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A genre-warping, time-travelling horror novel-slash-feminist manifesto for fans of Clarice Lispector and Jeanette Winterson. Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her work, things start stirring themselves up. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of queer feminist theory and experimental horror, and a unique treatise on magic, writing and art. "Strange and lyrical. Hval’s writing is surreal and rich with the grotesque banalities of human existence." —Publishers Weekly "The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson." —Pitchfork
Welcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her past, her practice and her hatred, things start stirring themselves up around her. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic. Jenny Hval's latest novel is a radical fusion of feminist theory and experimental horror, and a unique treatise on magic, writing and art.
V. 40, pt. 1; v. 41, pt. 1; v. 42, pt. 2, and v. 43, pt. 2, are Constitution, by-laws, business transactions, etc., for distribution to members. Brief historical sketches of the society are given in the volume for 1864/68, p. [3]-8, and in v. 56, 1926, p. 21-22. List of members in [v. 1]-39, 1870/71-1909; v. 40, pt. 1; v. 41, pt. 1; v. 42, pt. 2; v. 43, pt. 2, 1910-13.
Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its sixth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Monty Python and Hilary Mantel are all invoked in a discussion of literature and laughter. The sixth edition has been revised and updated throughout. In addition, four new chapters – ‘Literature’, ‘Loss’, ‘Human’ and ‘Migrant’ – engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.
A personal and cultural look at the dark underbelly of Western beauty standards and the lethal culture of disordered eating they've wrought “Electric with insight, and suffused with a strange, stubborn tenderness—a deep regard for what intimacy, hope, and resistance might look like in a world where women are taught to devote their lives to destroying themselves.” —Leslie Jamison, author of The Recovering In Dead Weight, Emmeline Clein recounts her struggle with disordered eating alongside the stories of other women: historical figures, pop culture celebrities, and the girls she’s known and loved. Through the story of her own sickness, the raw recollections of interview subjects, and dispatches from social media rabbit holes, Clein challenges stereotypes and renders statistics and science deeply personal and urgent. From her first encounters with icons of the thin ideal to her years ricocheting between hunger and bingeing, from the pro-anorexia blog that unexpectedly saved someone’s life to the residential treatment centers that make so many people sicker, from a wrenching elegy for those who didn’t survive to a manifesto for sisterhood, solidarity, and recovery, Clein uncovers girlhood’s appetites and injuries to reveal the economic, cultural, and political history of an epidemic. Dead Weight makes the case that we are faced with a culture of suppression, self-denial, and self-harm, an insidious, pervasive, and dangerous American cult of femininity rooted in racism and misogyny. Tracing the medical and cultural histories of anorexia, bulimia, and binge eating disorder and investigating the recent rise of orthorexia, Clein reveals the economic conditions underpinning diet culture, and grapples with the ways today’s feminism can be complicit in propping up the fetish of self-shrinking. Drawing on a kaleidoscopic array of sources—from cult classic films like Jennifer’s Body to the aughts-era Tumblrverse, the writing of Simone Weil, Chris Kraus, and Anne Boyer to the medieval canon of anorexic saints—Clein calls for a feminism that doesn’t compel women to shrink their bodies to increase their value, urging radical acceptance of all our appetites instead: for food, connection, and love. A sharp, perceptive, and revelatory polemic about the external forces that shape our lives, Dead Weight is electrifying, unapologetically bold, and fiercely compassionate.
Making a second attempt at her senior year in high school, Raine Rassaby is now enrolled in St. Ursulas Academy for Girls, where she has been made the special charge of guidance counselor Al Klepatar. But Raine, more concerned about the worlds problems than going to college, spends her time rescuing wounded birds, befriending street people, and organizing protest groups such as St. Ursulas Girls Against the Atomic Bomb. And so Al finds himself balancing Raine on the one hand and his personal life on the other: he suspects his wife is in love with another man. It is no surprise that Raine tries to charge her way into Als life, but it is surprising that he lets her in. Drawing on each others dreams and fears, these two lost souls form an unlikely friendship one that will teach them things they never knew about themselves, the people they love, and the world around them.
Evangelism is a contentious word, conjuring up all sorts of assumptions. It can create suspicion or imply tribalism, or can be seen as a desperate response to falling numbers. For some the term has become irredeemably polluted. But what if we recovered an authentic understanding of evangelism as good news that enables people to know that they are drenched in the love and grace of God? And how do we do that? This is a book for everyone who wants to share the gospel but who cannot relate to what evangelism has become. Its title is taken from Saint-Exupery, ‘If you want to build a ship, don’t drum up the people to gather wood, and give orders. Instead, teach them to yearn for the vast and endless sea.’ Drawing on writers like Bonhoeffer, Newbigin and Pope Francis’ landmark Euangelii Gaudium, Chris Russell aims to redeem evangelism from its present predicament. He sets it in a deeper and richer theological context, asks how the church and individual Christians can communicate the love of God in language and action, and explores how the good news is received.
This title was first published in 2000: The International Library of Politics and Comparative Government brings together in one series, the most significant journal articles to appear in the field of comparative politics in the last twenty-five years. It makes accessible to teachers, researchers and students an extensive range of essays which provide an indispensable basis for understanding both the established conceptual terrain and the new ground being broken in the fast changing field of comparative political analysis. A number of acknowledged experts have been invited to act as editors for the series. They preface each volume with an introductory essay in which they review the basis for the selection of articles and suggest future directions of research and investigation in the subject area. An invaluable resource for all those working in the field of comparative government and politics.