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The Book Presented In Clear And Lucid Expression And Style Is Studded With Authentic Quotations And Appropriate Illustrations. The Author Hopes That Through His Modest Attempt Some Of The Readers May Cultivate The Desire Of Studying Some Of The Original Texts On Poetics Written In Sanskrit Itself. The Book Containing 21 Essays, Would Furnish A Valuable Material On The Subject. The Essay ýA Survey Of Sanskrit (India) Poeticsý Provides The Readers A Wide Panorama Of The History Of The Subject Of About One And Half Millennium. The Essay ýThe Soul (Essence) Of Poetryý Deals With The Topic In Much Detail And Dhvani Has Been Designated As The Soul Of Poetry. The Essay ýThe Process Of Poetic Creationý Traces The Psyche Of The Poet About The Very Moments When He Actually Becomes Absorbed In Composing His Literary Piece Of Work. The Articles ýCauses Of Poetryý And ýOriginality And Plagiarismý Deal With The Creative Activity Of The Poets Of Different Calibre, And The EssayýActing, Actor And Spectatorý Denotes How And Upto What Extent The Spectator Is Influenced By The Acting Of The Actor Performing His Job On The Stage. The Other Essays, Connected With Various Alamkaras And Rasas, Highlight And Elucidate The Academic Issues Related With Them.
Contributed research papers presented in the National Seminar on Indian Poetics organized by the Dept. of English, University of Poona, during 6-8 March 1986.
Research papers on various aspects of Sanskrit poetics and modern Sanskrit poetry.
The present collection of essays endeavours to furnish informed responses to central questions posed by the editors: Is the fact that the marvellous coexists with the factual and never resolves itself into the supernatural an indication that the whole literary project of 'magical realism' is an instrumental and representational form which can be regarded as particularly suitable for reconciling dichotomies and oppositions otherwise experienced as intolerable? Was 'magical realism' an explosive process in cultural dynamics, taking place at intersections of heterogeneous cultures most favourable to the efflorescence of this type of literature? The authors of the various essays - on Patrick White and David Malouf, Ben Okri, Syl Cheney-Coker, Robert Kroetsch, Gwendolyn MacEwan, Jack Hodgins, Salman Rushdie, Janet Frame, Wilson Harris and others - provide a dynamic focus on the reality at stake beneath the surface representations of 'magical realism' in post-colonial literatures.
Celebrating the various ethnic traditions that melded to create what we now call American literature, Whitman did his best to encourage an international reaction to his work. But even he would have been startled by the multitude of ways in which his call has been answered. By tracking this wholehearted international response and reconceptualizing American literature, Walt Whitman and the World demonstrates how various cultures have appropriated an American writer who ceases to sound quite so narrowly American when he is read into other cultures' traditions.
Contributed articles on the civilization and history of India.