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They are the fearful images that have stalked humanity’s nightmares for centuries, supernatural creatures that feast on flesh and haunt the soul, macabre and uncanny beings that frighten and fascinate the imagination. Vampires, Zombies, Werewolves, and Ghosts collects classic stories from literary masters inspired by folklore and mythology who dared to explore the darker side of human nature and crafted tales that defied convention, stirred up controversy, and gave life to a storytelling genre that has endured for generations. With stories by Charles Dickens, Rudyard Kipling, Henry James, Anne Sexton, Oscar Wilde, Yvonne Navarro, Fritz Leiber, Ramsey Campbell, Chelsea Quinn Yarbro, Angela Carter, and others…
Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.
Create your own spooky models with this exciting book. Decorate characters from bats to werewolves, then build the press-outs . . . and get ready to play!
Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- 1 Shaping Fear -- 2 Between Hope and Fear: Horror and Religion -- 3 Terror, Horror, and the Cult of Nature -- 4 Frankenstein, Robots, and Androids: Horror and the Manufactured Monster -- 5 The Detective's Reason -- 6 Jekyll and Hyde: The Monster from Within -- 7 Dracula and the Haunted Present -- 8 Horror in the Age of Visual Reproduction -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y -- Z -- Illustrations
A witch goes around to her fiendish friends--from two cats to ten werewolves--to gather the ingredients to make gruesome stew for her party, and then must send out invitations to all for her stew party. Reprint.
Recently some 300 exorcists flocked to Poland for a week-long congress to examine the current fashion for vampirism the world-over and the apparent connection between this fascination and a surge in demonic possession. This comes as the world is experiencing an explosion of ancient occultism combined with wicked fascination for ghosts and all things paranormal. In the United States alone, there are now more than two hundred thousand registered witches and as many as 8 million unregistered practitioners of “the craft.” On college and high school campuses, vampires, werewolves, and other “creatures of the night” are esteemed as objects of desire and idolized by young men and women who view them as cult icons of envious mystical power. Church goers are enchanted by the darkness as well. An April 13, 2011 article “Mysticism Infecting Nazarene Beliefs” was preceded only a few days before by a Telegraph article describing how a “surge in Satanism” inside the church has sparked a “rise in demand for exorcists” within traditional religious settings.” Why is this happening now? God’s Ghostbusters provides shocking answers in this collaborative work by Gary Bates, Chuck Missler, Gary Stearman, Thomas Horn, Nita Horn, Russ Dizdar, Donna Howell, Derek Gilbert, Sharon Gilbert, Michael Hoggard, Noah Hutchings, Terry James, John McTernan, Jeff Patty, Fred DeRuvo, and Douglas Woodward.
Afflicted with dysfunctional magical powers, Tammy Jo Trask enlists the aid of Bryn Lyons, one of the wealthiest, most charming, and magically gifted people in small-town Duval, Texas, when her locket containing the soul of a family ghost is stolen.
A comprehensive collection of supernatural tales drawn from the provinces history, its archives, and its people.
For centuries, folk tales about vampires, werewolves, zombies and the undead have captivated and spooked children. Vampires, Werewolves & Zombies collects 40 mythical characters from American, European, African, Chinese and Arabian folklore, ranging from such well known literary examples as Bram Stoker’s Dracula to Vulkodlak, a werewolf.
The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows--the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.