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With the Bible as a guide and heaven as the goal, Oneness Embraced calls God's people to kingdom-focused unity. It tells us why we don't have it, what we need to get it, and what it will look like when we do. Mr. Evans weaves his own story into this word to the church.
"We would never give Picasso a paintbrush and only one color of paint, and expect a masterpiece," writes Randy Woodley. "We would not give Beethoven a single piano key and say, 'Play us a concerto.' Yet we limit our Creator in just these ways." Though our Christian experience is often blandly monochromatic, God intends for us to live in dynamic, multihued communities that embody his vibrant creativity. Randy Woodley, a Keetowah Cherokee, casts a biblical, multiethnic vision for people of every nation, tribe and tongue. He carefully unpacks how Christians should think about racial and cultural identity, demonstrating that ethnically diverse communities have always been God's intent for his people. Woodley gives practical insights for how we can relate to one another with sensitivity, contextualize the gospel, combat the subtleties of racism, and honor one another's unique contributions to church and society. Along the way, he reckons with difficult challenges from our racially painful history and offers hope for healing and restoration. With profound wisdom from his own Native American heritage and experience, Woodley's voice adds a distinctive perspective to contemporary discussions of racial reconciliation and multiethnicity. Here is a biblical vision for unity in diversity.
Why be colorblind when we can be colorFULL instead? Imani and Kayla are the best of friends who are learning to celebrate their different skin colors. As they look around them at the amazing colors in nature, they can see that their skin is another example of God's creativity! This joyful story takes a new approach to discussing race: instead of being colorblind, we can choose to celebrate each color God gave us and be colorFULL instead.
How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.
THE BOOK: Africa: The Origin of Life is a 10-year painstaking research on the Bibles story of mankinds cosmogony of which 7 out of the 10 years spent on the research were on full time basis. The Bible says that God created one man in the beginning and went ahead to describe the location of the habitation of the first man. Two important issues in the Bibles story were of great interest to the Author for which he set out to research. These were: ? If the Bible story were taken to be true, it then means that the multi-races and colors in humanity today only came to be years after the creation of the first man, which means that originally, humanity only had one race and color from that man to a certain point in its history. That being so, what was the original color of that man? In other words, was he a Caucasian, a Mongolian, a Negro or an Amerindian and when did the multi-races and colors of people that we have today come to be? ? The earth has gone through so many changes through earthquakes, landslides, tumults, ocean drifts and desert encroachments, and etc., over the years since the creation of the first man. Taking all these into consideration, is it still possible to establish the location of Eden where our first parents lived? In other words, was Eden in America, Europe, Asia, or Africa? And if we are able to establish the continent which Eden was located, is it not correct to say that the first man was a native of that continent? ? Africa is poor and backward today, what are the causes of Africas backwardness? Is there any hope for Africa, or has God forsaken Africa? These and more are the salient questions that this book has biblically, scientifically and historically found answers to. The book is highly explosive and revealing. It would cause so much ripples and likely going to change some of your Biblical beliefs.
In this timely, much-needed book, theologian, social psychologist, and activist Christena Cleveland recounts her personal journey to dismantle the cultural “whitemalegod” and uncover the Sacred Black Feminine, introducing a Black Female God who imbues us with hope, healing, and liberating presence. For years, Christena Cleveland spoke about racial reconciliation to congregations, justice organizations, and colleges. But she increasingly felt she could no longer trust in the God she’d been implicitly taught to worship—a white male God who preferentially empowered white men despite his claim to love all people. A God who clearly did not relate to, advocate for, or affirm a Black woman like Christena. Her crisis of faith sent her on an intellectual and spiritual journey through history and across France, on a 400-mile walking pilgrimage to the ancient shrines of Black Madonnas to find healing in the Sacred Black Feminine. God Is a Black Woman is the chronicle of her liberating transformation and a critique of a society shaped by white patriarchal Christianity and culture. Christena reveals how America’s collective idea of God as a white man has perpetuated hurt, hopelessness, and racial and gender oppression. Integrating her powerful personal story, womanist ideology, as well as theological, historical, and social science research, she invites us to take seriously the truth that God is not white nor male and gives us a new and hopeful path for connecting with the divine and honoring the sacredness of all Black people.
Introduces colors from red to purple with objects that are that color and comments on how God must really love the different colors he created. On board pages.
ForewordMAX HOLLEINESSAYSA HISTORY OF RESEARCH AND SCHOLARSHIP ON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ BRINKMANNON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ. BRINKMANN AND ULRIKE KOCH-BRINKMANNREDISCOVERING COLORPolychrome Art from Ancient Egypt and the Near EastRENÉE DREYFUSESSAYSTHE DISCOVERY OF THE POLYCHROMY OF ANCIENT GREEK SCULPTUREWinckelmann's Research on Statues and TextsOLIVER PRIMAVESICOLOR AND LIGHTDodwell and Pomardi in GreeceJOHN CAMP.ANCIENT PAINTS AND.PAINTING TECHNIQUES Methods of InvestigationVINZENZ BRINKMANN, ULRIKE KOCH-BRINKMANN, AND HEINRICH PIENINGCATALOGUE OF THE EXHIBITIONBibliographyAcknowledgmentsMAX HOLLEINPhotography Credits.