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Glamour is one of the most tantalizing and bewitching aspects of contemporary culture - but also one of the most elusive. The aura of celebrity, the style of the fashion world, the vanity of the rich and beautiful, and the publicity-driven rites of café society are all imbued with its irresistible magnetism. But what exactly is glamour? Where does it come from? How old is it? And can anyone quite capture its magic? Stephen Gundle answers all these questions and more in this first ever history of the phenomenon, from Paris in the tumultuous final decades of the eighteenth century through to Hollywood, New York, and Monte Carlo in the twentieth and twenty-first centuries, from Napoleon to Marlene Dietrich and Marilyn Monroe, from Beau Brummell to Gianni Versace. Throughout, the book captures the excitement and sex appeal of glamour while exposing its mechanisms and exploring its sleazy and sometimes tragic underside. As Gundle shows, while glamour is exciting and magnetic, its promise is ultimately an illusion that can only ever be partially fulfilled.
When you board a ship you enter the exciting world of ship board life, whether it be on a tramp steamer, cargo boat or ocean liner. The mystique and magic of far-flung ports appeal to all world travelers. This book is a combination of reports about legendary people who have taken ships to reach their destinations, and reports about the legendary people who were the reason to sail to these destinations. A ship can take you to Le Havre, and from there a car to George Sands house or Genoa to visit Lake Lago and Puccinis house, the voyages being just the beginning.
Discover the open, frank, funny, and sometimes shocking story of a proud, working single mum, who has led an extraordinary life and who has never been afraid of fighting for what she wants.
The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.
A cultural history of Anthony Hope's The Prisoner of Zenda that explores its afterlife including how it was adapted for stage and screen, woven into narratives about the Cold War, and influenced children's writers such as Frances Hodgson Burnett and Meg Cabot.
Covering the five centuries from Shakespeare's Bankside playhouses to today's West End, Paul Ibell's Theatreland explores the history and current state of the London stage, taking the reader through the streets and alleyways of the theatre capital of the world. London's theatre district is quite literally built on the past. Although the book celebrates this, and the artistic achievements that still resonate today, it also emphasises that theatre is an art form that can only survive and flourish through fresh talent, new work and constant reinterpretation of old classics. Through a series of entertaining and engaging chapters on themes, personalities and trends, Theatreland reflects the effortless co-existence between past and present that is such a feature of London's theatre world, and shows how actors and producers, playwrights and publicists, theatre historians and modern architects, choreographers, critics and customers all play their part in ensuring that London remains the theatre capital of the world. Theatreland brings back to life the generations of actors, impresarios, princes and playwrights who created and shaped this cityscape, and describes how the 21st century theatre industry continues to develop and change.
The vivid true story of one of the biggest stars in Britain during the 1920s and 30s, and the inspiration for Downton Abbey's Jack Ross Born in Grenada in 1900, Leslie "Hutch" Hutchinson went to America in 1916 to study medicine, but soon escaped to Harlem where he witnessed the birth of "stride" jazz piano and began playing and singing in bars himself. Moving to France in 1923, he became the protege and lover of Cole Porter before coming to London where he was soon topping the bills in variety and on radio. Immaculate in white tie and tails, Hutch had enormous sex appeal, his velvet voice and superb piano improvisation attracting legions of fans, including the then Prince of Wales and, most famously, Edwina Mountbatten. Despite his success, Hutch was a profoundly insecure man with insatiable appetites for sex, drink, gambling and social status which precipitated his fall from fame to a squalid existence by the late 1960s.
"Mrs. Bush offers a ... portrait of her life in and out of the White House, from her small-town schoolgirl days in Rye, New York, to her fateful union with George H.W. Bush, to her role as First Lady of the United States"--Back cover.
The Clairol model and VH1 star offers herself as a role model for young women who are interested in her profession, discussing such pertinent topics as style, make-up, hair, wardrobe, portfolios, and exercise. Original.