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In the mid 19th century, a religious movement called Spiritualism spread across America. Spiritualists believe that the living could communicate with the dead. Complete with ghostly black-and-white photographs, this suspenseful book tells the story of twelve-year-old Liza Carroll and her little brother as they try to find answers and hide a secret while staying at a spooky Spiritualist commune. After twelve-year-old Liza Carroll and her ten-year-old brother John's parents die, they are placed in the custody of their uncle, a traveling photographer named Mr. Spencer. Mr. Spencer, realizing the gift he has in his young relatives, uses them to help create fraudulent spirit photographs, which he sells to the grieving. Chased from one town to another, they arrive at a settlement that is different than the others they've been to-a Spiritualist commune in Pennsylvania named the Silver Star Society. Things feel different here. They are told they are at a Thin Place between the worlds of the living and the spirits. Shadows haunt the halls, and strange forms appear in Liza's photographs. Is this real, or is she the one being tricked this time? As Liza and her brother begin to investigate, the Thin Place begins to break, threatening everyone at the society. Can they fix it in time? And will their secret they've been hiding be revealed?
Rachel has no trouble believing in spirits. It's the living she has a tough time believing in. The man she's in love with? Taken. The job she loved? Gone. Her neighbours? They're taping religious tracts to her door. Then a rebellious teenager Wiccan accidentally summons the area's ancestral Viking spirits -- who promptly bring their thousand-year war to the remote Newfoundland fishing village. If Rachel's going to have any hope of sending the spirits to their peace, she'll have to stop drooling over unattainable men and trust her 93-year-old neighbour to help her stand against the spirits before their supernatural war engulfs them all.
A die-cut book featuring friendly ghosts and a rhyming verse.
It had started out as one of the most boring family vacations ever for Melanie and her brother—a trip to a dusty old inn. But all that changed when Melanie heard that the place was haunted. And then, she suddenly found herself alone, trapped in a hidden room . . . with a skeleton!
In this spare and mesmerizing debut, Christine Lincoln takes us inside the hearts and minds of African Americans whose lives unfold against a vividly evoked rural community. As they navigate between old and new, between youth and responsibility, they find themselves choosing between the comforts of what they trust without question and the fearsome excitements of what they might come to know. One young man’s world is both expanded and contracted by stories he hears from a beautiful stranger. Another stumbles across his mother having an affair with his uncle. An intense friendship forms between one woman afraid she will turn out like everyone else and one afraid she won’t. Lincoln’s down-to-earth voice, saturated with the manner and details of the South, brings her characters to life with a remarkably light touch and an extraordinary depth of emotion. In Sap Rising, she proves herself one of those writers whose work transcends its own rich particularity to speak with clarity to the most fundamental elements of the human experience.
Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.
New edition of the first Gaunt's Ghosts omnibus, containing the opening story arc in the series, comprising the novels First and Only, Ghostmaker and Necropolis. In the Chaos-infested Sabbat System, the massed ranks of the Astra Militarum - more commonly known as the Imperial Guard - stand shoulder to shoulder as they counter an invasion by heretical forces. Amongst the defenders of the Imperium are the troops of the Tanith First-and-Only, a displaced regiment forced to flee their home planet before it succumbed to the unrelenting assault of Chaos. Nicknamed 'the Ghosts', their specialist scouting role sees them thrown into the thickest of the fighting. Led by Colonel-Commissar Ibram Gaunt, they must evade the treacherous scheming of rival regiments and the lethal firepower of the enemy if they are to have any hope of achieving victory over the forces of Chaos.
The Early Republic and the Rise of National Identity, a new title in the six-title series History Through Literature: American Voices, American Themes, provides insights and analysis regarding the history, literature, and cultural climate of the formative period of the Early Republic through the early 1860s. It brings together informational text and primary documents that cover notable historic events and trends, authors, literary works, social movements, and cultural and artistic themes. The Early Republic and the Rise of National Identity begins with an interdisciplinary Chronology that identifies, defines, and places in context the notable historical events, literary works, authors' lives, and cultural landmarks of the period. This is followed by a comprehensive overview essay that summarizes the era's major historical trends, social movements, cultural and artistic themes, literary voices, and enduring works as reflections of each other and the spirit of the times. The core content comprises 20-30 articles on representative writers of the period, along with excerpts from essential literary works that highlight a historical theme, sociocultural movement, or the confluence of the two. These excerpts serve the Common Core emphasis on "informational texts from a broad range of cultures and periods", including "stories, drama, poetry, and literary nonfiction".