition, the author proposes that Genesis contains a hidden polemic, encouraging the Judean exiles to follow the revisions of laws of the Covenant Code by the Holiness Code and Deuteronomy. Genesis narratives, like those describing post-Sinai events, often cannot be understood properly without recognition of their allusions to biblical laws.
In the last three decades, hundreds of books and essays have been published on women, gender, and Jewish Studies. This burgeoning scholarship has not been adequately theorized, contextualized, or historicized. This book argues that Jewish feminist studies is currently constrained by multiple frames of reference that require re-examination, a self-critical awareness, and a serious reflective inquiry into the models, paradigms, and assumptions that inform, shape, and define this area of academic interest. This book is the first critical analysis of Jewish feminist scholarship, tracing it from its tentative beginnings in the late 1970s to contemporary academic articulations of its disciplinary projects. It focuses on the assumptions, evasions, omissions, inconsistencies, and gaps in this scholarship, and notably the absence of debate, contestation, and interrogation of authoritative articulations of its presumed goals, investments, and priorities. The book teases out implicit thinking about mapping, direction, and orientation from introductions to leading anthologies and engages critically with the few explicitly theoretical works on Jewish feminist studies, contesting ideas that have become hegemonic in some areas, and interrogating the limitations these theories impose on future trajectories in Jewish feminist studies. Each chapter outlines the theoretical assumptions that inform salient publications in the field, providing a close reading of scholarly texts that justify certain practices. The book is divided into four chapters, each of which focuses on a different frame of reference. It outlines the way in which the various frames that have so far been imposed on Jewish feminism, the ethnocentric, liberal, personal, masculinist, and essentialist, have arrested its theoretical elaboration and articulation. The book includes both interdisciplinary anthologies on gender and Jewish identity and disciplinary publications in history, literature, philosophy, cultural studies, and Holocaust studies.