Download Free Ghosts Of Gone Birds Book in PDF and EPUB Free Download. You can read online Ghosts Of Gone Birds and write the review.

A visual record of the first four Ghosts of Gone Birds exhibitions, this book introduces the ideas behind this unique art and conservation project, providing a platform for the artists to tell us why they got involved, and how they approached the brief – to “breathe life back into the birds we have lost – so we don't lose any more”. Featuring the work of more than 180 artists and writers, Ghosts of Gone Birds captures the dazzling diversity of gone birds that exist beyond the familiar shape of the Dodo, and re-introduces the world to the delights of species like the Red-moustached Fruit Dove, the Snail-eating Coua and the Laughing Owl.
A new collection from “one of the world’s great essayists” (The New York Times) The Ghosts of Birds offers thirty-five essays by Eliot Weinberger: the first section of the book continues his linked serial-essay, An Elemental Thing, which pulls the reader into “a vortex for the entire universe” (Boston Review). Here, Weinberger chronicles a nineteenth-century journey down the Colorado River, records the dreams of people named Chang, and shares other factually verifiable discoveries that seem too fabulous to possibly be true. The second section collects Weinberger’s essays on a wide range of subjects—some of which have been published in Harper’s, New York Review of Books, and London Review of Books—including his notorious review of George W. Bush’s memoir Decision Points and writings about Mongolian art and poetry, different versions of the Buddha, American Indophilia (“There is a line, however jagged, from pseudo-Hinduism to Malcolm X”), Béla Balázs, Herbert Read, and Charles Reznikoff. This collection proves once again that Weinberger is “one of the bravest and sharpest minds in the United States” (Javier Marías).
Collects caricatures of species of extinct birds, from ancient fossilized birds to recent extinctions, and includes information on each species and the artist's commentary on his interpretations.
Susan Cerulean’s memoir trains a naturalist’s eye and a daughter’s heart on the lingering death of a beloved parent from dementia. At the same time, the book explores an activist’s lifelong search to be of service to the embattled natural world. During the years she cared for her father, Cerulean also volunteered as a steward of wild shorebirds along the Florida coast. Her territory was a tiny island just south of the Apalachicola bridge where she located and protected nesting shorebirds, including least terns and American oystercatchers. I Have Been Assigned the Single Bird weaves together intimate facets of adult caregiving and the consolation of nature, detailing Cerulean’s experiences of tending to both. The natural world is the “sustaining body” into which we are born. In similar ways, we face not only a crisis in numbers of people diagnosed with dementia but also the crisis of the human-caused degradation of the planet itself, a type of cultural dementia. With I Have Been Assigned the Single Bird, Cerulean reminds us of the loving, necessary toil of tending to one place, one bird, one being at a time.
A new vision is sweeping through ecological science: The dense web of dependencies that makes up an ecosystem has gained an added dimension-the dimension of time. Every field, forest, and park is full of living organisms adapted for relationships with creatures that are now extinct. In a vivid narrative, Connie Barlow shows how the idea of "missing partners" in nature evolved from isolated, curious examples into an idea that is transforming how ecologists understand the entire flora and fauna of the Americas. This fascinating book will enrich and deepen the experience of anyone who enjoys a stroll through the woods or even down an urban sidewalk. But this knowledge has a dark side too: Barlow's "ghost stories" teach us that the ripples of biodiversity loss around us now are just the leading edge of what may well become perilous cascades of extinction.
A thrilling, multi award-winning, teen ghost story, from a First Nations Australian author, drawing on the culture and beliefs of her close-knit community. Stacey and Laney are twins and mirror images of each other but as different as the sun and the moon. Stacey wants to go places, do things and be someone different while Laney just wants to skip school and sneak out of the house to meet her boyfriend Troy. When Laney doesn't come home one night, the town assumes she's just doing her normal run-off but Stacey's gut tells her different.Stacey knows her twin isn't dead - she just doesn't know where she is; she can see her in her dreams but doesn't know if she is real or imagined. Holding onto the words her Nan taught her is one thing but listening to those around you is another - who will Stacey trust? As the town starts to believe that Laney is missing for good, can she find her twin in time?'Part coming-of-age story, part "Romeo and Juliet" romance, part speculative fiction, part Aboriginal spiritual revelation, part mystery - this is a story that is mature on many levels.' ReadPlus
The Boids are back in town ... The follow-up to the award-winning EXTINCT BOIDS, this book features more of the incredible art of cartoonist Ralph Steadman. This time the focus is not on the birds that are gone, but the ones that there's still time to save. These are the 192 Critically Endangered birds on the IUCN Red List, species such as the Giant Ibis, the Kakapo, the Sumatran Ground-cuckoo and the iconic Spoon-billed Sandpiper – these, along with a number of classic Steadman creations such as the Unsociable Lapwing, are the NEARLY-EXTINCT BOIDS. Woids are again by author, conservationist and film-maker Ceri Levy. Together, Ceri and Ralph are THE GONZOVATIONISTS.
Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.
From the award-winning author of Perfume Dreams, a collection of thirteen short stories following Vietnamese immigrants new to the United States. The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish and joy and bravery of America’s newest Americans, the troubled lives of those who fled Vietnam and remade themselves in the San Francisco Bay Area. The past—memories of war and its aftermath, of murder, arrest, re-education camps and new economic zones, of escape and shipwreck and atrocity—is ever present in these wise and compassionate stories. It plays itself out in surprising ways in the lives of people who thought they had moved beyond the nightmares of war and exodus. It comes back on TV in the form of a confession from a cannibal; it enters the Vietnamese restaurant as a Vietnam Vet with a shameful secret; it articulates itself in the peculiar tics of a man with Tourette’s Syndrome who struggles to deal with a profound tragedy. Birds of Paradise Lost is an emotional tour de force, intricately rendering the false starts and revelations in the struggle for integration, and in so doing, the human heart. *Finalist for the California Book Award* “His stories are elegant and humane and funny and sad. Lam has instantly established himself as one of our finest fiction writers.” —Robert Olen Butler, Pulitzer Prize–winning author of Perfume Mountain “Read Andrew Lam, and bask in his love of language, and his compassion for people, both those here and those far away.” —Maxine Hong Kingston, award-winning author of The Woman Warrior
Eleven-year-old December knows everything about birds, and everything about getting kicked out of foster homes. All she has of her biological mum is the book she left behind, The Complete Guide to Birds, Volume One, and a photo with a message: 'In flight is where you'll find me.' December knows she's truly a bird, just waiting for the day she transforms and flies away to reunite with her mum. The scar on her back must be where her wings have started to blossom – she just needs to practise and to find the right tree. She has no choice; it's the only story that makes sense. When she's placed with Eleanor, a new foster mum who runs a taxidermy business and volunteers at a wildlife rescue, December begins to see herself and what home means in a new light. But the story she tells herself about her past is what's kept December going this long, and she doesn't know if she can let go of it ... even if changing her story might mean that she can finally find a place where she belongs.