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Lucretia is the daughter of Romulus, the governor of the Roman province, Gallia Narbonensis. Like most women of her class, she believes anybody of a lower class is there to serve her. This includes her handmaiden, Celeste. Nobody dares to cross Lucretia, except for her stepmother, Aurelia. She hates both Lucretia and Celeste. And when she conspires with the province's treasurer to accuse Romulus of embezzling state funds, she gets her chance to punish the young women. When the court finds Romulus guilty and orders his execution, Aurelia arranges for Lucretia and Celeste to be sold as gladiatrices. Titus, a friend of Romulus, tries to save Lucretia and Celeste. But when he eventually fails, the young women have to fight for their lives in the Roman amphitheatres. When a captured princess from one of the conquered Germanic tribes is pitted against Lucretia, the bloodthirsty crowds are captivated by the fight between two noble women. But Aurelia is not satisfied. She pays the editor of the games in the city of Rome, to pit Lucretia and Celeste against each other in a fight to the death.
Lucretia is the daughter of, Romulus, the governor of the Roman province, Gallia Narbonensis. Like most women of her class, she believes anybody of a lower class is there to serve her. This includes her handmaiden, Celeste.Nobody dares to cross Lucretia, except for her stepmother, Aurelia. She hates both Lucretia and Celeste. And when she conspires with the province's treasurer to accuse Romulus of embezzling state funds, she gets her chance to punish the young women. When the court finds Romulus guilty and orders his execution, Aurelia arranges for Lucretia and Celeste to be sold as gladiatrices. Titus, a friend of Romulus, tries to save Lucretia and Celeste. But when he eventually fails, the young women have to fight for their lives in the Roman amphitheatres. When a captured princess from one of the conquered Germanic tribes is pitted against Lucretia, the bloodthirsty crowds are captivated by the fight between two noble women. But Aurelia is not satisfied. She pays the editor of the games in the city of Rome, to pit Lucretia and Celeste against each other in a fight to the death.
Lucretia is the daughter of, Romulus, the governor of the Roman province, Gallia Narbonensis. Like most women of her class, she believes anybody of a lower class is there to serve her. This includes her handmaiden, Celeste. Nobody dares to cross Lucretia, except for her stepmother, Aurelia. She hates both Lucretia and Celeste. And when she conspires with the province's treasurer to accuse Romulus of embezzling state funds, she gets her chance to punish the young women. When the court finds Romulus guilty and orders his execution, Aurelia arranges for Lucretia and Celeste to be sold as gladiatrices. Titus, a friend of Romulus, tries to save Lucretia and Celeste. But when he eventually fails, the young women have to fight for their lives in the Roman amphitheaters. When a captured princess from one of the conquered Germanic tribes is pitted against Lucretia, the bloodthirsty crowds are captivated by the fight between two noble women. But Aurelia is not satisfied. She pays the editor of the games in the city of Rome, to pit Lucretia and Celeste against each other in a fight to the death.
The Ancient Roman public's hunger for gladiatorial combat has never been greater. The Emperor Domitian's passion for novelty and variety in the arena has given rise to a very different kind of warrior: the Gladiatrix. Sole survivor of a shipwreck off the coast of Asia Minor, Lysandra finds herself the property of Lucius Balbus, owner of the foremost Ludus for female gladiators in the Eastern Empire. Lysandra, a member of an ancient Spartan sect of warrior priestesses, refuses to accept her new status as a slave. Forced to fight for survival, her deadly combat skills win the adoration of the crowds, the respect of Balbus. But Lysandra's Spartan pride also earns her powerful enemies: Sorina, Gladiatrix Prima and leader of the Barbarian faction, and the sadistic Numidian trainer, Nastasen. When plans are laid for the ultimate combat spectacle to honor the visit of the emperor's powerful new emissary, Lysandra must face her greatest and deadliest trial. This is a thrilling first novel that combines fascinating historical detail with blistering action.
London in the 17th century was a difficult place to make a living, especially for a young woman from the worker class. Betty's choices were limited. She could be a prostitute like her mother, or a servant in a rich household. Of the few other choices available to her, she chose to be a cook at a large factory. Life was tough, but it was about to become even tougher. When a couple of prostitutes attacked her at a pub, she almost lost her life. But, Mr. von Kleist, a rich gentleman, saved her. The only reason he did this was because her fighting skillsimpressed him. Now in his debt, Betty had to fight for his female fighting stable until her debt was paid off. These private prizefighting events were brutal. Female fighters faced each other in brawls with few rules. Women often died at the hands of their vicious opponents. But Mr. von Kleist had a different plan for Betty. He was looking for a fighter good enough to challenge Elizabeth Stokes, the championess of England. To test her skills, he forced her to fight in many brutal fights. Betty saw only one way to earn her freedom. She had to fight and beat Elizabeth Stokes. Along the way, she made some friends and enemies. She was also introduced to the pleasures of having female lovers.
Enslaved Kushite beast-master Afra and Iceni warrior-bard Cinnia are forced to fight for their lives. They seek to replace lost friendship, love, and family in each other's arms but Nero's Roman arena offers only two futures: the Gate of Life or the Gate of Death.
In the dust and death of the Collosseum, a slave fights for freedom, a soldier fights for his life, and they both fight for the love that has been forbidden. Captured and enslaved by a Roman legion, Xanthe never expects to end up training for the Colosseum floor, but every night after the day's march, she is put through her paces by a Roman solider who challenges her, tests her, and excites her. Titus is drawn to Xanthe, her fire and her spirit, so he breaks one of his rules and brings notice on himself, offering to train her as a gladiatrix to spare her a courtesan's role. But training her, working with her, soon becomes too much. Titus knows the penalty for taking property that does not belong to him, but how long can he resist?
In the year 3162 a mining company settled Mars. They established a city and four outposts, two in the north and two in the south. All went well until a war over contracts with the city broke out between the north and south. Women blamed men for the war. Soon, a few women organised a revolution during which they defeated the men. But the new female leadership were just as power hungry as their male predecessors. The war machine often opened its eager eyes. New organisations formed with their own ideologies. None tolerated the believes of the other. This book is full of brutal catfights, lesbian sex, war and politics.
After escaping from the dungeon of the Flavian Amphitheatre, Lucretia found relative safety in Germanic territories. However, after her lover died during a trial by combat to select the tribe's new queen, her duty to kill her stepmother for causing her father's death, weighed heavy on her mind. After convincing her half-sister to stay with the Germanic tribe, she and Brianna headed back to Rome. On their way they fight deadly fights in arenas and at private tournaments, while planning how to convince her stepmother to face her in a deathmatch on the sands of the Flavian Amphitheatre.