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Three goddesses, banished to earth by their dad, Zeus (yeah, that Zeus)...Era, on mortal boys: "Look at him. Even the gods back home aren't that cute." Polly, on Nova High gossip: "I'm simply not in the mood to chatter on about silly spiteful girlsor cute Johnny Jims or sauerkraut breath." Thalia, on earth: "I mean, we don't know what earth is like. Maybe it's all leprechaunsand roses. Maybe it's an adventure every day. Maybe it's space-age." Polly, Era, and Thalia are stuck on earth, and to get back to Olympus, they've got to prove they've learned their lesson. And they've got to get through high school in the meantime. Which would be hard enough without the horribly evil Furies threatening to destroy their chances of ever seeing home again....
Thalia persuades her sisters, Muses Era and Polly, to help her avoid an arranged marriage, but their plan goes awry and Zeus sends the girls to Earth--only instead of arriving in ancient Athens, Greece, they arrive in modern Athens, Georgia.
The muses were doing fine until he showed up....Dylan from Denver, on dinner with Thalia: "I'm not sure, but I feel this is fate. I feel a connection to you.Plus, you are totally adorable -- just have dinner with me." Thalia, on dinner with Dylan: "Stop stalking me." Thalia, Era, and Polly are giving life on earth another try. But it's hard for the Muse sisters to concentrate when Era's as flaky as always, and Polly is busy trying to prevent catastrophe. But the biggest problem of all comes disguised as a handsome, crazy football player who won't leave Thalia alone. The trouble is, she kind of likes him. But why does he seem so...familiar? Only the evil Furies know who "Dylan from Denver" really is, and there's no way they'll let him get his goddess....
Explore the fascinating myths of Greek and Roman civilizations! The tales of gods and heroes are often turned into tedious discourse that even Ovid would reject. This easy-to-read guide cuts out the boring details, and instead, provides you with a thrilling lesson in classic mythology. From the heights of Mt. Olympus to the depths of the Underworld, this book takes you on an unforgettable journey through all the major myths born in ancient Greece and Rome, such as Achilles's involvement in the Trojan War; Pluto's kidnapping of the beautiful Proserpina; and the slaying of Medusa by Perseus, the heroic demi-god. You'll also learn all about the wonders of the world as well as the greatest creatures ever recorded in history. Like Charon navigating the River of Wailing, Mythology 101 will guide you through the most glorious (and completely terrifying) tales the ancient world has to offer.
The second book in an epic fantasy series featuring “an inspired new world where unexpected plot twists bedevil strong, clearly visualized characters, in a story that glints with intelligence and hums with life” (Publishers Weekly, starred review). Six hundred years ago, an unknown force destroyed one of the greatest fortresses in Ithelas, slaughtering its defenders so swiftly that none survived to say what befell them. Now, in the shadow of those ancient ruins, something malevolent is stirring. Kelland, a divinely blessed Knight of the Sun, is charged with the duty of confronting the felled powers of the world. But his only chance of stopping this evil may be to ally with another—even as Bitharn, his companion, betrays their faith in the name of love. Meanwhile, three young novices from the Dome of the Sun, accompanied by a scarred and taciturn swordswoman, venture bravely but unwisely into the heart of danger, seeking a holy artifact that, they pray, might end it. And when their paths converge in Carden Vale, a nightmare awaits.
Ancient Greek literature has a profound impact on western literature at large. In particular, many ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce, have all drawn heavily on classical themes and motifs. Even today authors are fascinated with Greek literature, and still great works of literature are based on ancient myths and plays. The readers can still relate to these works of art and learn from them, even though written two millennials ago. This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone wanting to know more about history and literature of this period, interested in poetry, philosophy and drama of Antient Greece.
Ancient Greek literature has a profound impact on western literature at large. In particular, many ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce, have all drawn heavily on classical themes and motifs. Even today authors are fascinated with Greek literature, and still great works of literature are based on ancient myths and plays. The readers can still relate to these works of art and learn from them, even though written two millennials ago. This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone wanting to know more about history and literature of this period, interested in poetry, philosophy and drama of Antient Greece.
This work significantly advances the critical discussion of New Testament Christology. Hengel examines the titles Son and God. He points toward an inner consistency and dynamic in the development of the doctrine of Christ in primitive Christianity as the movement proceeded from the Gospels' account of the death of Jesus to the high Christology present in the Pauline writings. Historical scholarship and theological -- one might even say dogmatic -- questions must not stand in unresolved contradiction. On the contrary, the historian misunderstands the nature of New Testament Christology if he does not grasp its theological concern and its inner consistency, while a dogmatic approach that does not take seriously the historical course of Christianity is in danger of becoming no more than abstract speculation. It is therefore vitally important to unite historical research and the theological search for truth.