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"One nation on the brink of war. Two families in search of peace. Twenty-seven wagons on an epic cross-country journey as bold as America itself..."--Page 4 of cover.
Transference of orientalist images and identities to the American landscape and its inhabitants, especially in the West—in other words, portrayal of the West as the “Orient”—has been a common aspect of American cultural history. Place names, such as the Jordan River or Pyramid Lake, offer notable examples, but the imagery and its varied meanings are more widespread and significant. Understanding that range and significance, especially to the western part of the continent, means coming to terms with the complicated, nuanced ideas of the Orient and of the North American continent that European Americans brought to the West. Such complexity is what historical geographer Richard Francaviglia unravels in this book. Since the publication of Edward Said’s book, Orientalism, the term has come to signify something one-dimensionally negative. In essence, the orientalist vision was an ethnocentric characterization of the peoples of Asia (and Africa and the “Near East”) as exotic, primitive “others” subject to conquest by the nations of Europe. That now well-established point, which expresses a postcolonial perspective, is critical, but Francaviglia suggest that it overlooks much variation and complexity in the views of historical actors and writers, many of whom thought of western places in terms of an idealized and romanticized Orient. It likewise neglects positive images and interpretations to focus on those of a decadent and ostensibly inferior East. We cannot understand well or fully what the pervasive orientalism found in western cultural history meant, says Francaviglia, if we focus only on its role as an intellectual engine for European imperialism. It did play that role as well in the American West. One only need think about characterizations of American Indians as Bedouins of the Plains destined for displacement by a settled frontier. Other roles for orientalism, though, from romantic to commercial ones, were also widely in play. In Go East, Young Man, Francaviglia explores a broad range of orientalist images deployed in the context of European settlement of the American West, and he unfolds their multiple significances.
The must-have photography monograph of the year, this lavish oversized volume celebrates David Yarrow's unparalleled wildlife imagery. For more than two decades, legendary British photographer David Yarrow has been putting himself in harm's way to capture immersive and evocative photography of the world's most revered and endangered species. With his images heightening awareness of those species and also raising huge sums for charity and conservation, he is one of the most relevant photographers in the world today. Featuring Yarrow's 150 most iconic photographs, this book offers a truly unmatched view of some of the world's most compelling animals. The collection of stunning images, paired with Yarrow's first-person contextual narrative, offers insight into a man who will not accept second best in his relentless pursuit of excellence. David Yarrow Photography offers a balanced retrospective of his spectacular work in the wild and his staged storytelling work, which has earned him wide acclaim in the fine-art market. Yarrow rarely just takes pictures--he almost always makes them. This approach sets him apart from others in the field. Yarrow's work will awaken our collective conscience, and--true to form--he plans to donate all the royalties from this book to conservation
A beautiful collectible hardcover edition of the father of Korean American literature's "wonderfully resplendent evocation of a newcomer's America" (Chang-rae Lee, author of Native Speaker) A Penguin Vitae Edition Having fled Japanese-occupied Korea for the gleaming promise of the United States with nothing but four dollars and a suitcase full of Shakespeare to his name, the young, idealistic Chungpa Han arrives in a New York teeming with expatriates, businessmen, students, scholars, and indigents. Struggling to support his studies, he travels throughout the United States and Canada, becoming by turns a traveling salesman, a domestic worker, and a farmer, and observing along the way the idealism, greed, and shifting values of the industrializing twentieth century. Part picaresque adventure, part shrewd social commentary, East Goes West casts a sharply satirical eye on the demands and perils of assimilation. It is a masterpiece not only of Asian American literature but also of American literature. Penguin Vitae―loosely translated as "Penguin of one's life"―is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.
"Readers looking for inspiration (or just a great story) will discover a wild ride that proves just how twisty some paths to Christ can be." - Publisher's Weekly Many of us would say it takes guts and a little bit of crazy to step toe-to-toe with a powerful, 1,700 pound bull. For Hall-of-Fame bullfighter, Jeremy Sparks, it took faith. Sparks' remarkable and illustrious journey began at a young age when he received a God-given calling to become a professional bullfighter. Soon after accepting a college scholarship for rodeo, he suffered a near-fatal electrocution, which, but for his faith in God, would have ruined his dream. After three years of training under a world champion, he was accepted into the elite Professional Rodeo Cowboys Association, and spent years tussling with raging bulls until God, once again, showed him another path. While the terrorist attack on September 11th rocked the country, Sparks saw it as an invitation to serve. He enlisted just weeks after the attack, and earned his commission as a second lieutenant in the US Air Force and an endorsement from the Pentagon as the "only professional bullfighter in the history of the USAF." Once a small town kid from Arkansas, now a Hall-of-Fame rodeo icon, Sparks is sharing his stories of strength and service. With God at the center of this fascinating story, Go West highlights the 10 Biblical principles that Sparks learned, experienced, and lived by as a professional bull fighter, officer in the armed forces, and follower of Jesus Christ.
U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.
GO WEST is a novel about Charlie Bread, self-styled Antiques Whisperer and forgery hunter. When Charlie is sent on the trail of a mysterious document that may have been written by the inventor of Peter Pan, his life becomes a road movie full of pursuit and intrigue, soundtracked by old John Peel shows, the beautiful Penelope, and a game of high road hide-and-seek all across the West Country. In a world where nothing is what it seems, Bread has to find out the truth – before the truth finds him out. Go West is the second novel by David Quantick, Emmy-winning writer (Veep, The Thick Of It) and author of The Mule (“A Da Vinci Code with laughs – The Independent, “ingenious, likable, funny and above all entertaining” –Spectator, “accomplished and witty highbrow farce” – Sunday Times)
In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a "New Woman." Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the post–World War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.