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"There are two ways to get enough. One is to continue to accumulate more and more. The other is to desire less." Gilbert Keith Chesterton, (29 May 1874- 14 June 1936) was a poet, novelist, playwright, literary commentator, editor, biographer, journalist, orator and theologian. He was often dubbed as the "prince of paradox" for his light whimsical style that often addressed serious issues such as politics and religion, .. The latter was as a member and defender of the Christian faith and the former was shaped by a distrust of concentrated wealth and power. He advocated Distributionism and said that every man should be allowed to own "three acres and a cow." These political views have spread round the world, crediting Chesterton as the father of the "small is beautiful" movement. It is also said to have influenced Gandhi in seeking a genuine nationalism for India rather than imitating the British state. As one of the world's most prolific writers, his main claim to fame is as the creator of Father Brown, but Chesterton's style and ideas in this work reveals a truth that makes it remarkably contemporary and relevant to the modern reader. G. K. Chesterton was a true patriot and felt that the love for his country should not make him blind to England's support of Prussia that allowed it to get away with political bullying and territorial acquisitions over a period of years and ultimately meant it was not blameless in World War I. He is also critical at England's response to the French Revolution and the rise of Napoleon as well as in Ireland.. This is a fascinating and very different look at the domestic debate of the time and includes the slogan "every citizen is a revolution"
In the British history classic, The Crimes of England, Gilbert K. Chesterton writes: I have thought it advisable to provide you with a catalogue of the real crimes of England; and I have selected them on a principle which cannot fail to interest and please you. On many occasions we have been very wrong indeed. Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories--first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton. He was baptised at the age of one month into the Church of England, though his family themselves were irregularly practising Unitarians. According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards.
The complete adventures of the well-loved clerical sleuth, collected in one brilliant volume. Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself. This complete edition brings together all of the Father Brown stories, including two not previously available in Penguin: 'The Donnington Affair', in which Chesterton rises to the challenge of solving a murder-mystery half written by someone else (Max Pemberton), and 'The Mask of Midas', which was found in Chesterton's papers after his death. It also includes an introduction and notes by Michael D. Hurley. G.K. Chesteron was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best-known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much(1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. Michael D. Hurley is a Lecturer in English at the University of Cambridge, and a Fellow of St Catharine's College. He has written widely on English literature from the nineteenth century to the present day, with an emphasis on poetry and poetics. His book on G. K. Chesterton was published in 2011.
"The Crimes of England by G. K. Chesterton: " Publisher: Kindle E-Book Edition: ISBN-13: 978-1-78379-139-2 When telling such lies as may seem necessary to your international standing, do not tell the lies to the people who know the truth. Do not tell the Eskimos that snow is bright green; nor tell the negroes in Africa that the sun never shines in that Dark Continent. Rather tell the Eskimos that the sun never shines in Africa; and then, turning to the tropical Africans, see if they will believe that snow is green. Similarly, the course indicated for you is to slander the Russians to the English and the English to the Russians; and there are hundreds of good old reliable slanders which can still be used against both of them. There are probably still Russians who believe that every English gentleman puts a rope round his wife's neck and sells her in Smithfield. There are certainly still Englishmen who believe that every Russian gentleman takes a rope to his wife's back and whips her every day. But these stories, picturesque and useful as they are, have a limit to their use like everything else; and the limit consists in the fact that they are not true, and that there necessarily exists a group of persons who know they are not true. It is so with matters of fact about which you asseverate so positively to us, as if they were matters of opinion. "Publisher: " Catholic Way Publishing. This Paperback is the ideal small size of 5" x 8."
G. K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”
In this fifth and final set of Father Brown mysteries G K Chesterton's short, shabby priest continues, in his humorous, effortless but powerfully effective way to solve a wide range of high crimes and misdemeanours.
Beloved clerical sleuth in roster of remarkable cases: "The Blue Cross," "The Sins of Prince Saradine," "The Sign of the Broken Sword," "The Man in the Passage," "The Perishing of the Pendragons," more.
G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.
G. K. Chesterton's fictional amateur detective, the genial Father Brown, was greeted with huge enthusiasm when he first appeared in The Story-Teller magazine in 1910. Depicted with Chesterton's characteristic elegance and wit, this unworldly but perceptive priest-sleuth soon became a major figure in the world of whodunit fiction and continues to charm readers today. This handsome hardback anthology contains 24 Father Brown short stories, including 'The Blue Cross', 'The Secret Garden', 'The Wrong Shape', and 'The Three Tools of Death', in which the unassuming Father exercises his formidable powers of intuition and analysis to solve a range of crimes. ABOUT THE SERIES: The Arcturus Classic Mysteries and Marvels series brings together thrilling short stories from classic fiction, including spine-chilling ghost stories, gripping detective fiction and cosmic horror. These hardback anthologies with foil-embossed cover designs make wonderful gifts for any classic lover.
The crimes of england From G K Chesterton