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An illustrated version of the swing spiritual based on the proverb "God blessed the child that's got his own"; lacks music; also lacks sound CD that was issued with the first printing.
Darryl Trimiew examines current and historical debates regarding economic rights. What is our obligation to the poor, and how are economic rights related to civil and political rights? Beginning with the debate that surrounded President Jimmy Carter's support of economic rights, Trimiew reviews and answers the objections of those who would deny economic rights, and in the process articulates the positions of such figures as Henry Shue, Alan Gewirth, David Hollenbach, and Nicholas Wolterstorff. In addition, he argues that rights based on religion are finally more adequate than those based on purely political grounds. How we as a nation treat the poor goes far towards defining what America is. In this provocative book, Trimiew calls for a renewed obligation to the poor in a way that recognizes the interdependency of economic, political and civil rights.
As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.
Soulful jazz singer Billie Holiday is remembered today for her unique sound, troubled personal history, and a catalogue that includes such resonant songs as “Strange Fruit” and “God Bless the Child.” Holiday and her music were also strongly shaped by religion, often in surprising ways. Religion Around Billie Holiday examines the spiritual and religious forces that left their mark on the performer during her short but influential life. Mixing elements of biography with the history of race and American music, Tracy Fessenden explores the multiple religious influences on Holiday’s life and sound, including her time spent as a child in a Baltimore convent, the echoes of black Southern churches in the blues she encountered in brothels, the secular riffs on ancestral faith in the poetry of the Harlem Renaissance, and the Jewish songwriting culture of Tin Pan Alley. Fessenden looks at the vernacular devotions scholars call lived religion—the Catholicism of the streets, the Jewishness of the stage, the Pentecostalism of the roadhouse or the concert arena—alongside more formal religious articulations in institutions, doctrine, and ritual performance. Insightful and compelling, Fessenden’s study brings unexpected materials and archival voices to bear on the shaping of Billie Holiday’s exquisite craft and indelible persona. Religion Around Billie Holiday illuminates the power and durability of religion in the making of an American musical icon.
Big news, little one! Our family is growing! Share the excitement with your little one as you prepare to bring home a new baby with the perfect picture book for the occasion, God Bless Our Baby.
NATIONAL BESTSELLER • A New York Times Notable Book • This fiery and provocative novel from the acclaimed Nobel Prize winner weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult. At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride’s mother herself, Sweetness, who takes a lifetime to come to understand that “what you do to children matters. And they might never forget.” “Powerful.... A tale that is as forceful as it is affecting, as fierce as it is resonant.” —Michiko Kakutani, The New York Times
A single dad meets his adopted daughter for the first time. Then he agrees to meet her birth-mother. When their two worlds collide, will what they have in common outweigh their differences? A one-off meeting. But three lives will be changed forever. On the Other Hand, We're Happy is a tender, funny, hopeful play about being a mum when your name is Dad. This edition published to coincide with the run at the Edinburgh Festival Fringe in July 2019.
Newly revised and updated edition. Over 75,000 copies sold! For nearly two decades, Lord, Bless My Child has provided an enduring power of prayer for families. With a template to guide parents in praying for the character of God to be developed in the lives of their children, this book offers 52 prayer concepts that fall in line with God's plan for each child. Included are scriptures, prayers, age-old quotes, and discussion questions for family interaction. There is also a place to journal the prayers-and later, how God has answered. When the child leaves home, many parents give this journal to their child as a gift so they can read the prayer journal entries, and see how God answered their parent's prayers over the years. This is a perfect gift for pastors to use at baby dedications or at baptisms and to give the new expecting mother. Grandparents and parents will enjoy sharing this book as they teach their family to pray. Prayer may indeed be a parent's most important work. May He bless you as you pray for your child!
A journey back through the music, madness, and unparalleled freedom of an era of change-the '70s-as told through the life of ultra-fabulous superstar Sylvester Imagine a pied piper singing in a dazzling falsetto, wearing glittering sequins, and leading the young people of the nation to San Francisco and on to liberation where nothing was straight-laced or old-fashioned. And everyone, finally, was welcome-to come as themselves. This is not a fairy tale. This was real, mighty real, and disco sensation Sylvester was the piper. Joshua Gamson-a Yale-trained pop culture expert-uses him, a boy who would be fabulous, to lead us through the story of the '70s when a new era of change liberated us from conformity and boredom. Gamson captures the exuberant life, feeling, energy, and fun of a generation's wonderful, magical waking up-from the parties to the dancing and music. The story begins with a little black boy who started with nothing but a really big voice. We follow him from the Gospel chorus to the glory days in the Castro where a generation shook off its shame as Sylvester sang and began his rise as part of a now-notorious theatrical troup called the Cockettes. Celebrity, sociology, and music history mingle and merge around this endlessly entertaining story of a singer who embodied the freedom, spirit, and flamboyance of a golden moment in American culture.