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Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology and its transformation of intellectual and literary history. Stefan Andriopoulos examines new media technologies and distinct cultural realms, tracing connections between Kant’s philosophy and the magic lantern’s phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to startle audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging modes in which these authors appropriated figures of optical media and spiritualist notions. The spectral apparitions from this period also intersect with the rise of popular print culture. Andriopoulos explores the circulation of ostensibly authentic ghost narratives and the Gothic novel, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. The final chapter of Ghostly Apparitions extends this archaeology of new media into the early twentieth century. Tracing a reciprocal inter_action between occultism and engineering, Andriopoulos uncovers how theories and devices of psychical research enabled the emergence of television.
A media archaeology that traces connections between new media technologies and distinct cultural realms, considering topics that range from Kant's philosophy to somnambulist clairvoyants. Drawing together literature, media, and philosophy, Ghostly Apparitions provides a new model for media archaeology. Stefan Andriopoulos examines the relationships between new media technologies and distinct cultural realms, tracing connections between Kant's philosophy and the magic lantern's phantasmagoria, the Gothic novel and print culture, and spiritualist research and the invention of television. As Kant was writing about the possibility of spiritual apparitions, the emerging medium of the phantasmagoria used hidden magic lanterns to terrify audiences with ghostly projections. Andriopoulos juxtaposes the philosophical arguments of German idealism with contemporaneous occultism and ghost shows. In close readings of Kant, Hegel, and Schopenhauer, he traces the diverging ways in which these authors appropriate optical media effects and spiritualist notions. The spectral apparitions from this period also intersect with an exploding print market and the rise of immersive reading practices. Andriopoulos explores the circulation of ostensibly genuine ghost narratives and Gothic fiction, which was said to produce “reading addiction” and a loss of reality. Romantic representations of animal magnetism and clairvoyance similarly blurred the boundary between fiction and reality. In the 1840s, Edgar Allan Poe adapted a German case history that described a magnetic clairvoyant as arrested in the moment of dying. Yet even though Poe's tale belonged to the realm of literary fiction, it was reprinted as an authentic news item. Andriopoulos extends this archaeology of new media into the early twentieth century. Tracing a reciprocal interaction between occultism and engineering, he reveals how spiritualist research into the psychic “television” of somnambulist clairvoyants enabled the concurrent emergence of the technical medium.
📚 Top 15 Ghostly Apparitions 📚 Step into the eerie world of haunted mansions, phantom ships, and restless spirits with Top 15 Ghostly Apparitions! This captivating collection takes you on a spine-tingling journey through some of the most chilling ghost stories ever told. From the tragic Lady in White to the vengeful Spectral Samurai, these tales will leave you breathless and looking over your shoulder. 🔹 Highlights: The Lady in White: Discover the sorrowful spirit roaming a fog-laden mansion. The Vanishing Hitchhiker: Experience the chilling legend of a ghostly traveler. The Weeping Widow: Unravel the mystery of a heartbroken phantom. The Phantom Ship: Sail through tales of cursed crews and haunted vessels. The Headless Horseman: Face the terror of a ghostly rider in Sleepy Hollow. 🌟 Whether you're a paranormal enthusiast or a lover of ghost stories, Top 15 Ghostly Apparitions will captivate your imagination and send shivers down your spine. Dive in if you dare!
Skeletal remains rotting behind cellar walls, temple priests removing brains with iron hooks, phantom locomotives roaring across midnight plains—Brian Righi isn't making this stuff up. The ghost stories he finds in history are far more chilling than any Hollywood horror scene. Join the seasoned paranormal investigator on a tour through mankind's millennium-old obsession with death and the afterlife. Ghosts, Apparitions and Poltergeists surveys 4,000 years of hauntings and ghost huntings—from the embalming rituals of ancient Egypt to the Ouija boards and séances of nineteenth century Spiritualism—highlighting a few outlandish tales and colorful characters along the way. Once you've learned the history, launch a paranormal investigation of your own with Righi's guide to modern ghost hunting, full of detailed advice culled from his seven years of experience in the field.
A superb collection of over sixty angel and ghost stories from all over the South, many never published before. Read about how the ghosts of Destrehan Plantation are plaguing visitors about a slave uprising that happened in Louisiana in 1811. Or the spine-chilling account of how a gransmother's spirit saved her granddaughter's life in Tuscaloosa, Alabama. Read how Lorenzo Dow's curse destroys a town in the early 1800s. See an actual appirition photographed in an antique mirror. Witness the giant angel wings that mysteriously appeared in another photograph to give comfort to a mourning family.
A collection of supernatural horror stories by a multiple award-winning master of the fantastic. From the author of Swords and Deviltry and many other classic novels, a recipient of both the Hugo and Nebula Awards, this is a treasure trove of horrific tales, many of which remained out of print for decades after appearing in such magazines as Unknown, Thrilling Mystery, Startling Stories, The Magazine of Fantasy & Science Fiction, and the acclaimed horror specialty magazine Whispers 13–14. In addition to the title story, this collection also includes: “Cry Witch!” (1951), “I’m Looking for Jeff” (1952), “Ms. Found in a Maelstrom” (1959), “The Button Molder” (1979), “Dark Wings” (1976), and “The Enormous Bedroom” (2001), which is original to this volume.
“Avery Gordon’s stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. ” —George Lipsitz “The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny.” —American Studies International “Ghostly Matters immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book.” —Charles Lemert Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations. Avery F. Gordon is professor of sociology at the University of California, Santa Barbara. Janice Radway is professor of literature at Duke University.
Ghosts traces the cultural and literary origins of the paranormal, reveals the secrets behind many mysterious myths and legends, and analyzes our continued fascination with visitors from the other side. With chapters on the origins of ghosts, poltergeists, ghosts from around the world, exorcism, haunted houses, and more, this book will keep you on the edge of your seat. Belief in ghosts is nothing new. Uncertainty surrounding death is part of the human condition and the existence of an afterlife is deeply rooted in most worldwide cultures and religions. In Taoism and Buddhism, the Hungry Ghost Festival celebrates the belief that, once a year, ghosts and spirits are released from the afterlife and walk among the living. In the west, ghost stories were established in ancient folklore and tend to embrace the same classic themes as today's horror movies: romance, tragedy, and terror. Writers of antiquity used ghosts and hauntings as a way to provide background information or foretell coming events, and Shakespeare, the father of English literature, used the same techniques in his plays. Glamis Castle, the infamous haunted Scottish setting for Shakespeare's Macbeth, is said to be on of the most nerve-wracking places on earth—but are these feelings imagined or real? At one time or another, most people have experienced a creepy, spine tingling, someone's watching you sort of sensation that they can't explain. Scientists may try to account for these fears by attributing them to the natural fear of the unknown. Cold spots are nothing more than an open window and creaking floorboards are nothing more than old wood shifting in place. Regardless, millions of people believe that there is much more to these strange phenomenons than can be explained by modern science. And really, who can say that they're wrong? Be informed, entertained, and frightened by this comprehensive volume about "the other side."