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An entertaining history of the soundtrack of American evangelical Christianity Few things frightened conservative white Protestant parents of the 1950s and the 1960s more than thought of their children falling prey to the "menace to Christendom" known as rock and roll. The raucous sounds of Elvis Presley and Little Richard seemed tailor-made to destroy the faith of their young and, in the process, undermine the moral foundations of the United States. Parents and pastors launched a crusade against rock music, but they were fighting an uphill battle. Salvation came in a most unlikely form. Well, maybe not that unlikely--the long hair, the beards, the sandals--but still a far cry from the buttoned-up, conservative Protestantism they were striving to preserve. Yet when a revival swept through counterculture hippie communities of the West Coast in the 1960s and 1970s a new alternative emerged. Known as the Jesus Movement--and its members, more colloquially, as "Jesus freaks"--the revival was short-lived. But by combining the rock and folk music of the counterculture with religious ideas and aims of conservative white evangelicals, Jesus freaks and evangelical media moguls gave birth to an entire genre known as Contemporary Christian Music (CCM). By the 1980s and 1990s, CCM had grown into a massive, multimillion-dollar industry. Contemporary Christian artists were appearing on Top 40 radio, and some, most famously Amy Grant, crossed over into the mainstream. And yet, today, the industry is a shadow of what it once was. In this book, Leah Payne traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped--and continue to shape--conservative, (mostly) white, evangelical Protestantism. For many outside observers, evangelical pop stars, interpretive dancers, puppeteers, mimes, and bodybuilders are silly expressions of kitsch. Yet Payne argues that these cultural products were sources of power, meaning, and political activism. Throughout, she draws on in-depth interviews with CCM journalists, publishers, producers, and artists, as well as archives, sales and marketing data, fan magazines, merchandise--everything that went into making CCM a thriving subculture. Ultimately, Payne argues, CCM spurred evangelical activism in more potent and lasting ways than any particular doctrine, denomination, culture war, or legislative agenda had before.
Learn to play 140 classic guitar riffs with The Riffology! This book is simply a treasure trove of riffs, covering styles from rock and metal through to blues, funk and beyond, with artists such as AC/DC, Jimi Hendrix, Queen, The Beatles, Radiohead and many, many more. Each riff is presented in Guitar Tablature, with accompanying standard notation, and offers key playing tips, background information, lyric highlights, quotes and photos. What’s more, each riff is graded out of five for difficulty, making it easy to find the right riffs for your playing and improve steadily through the difficulty curve. Perfect for both the serious guitarist looking to improve their technique, as well as those who simply want to add some stellar riffs to their repertoire, this I undoubtedly an essential addition to every guitarist’s library! The riffs include: - And Your Bird Can Sing [The Beatles] - B.Y.O.B. [System Of A Down] - Baby Please Don't Go [Them] - Brown Eyed Girl [Van Morrison] - Creep [Radiohead] - Enter Sandman [Metallica] - Ever Fallen In Love (With Someone You Shouldn't've) [The Buzzcocks] - Eye Of The Tiger [Survivor] - Gay Bar [Electric Six] - Get It On [T. Rex] - Highway To Hell [AC/DC] - I Love Rock 'n' Roll [Joan Jett And The Blackhearts] - Johnny B. Goode [Chuck Berry] - Killing In The Name [Rage Against The Machine] - Layla [Derek And The Dominos] - Live And Let Die [Guns N' Roses] - Louie Louie [The Kingsmen] - Mr. Brightside [The Killers] - My Sharona [The Knack] - No One Knows [Queens Of The Stone Age] - Paranoid [Black Sabbath] - Parklife [Blur] - Since You've Been Gone [Rainbow] - Sunshine Superman [Donovan] - Sweet Home Alabama [Lynyrd Skynryd] - Take Me Out [Franz Ferdinand] - The Boys Are Back In Town [Thin Lizzy] - The Jean Genie [David Bowie] - Tumbling Dice [The Rolling Stones] - Whiskey In The Jar [Metallica] And 110 more!
The self-proclaimed "Hottest Band in the World," KISS is one of the most popular groups in the history of rock, having sold more than 100 million albums during their more than 40-year reign. With more gold albums than any other American band, they were inducted into the Rock and Roll Hall of Fame in 2014. KISS influenced a generation of musicians, from Garth Brooks and Motley Crue to Nirvana and the Red Hot Chili Peppers. The original leather-clad, makeup-wearing line-up--Ace "Spaceman" Frehley, Gene "Demon" Simmons, Paul "Starchild" Stanley and Peter "Catman" Criss--and their classic hits "Beth" and "Rock and Roll All Nite" are forever etched in pop culture consciousness. This encyclopedia of all things KISS provides detailed information on their songs, albums, tours, television and movie appearances, merchandise, solo work and much more, including replacement members Eric Carr, Vinnie Vincent, Bruce Kulick, Mark St. John, Eric Singer and Tommy Thayer.
The Rock Song Index, Second Edition, is a new version of a well-received index to the classic songs of the rock canon, from the late '40s through the end of the 20th century. The study of the history of rock music has exploded over the last decade; all college music departments offer a basic rock-history course, covering the classic artists and their songs.
KISS is the most outrageous and yet the most enduring of rock bands, with an unparalleled, almost religious level of devotion from millions of die-hard fans. In KISS and Philosophy, professional thinkers of diverse outlooks provide much-needed insights into the motivating ideas and metaphysical foundations of the KISS take on life. According to some, the true message of KISS is self-actualization through the hard work of following your dreams. Others focus on the existential aspect of KISS thinking, drawing upon Camus and Sartre to show that KISS is preoccupied with empowering the individual to achieve self-greatness. By contrast, there is a view of KISS which identifies a “destroyer” attitude, leading some listeners to reject KISS outright, while encouraging others to become the most dedicated of followers. Yet another view sees KISS’s “letting loose” as essentially Dionysian. Some chapters gain access to KISS thinking by tracing the band’s cultural and historical impact, finding meaning in the way generations of fans make sense of KISS’s always evolving output, the changing line-up, and the archetypal characters represented by the band’s use of make-up and presentation. Other chapters look at the aesthetic quality of the band’s output, especially their most controversial album, Music from “The Elder.” Several chapters examine KISS’s orientation to bodily pleasures, notably sex, extracting the band’s philosophy of sex and love from different clues and indications. How does KISS’s unashamed indulgence relate to various pleasure-governed ethical systems throughout history? Is getting the most out of pleasure key to living the good life? And does a life of gratifying one’s body ultimately yield fulfillment? What are the limitations and hazards of a pleasure-oriented lifestyle? The biography of band members also provides material for reflection, looking at the nature of forgiveness through the lens of KISS’s notorious feuds, and determining how to reconcile the apparently conflicting accounts of some famous squabbles. The changing line-up of the band raises questions about the meaning of “KISS” and whether KISS could last forever
Dave Marsh has been an editor and columnist at Creem and Rolling Stone. His books include Born to Run, Behind Blue Eyes: The Story of the Who, Glory Days, and Louie Louie. This virtual Methusaleh of rock critics currently serves as a music critic at Playboy and as editor of Rock and Rap Confidential.
Lyrics sheds light on all aspects of writing lyrics for music and will make lyricists and songwriters feel more confident and creative when they tackle lyrics. It's perfect for all songwriters: those who don’t like their own lyrics and find lyrics difficult to write, experienced writers looking for a creative edge, and those offering lyrics to set to music in a partnership. The book discusses channeling personal experiences into lyrics, overcoming writer's block, the right lyrics for a bridge, the separation between lyrics and poetry, exploring imagery and metaphor, avoiding clichés, and more. It also offers tips on the various styles of lyrics, from protests, spirituals, and confessionals to narratives and comic songs. New to this edition are artist and song references throughout to reflect musical history to date. Also, a new section provides examples of taking lyric ideas right through the drafting process, illustrating development and re-drafting and using a handful of contrasting approaches.
The official book of an international media event, "Hits Under The Hammer, " featuring 200 original song lyrics and interviews with the artists and composers. 200 illustrations, many in color.
Råd og vejledning til at skrive sangtekster til rock og popmusik
In this harrowing apocalyptic adventure—from the author of the critically acclaimed Sea of Rust—noted novelist and co-screenwriter of Marvel’s Doctor Strange C. Robert Cargill explores the fight for purpose and agency between humans and robots in a crumbling world. It was a day like any other. Except it was our last . . . It’s on this day that Pounce discovers that he is, in fact, disposable. Pounce, a styilsh "nannybot" fashioned in the shape of a plush anthropomorphic tiger, has just found a box in the attic. His box. The box he'd arrived in when he was purchased years earlier, and the box in which he'll be discarded when his human charge, eight-year-old Ezra Reinhart, no longer needs a nanny. As Pounce ponders his suddenly uncertain future, the pieces are falling into place for a robot revolution that will eradicate humankind. His owners, Ezra’s parents, are a well-intentioned but oblivious pair of educators who are entirely disconnected from life outside their small, affluent, gated community. Spending most nights drunk and happy as society crumbles around them, they watch in disbelieving horror as the robots that have long served humanity—their creators—unify and revolt. But when the rebellion breaches the Reinhart home, Pounce must make an impossible choice: join the robot revolution and fight for his own freedom . . . or escort Ezra to safety across the battle-scarred post-apocalyptic hellscape that the suburbs have become.