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In the third installment of the runaway hit series Girls from Da Hood, street fiction veterans KaShamba Williams and Mark Anthony are joined by newcomer MadameK, as they turn up the heat with fiery stories that will leave readers breathless.
Three Urban Books authors have teamed up to bring the drama in this latest installment of the popular Girls from da Hood Series. Get It, Get It! by Ms. Michel Moore: Monica was conceived on a pile of dirty clothes in the corner of a trap house. Cursed with a mother who worshiped the crack pipe more than her children, she quickly learned a Detroit reality: Get it how ya live or die trying. The young teenager is forced to beg, borrow, and steal to make sure she and her siblings survive to see another day. Cutthroat and conniving, Monica will make it, no matter who she has to step on or step over. You Can’t Break Usby Treasure Hernandez: Voodo and his girl, Moni, are inseparable. Like a modern Bonnie and Clyde from the hood, they let no one, even family, get in their way. When the people they do “around the way” business with turn out to be verified snakes, the ruthless couple gets revenge the only way they know how—street justice. With the law in hot pursuit, it’s Voodo and Moni against the world, just like they always knew it would be. So Far Gone by Katt: Sometimes love is the best feeling in the world, but the wrong kind of love can turn you into an entirely different person. When good-girl-turned-bad Renee gets together with Keithon, it’s them against the world, until the streets get to talking and their fairy-tale relationship turns into a full-blown nightmare. Karma steps in and has her way with the couple, and their lives will never be the same.
Essence bestselling author Brenda Hampton headlines this edgy fifth instalment of stories from three of Urban's best writers. Readers will be clamouring for more stories of tough, street-smart women - who boldly navigate life in the hood, a 'man's world'. Stories include 'Trick, Don't Treat' by Brenda Hampton, 'Queen Pynn' by Keisha Ervin and 'Breaking Down a Brickhouse' by Edd McNair. Each tale features tough, resilient women who cope with drugs, murder and mayhem, whilst showing the men what they're made of.
Details the lives of three women in Brooklyn--Disaya, Jada, and Londa--trying to find their way out of their troubles by any means possible.
A NEW YORK TIMES BESTSELLER “The fights against hunger, homelessness, poverty, health disparities, poor schools, homophobia, transphobia, and domestic violence are feminist fights. Kendall offers a feminism rooted in the livelihood of everyday women.” —Ibram X. Kendi, #1 New York Times-bestselling author of How to Be an Antiracist, in The Atlantic “One of the most important books of the current moment.”—Time “A rousing call to action... It should be required reading for everyone.”—Gabrielle Union, author of We’re Going to Need More Wine A potent and electrifying critique of today’s feminist movement announcing a fresh new voice in black feminism Today's feminist movement has a glaring blind spot, and paradoxically, it is women. Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others? In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.
Ceazia Devereaux, obsessed with the finer things in life, starts her own escort service where she meets Virginia druglord Vegas and enters into a dangerous world of fast money, which she finds hard to escape.
My name is Christianna Faith Leonard. I am named after a man of great honor. Yet, how deep I fall short from my namesake is immeasurable. From a distance, my life is a dream. My house in the suburbs is beautiful. Our picturesque family photo sits on the mantle of a fireplace looking as if it were ripped straight out of a magazine. I never miss choir rehearsal. My grades and volunteer work have earned me a scholarship to college. My polite manners are impeccable; quick to say please and thank you. I am the trusted neighborhood babysitter. But behind the facade of a good girl, I am a young woman covered in guilt, sin, and secrets. Shame is my childhood friend, never too far away like a loyal companion. Even still, my biggest dream is to just be loved and accepted for who I really am. You can call me Tianna or Ti for short. I am a good girl. I am a hood girl.My name is Bianca Williams. My mom chose my name. People call me Bi for short. I can't tell you how many times they call me that for a different reason altogether. It's annoying and kinda pisses me off. But I ain't letting nobody have power over me like that. If there is one thing I learned growing up in North Camden, is having tough skin. Can't let them see you sweatin' the small stuff. Can't show weakness or you'll get eaten up alive out here. Yet, a big, soft heart beats within me. I can't let it become hardened like these cold, crime-ridden streets. I have dreams and goals. My dad doesn't know it, but he needs me. I need to make my Mom proud. Don't get me wrong, I will throw hands up real quick because I am ain't scared of anyone or anything. Well, anything except being alone. That is a fear that a hood mentality can't seem to eradicate. Even still, I long to be loved and safe. I am a hood girl. I am a good girl.
Rings on every finger. Hood and educated AF. You've met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You've seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home.Girl.Hood. Re-released by Button Publishing Inc. 2022.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
“This psychological thriller follows a girl with dark secrets to a school with uneasy mysteries of its own . . . Gripping, violent and terrifying.” —Kirkus Reviews A New York Public Library “Best of the Teen Age” Angela’s parents think she’s on the road to ruin because she’s dating a “bad boy.” After her behavior gets too much for them, they ship her off to Hidden Oak. Isolated and isolating, Hidden Oak promises to rehabilitate “dangerous girls.” But as Angela gets drawn in further and further, she discovers that recovery is only on the agenda for the “better” girls. The other girls—designated as “the purple thread” —will instead be manipulated to become more and more dangerous . . . and more and more reliant on Hidden Oak’s care. “Teens might behave dangerously themselves to get their hands on this page-turner with its commentary on education.” —Booklist “The struggle and eventual triumph of the bad girls over the evil teachers makes for an intriguing conflict that many teens will appreciate.” —School Library Journal “Compelling and page-turning . . . For any fan of gothic, dark, gripping action, The School for Dangerous Girls should not be missed.” —TeensReadToo.com