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Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
A young man with tattoos and piercings, wearing all black, is kneeling down in church praying the Rosary. Is this truly a Goth showing reverence for God? Isn't "Catholic Goth" a contradiction? Within these pages the author discusses his entrance into the Gothic and Catholic communities, and attempts to clear up many of the misconceptions that people have about both groups.
Gutiska Hunslastaths Razda is a Gothic heathen liturgy in the Wulfilan Gothic language with a modern English interlinear translation which honours the gods and goddesses of the ancient Goths. The liturgy consists of the ritual practices of modern-day Gothic heathens which are based on what is known of the ancient Germanic heathen rites.
To explain the millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H.P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic--the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
Is there life after death? After a tragic accident, doctors pronounced Richard Sigmund legally dead. Eight hours later, God miraculously brought him back to life on the way to the morgue. During those hours, God allowed him to experience the glorious beauty, heavenly sounds, sweet aromas, and boundless joys of heaven that await every believer. God then returned him back to earth with a mission to tell the world what he saw. You will thrill to Sigmund’s eyewitness accounts of strolling down heaven’s streets of gold, seeing angels playing with children, talking with Jesus, meeting with people from the Bible, as well as departed family and friends, seeing the mansions, and much more! Through Sigmund’s testimony, God restored sight to the blind, hearing to the deaf, and even raised several people from the dead. Also, glimpse into the horrifying reality of “the other place”—a place where no one wants to go.
Gaut's Descendants: Gothic Religion and Culture in Germania explores the religion and culture of the Goths and the Gothic influence on other Germanic tribes. Some of the topics examined include: the gods and goddesses of the Goths; the rituals and magic of the Goths; Gaut, the founding father god of the Goths, his surviving myths and his cult of sacral kingship; the various influences that contributed to the synthesis of Gothic religion and culture; the nature of Gothic Christianity and survivals of Gothic heathenry in Christian times; how the Migration Age layer of Germanic mythology differed from the more well-known Viking Age layer of Germanic mythology; how the Goths contributed to Germanic mystical and religious concepts preserved in the Eddas such as the differences between the Aesir and Vanir gods; the substantial influence of the Goths on the legend and poetry of the rest of the Germanic world, especially in Viking Age Scandinavia and Anglo-Saxon England.
A comprehensive, innovative study of how medieval people envisioned heaven, hell, and purgatory - images and imaginings that endure today.
The Mayan god of death sends a young woman on a harrowing, life-changing journey in this dark, one-of-a-kind fairy tale inspired by Mexican folklore. “A spellbinding fairy tale rooted in Mexican mythology . . . Gods of Jade and Shadow is a magical fairy tale about identity, freedom, and love, and it's like nothing you've read before.”—Bustle NEBULA AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Tordotcom • The New York Public Library • BookRiot The Jazz Age is in full swing, but Casiopea Tun is too busy cleaning the floors of her wealthy grandfather’s house to listen to any fast tunes. Nevertheless, she dreams of a life far from her dusty small town in southern Mexico. A life she can call her own. Yet this new life seems as distant as the stars, until the day she finds a curious wooden box in her grandfather’s room. She opens it—and accidentally frees the spirit of the Mayan god of death, who requests her help in recovering his throne from his treacherous brother. Failure will mean Casiopea’s demise, but success could make her dreams come true. In the company of the strangely alluring god and armed with her wits, Casiopea begins an adventure that will take her on a cross-country odyssey from the jungles of Yucatán to the bright lights of Mexico City—and deep into the darkness of the Mayan underworld. Praise for Gods of Jade and Shadow “A dark, dazzling fairy tale . . . a whirlwind tour of a 1920s Mexico vivid with jazz, the memories of revolution, and gods, demons, and magic.”—NPR “Snappy dialog, stellar worldbuilding, lyrical prose, and a slow-burn romance make this a standout. . . . Purchase where Naomi Novik, Nnedi Okorafor, and N. K. Jemisin are popular.”—Library Journal (starred review) “A magical novel of duality, tradition, and change . . . Moreno-Garcia’s seamless blend of mythology and history provides a ripe setting for Casiopea’s stellar journey of self-discovery, which culminates in a dramatic denouement. Readers will gladly immerse themselves in Moreno-Garcia’s rich and complex tale of desperate hopes and complicated relationships.”—Publishers Weekly (starred review)
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road • In this taut, chilling story, Lester Ballard—a violent, dispossessed man falsely accused of rape—haunts the hill country of East Tennessee when he is released from jail. While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance. "Like the novelists he admires-Melville, Dostoyevsky, Faulkner-Cormac McCarthy has created an imaginative oeuvre greater and deeper than any single book. Such writers wrestle with the gods themselves." —Washington Post Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.