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(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
'Dark, funny and wild.' - Chloe Ashby, author of WET PAINT 'As ballsy as you'd hope' - Grazia 'The words just sizzle off the page' - Glamour 'Another triumph for feminism' - Red 'Set to be one of the best books of 2022' - Red 'A thrilling, bisexual romcom that doubles as a smart skewering of social media' - Evening Standard '... enjoyable first novel...' '...easy-to-read story...' - Independent '... the voice of her generation' '... the face of the future' - The Times Magazine 'It's Carrie Bradshaw's columns in Sex and the City on steroids.' - The Times 'Everything is IMMEDIATE. Emphasised.' - The Times 'It's a kind of rags-to-unexpected-riches-to-devastating-realisation-back-to-older-wiser-rags type tale, almost 18th century in progression, except set in a thoroughly modern, even slightly futuristic world where life online is even more all consuming than we know it now.' - Sunday Independent 'A hot debut novel with a dash of relatable existential dread' - Cosmopolitan 'Seriously hot' - Cosmopolitan 'Girlcrush is a funny, filthy and furious exploration of sexuality, identity and the expectations on us all. It's a rare combination - a page turner with a message.' - Daisy Buchanan 'It feels like a ball of energy coming right for you. I loved this debut.' - Emma Gannon GIRLCRUSH is a dark feminist retelling of Jekyll & Hyde by bestselling author Florence Given. In Given's debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonderland, a social media app where people project their dream selves online. The distance between her online and offline self grows further and further apart until something dark happens that leads her into total self-destruction, forcing Eartha to make a choice; which version of herself should she kill off? Warning this book does include storylines that some readers may find triggering. *Also by Florence Given* Women Don't Owe You Pretty
Face it: Falling for your flame is exhilarating, but it can also be downright complicated. Packed with everything from the 10 reasons why love rocks to advice on the perils of fatal attraction and how to deal with unrequited love, Crush reveals the ups and downs of falling--and failing--in love. Complete with real stories and quotes from teens who have been there, Crush is a hilarious, yet practical read for any girl who's gone ga-ga over a new guy. AUTHOR: Erin Elisabeth Conley is a Los Angeles based freelance writer and editor. She brings her bratty cat Mouche with her wherever she goes. She's had too many crushes to count. ILLUSTRATIONS: Colour illustrations
Michael Feinstein was just 20 years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, Feinstein blossomed under Gershwin's mentorship and Gershwin was reinvigorated by the younger man's zeal. Now, in The Gershwins and Me, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he's collected through the years. Includes an accompanying CD packed with Feinstein's original recordings of 12 Gershwins' songs.
This special enhanced eBook includes twelve Gershwin classics performed by Michael Feinstein and commentary from the author on the music and the lives of George and Ira Gershwin. From celebrated entertainer Michael Feinstein comes a beautifully illustrated account of the lives and legacies of the Gershwins—told through stories of twelve of their greatest songs. The “Ambassador of the Great American Songbook” Michael Feinstein was just twenty years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, the two became close friends. Feinstein blossomed under Gershwin’s mentorship and Gershwin was reinvigorated by the younger man’s zeal for his and his brother George’s legacy. Now, in The Gershwins and Me, the only book of its kind, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he’s collected through the years. From “Strike Up the Band” to “Love Is Here to Stay,” each of the twelve chapters highlights one of the Gershwins’ classic songs, exploring the brothers’ lives, illuminating what the music meant to them, and telling the stories of how their iconic tunes came to life. Throughout the star-studded narrative, Feinstein unfolds the moving chronicle of his own life with the Gershwins, describing his vision for their enduring presence today. No other writer could give us such an authoritative inside perspective on these titans of American culture—and no other writer could include such a soulful collection of music as Feinstein’s original recordings of the twelve songs. A timeless classic and the definitive account of the Gershwins and their legacy, The Gershwins and Me will having you humming with every turn of the page.
What's a black girl from sunny Southern California to do? White people are blowing up black girls in Birmingham churches. Black people are shouting "Black is beautiful" while straightening their hair and coveting light skin. Viveca Stanton's answer: Slap on a bubbly smile and be as white as you can be! In a humorous and pointed coming-of-age story spanning the sixties through the nineties, Viveca blithely sails through the confusing worlds of racism, sexism and Broadway showbiz until she's forced to face the devastating effect self-denial has had on her life.
During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South's beliefs was obvious; as one music publisher said, "The South must not only fight her own battles but sing her own songs and dance to music composed by her own children." Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.