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The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.
"Don't Stop Believin' pays tribute to the glorious mash-up of music, comedy, drama and social commentary that has put Glee and its band of misfits in the spotlight"--Page 4 of cover
As USA TODAY, the Nation's No. 1 Newspaper, puts it about the television megahit Glee, "There have been few shows as rousing, promising, perplexing and potentially heartbreaking as this high school musical comedy....It's an outlandishly entertaining musical schoolhouse romp." Much of Glee's appeal comes from its cast of outsiders and misfits--singers and dancers almost as talented as the actors who play them. Viewers love Chris Colfer as the bullied gay Kurt Hummel, Amber Riley in the role of plus-size diva wannabe Mercedes Jones, Lea Michele's take on "Miss Perfect" Rachel Berry, Jane Lynch's unforgettable performances as nasty cheerleading coach Sue Sylvester, and Mark Salling's bad boy image in the role of jock football player Noah "Puck" Puckerman. And that's only some of the Glee talent readers will get to know in this entertaining biography. From Broadway veterans to virtual unknowns, these gifted performers all have one thing in common. They worked tirelessly to achieve their goals and never, ever gave up on their dreams.
!--StartFragment-- Straight from Lima, Ohio, The Official William McKinley High School Yearbook is a full-color, completely up-to-date book that captures all the memories of seniors like Rachel Berry, Kurt Hummel, Finn Hudson and their fellow Gleeks. Featuring tons of glossy photos and exclusive images, the one and only OFFICIAL Glee yearbook will transport you to the halls of William McKinley High School. Just be sure to watch out for slushies! !--EndFragment--
The star of the television show "Glee" shares the lessons she's learned through the rejections and successes of working in the performing arts and encourages readers to be true to themselves and find their inner self-confidence.
CALLING ALL GLEEKS! Get more of your favourite characters in this official Glee prequel! All great performances deserve a warm-up! Enroll early at McKinley High to find out what went on before New Directions was even a glimmer in Mr Schuester's eye. When did Rachel first decide Finn was more than just a jock? When did Puck and Quinn start their secret romance? And how did the fledgling Glee Club function without a fearless leader? Hint: It wasn't exactly a perfect melody. Break out the gold stars and refill the slushies: it's time to find out what happened to all your favourite characters before the show-mance began These novels contain additional storylines to those featured in the hit TV show.
(Piano/Vocal/Guitar Songbook). Huge Madonna hits from the much-buzzed-about episode of Glee dedicated to this trendsetter: Borderline/Open Your Heart * Express Yourself * 4 Minutes * Like a Prayer * Like a Virgin * What It Feels like for a Girl. (Please note that "Vogue" is excluded due to licensing restrictions.)
This title was first published in 2002: Burghley House, Stamford, was built between 1555 and 1587 for William Cecil, Lord Burghley, the Lord High Treasurer to Queen Elizabeth I. The library there contains an extensive collection of manuscript and printed music dating from about 1650 to 1850, substantially formed during the latter part of the 18th century by the Ninth Earl of Exeter. The collection is given particular significance by the inclusion of several rare and in some cases apparently unique volumes. This catalogue examines the Burghley House music collection in the light of contemporary documentary evidence. The opening section describes the people who added to the collection and their musical enthusiasms. This approach brings the collection to life and also enables us to appreciate emergent trends in British music history of the period. With each entry fully described and the printed music referenced to RISM or CPM, this catalogue should form a valuable reference source for all scholars of British music from the 17th to the 19th century.