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The black ghetto is thought of as a place of urban decay and social disarray. Like the historical ghetto of Venice, it is perceived as a space of confinement, one imposed on black America by whites. It is the home of a marginalized underclass and a sign of the depth of American segregation. Yet while black urban neighborhoods have suffered from institutional racism and economic neglect, they have also been places of refuge and community. In A Haven and a Hell, Lance Freeman examines how the ghetto shaped black America and how black America shaped the ghetto. Freeman traces the evolving role of predominantly black neighborhoods in northern cities from the late nineteenth century through the present day. At times, the ghetto promised the freedom to build black social institutions and political power. At others, it suppressed and further stigmatized African Americans. Freeman reveals the forces that caused the ghetto’s role as haven or hell to wax and wane, spanning the Great Migration, mid-century opportunities, the eruptions of the sixties, the challenges of the seventies and eighties, and present-day issues of mass incarceration, the subprime crisis, and gentrification. Offering timely planning and policy recommendations based in this history, A Haven and a Hell provides a powerful new understanding of urban black communities at a time when the future of many inner-city neighborhoods appears uncertain.
"You can't truly understand the country you're living in without reading Williamson." —Rich Lowry, National Review "His observations on American culture, history, and politics capture the moment we're in—and where we are going." —Dana Perino, Fox News An Appalachian economy that uses cases of Pepsi as money. Life in a homeless camp in Austin. A young woman whose résumé reads, “Topless Chick, Uncredited.” Remorselessly unsentimental, Kevin D. Williamson is a chronicler of American underclass dysfunction unlike any other. From the hollows of Eastern Kentucky to the porn business in Las Vegas, from the casinos of Atlantic City to the heroin rehabs of New Orleans, he depicts an often brutal reality that does not fit nicely into any political narrative or comfort any partisan. Coming from the world he writes about, Williamson understands it in a way that most commentators on American politics and culture simply can’t. In these sometimes savage and often hilarious essays, he takes readers on a wild tour of the wreckage of the American republic—the “white minstrel show” of right-wing grievance politics, progressive politicians addicted to gambling revenue, the culture of passive victimhood, and the reality of permanent poverty. Unsparing yet never unsympathetic, Big White Ghetto provides essential insight into an enormous but forgotten segment of American society.
"I was stubborn. I didn't want to stay in Auschwitz. I didn't want to go to the gas chambers. I didn't want to be cremated. I didn't want to die there, and I kept pushing back."
For three hundred years the ghetto defined Jewish culture in the late medieval and early modern period in Western Europe. In the nineteenth-century it was a free-floating concept which travelled to Eastern Europe and the United States. Eastern European “ghettos”, which enabled genocide, were crudely rehabilitated by the Nazis during World War Two as if they were part of a benign medieval tradition. In the United States, the word ghetto was routinely applied to endemic black ghettoization which has lasted from 1920 until the present. Outside of America “the ghetto” has been universalized as the incarnation of class difference, or colonialism, or apartheid, and has been applied to segregated cities and countries throughout the world. In this Very Short Introduction Bryan Cheyette unpicks the extraordinarily complex layers of contrasting meanings that have accrued over five hundred years to ghettos, considering their different settings across the globe. He considers core questions of why and when urban, racial, and colonial ghettos have appeared, and who they contain. Exploring their various identities, he shows how different ghettos interrelate, or are contrasted, across time and space, or even in the same place. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
At long last, the reissue of the classic book by the late, great William ¿Bill¿ Augustus Jones. The original volume featured essays on urban ministry and sermons on social justice, and this new edition has been updated by the late author¿s younger daughter and expanded to add several never-before-published sermons from the preaching giant. The book also features new essays reflecting on the legacy and influence of Dr. Jones and his work, from notable leaders including James Forbes, Frederick Haynes, Otis Moss III, J. Alfred Smith Sr., Al Sharpton, Jacqueline Thompson, and more!
Nazi control of Germany was marked by the insidious escalation of anti-Semitic policies, as Jews were first forced to self-identify, then were violently pushed to relocate from their apartments to the poorest areas of town, where their movements and livelihoods were tightly controlled by German soldiers. The ghettos were isolated from the rest of the city and subject to ever-increasingly restrictions the resulted in overcrowding, disease, and starvation. Readers will also learn the terrifying aftermath of the liquidation of the ghettos, as it was revealed that they were primarily meant as holding cells on the way to death camps. These stories will not only open conversation into the horrors of anti-Semitism in Germany, but will also lead to discussions of anti-Semitism and Jewish ghettos elsewhere in history.
In July 1942, the French police in Paris, acting for the German military government, arrested Victor Ripp’s three-year-old cousin, Alexandre. Two months later, the boy was killed in Auschwitz. In Hell’s Traces, Ripp examines this act through the prism of family history. In addition to Alexandre, ten members of Ripp’s family on his father’s side died in the Holocaust. His mother’s side of the family, numbering thirty people, was in Berlin when Hitler came to power. Without exception they escaped the Final Solution. Hell’s Traces tells the story of the two families’ divergent paths. To spark the past to life, he embarks on a journey to visit Holocaust memorials throughout Europe. “Could a stone pillar or a bronze plaque or whatever else constitutes a memorial,” he asks, “cause events that took place more than seven decades ago to appear vivid?” A memorial in Warsaw that includes a boxcar like the ones that carried Jews to Auschwitz compels Ripp to contemplate the horror of Alexandre’s transport to his death. One in Berlin that invokes the anti-Jewish laws of the 1930s allows him to better understand how his mother’s family escaped the Nazis. In Paris he stumbles across a playground dedicated to the memory of the French children who were deported, Alexandre among them. Ultimately, Ripp sees thirty-five memorials in six countries. He encounters the artists who designed the memorials, historians who recall the events that are memorialized, and survivors with their own stories to tell. Resolutely unsentimental, Hell’s Traces is structured like a travelogue in which each destination enables a reckoning with the past.
Toni, is young and sexy with an abusive gangster boyfriend. She struggles as a Brooklyn stripper. Eventually she befriends a rich pretty boy from Long Island. When he meets Toni, their lives change, as they teach each other how to live and grow, and school each other about the opposite worlds they live in and come from.
A firsthand record of life in the Lodz ghetto from 1941 to its 1944 liquidation provides a devastating look at the Jewish community and the impact of the Holocaust
The New York Times–bestselling author’s “haunting, compassionate, and terrifyingly true” story of a man breaking free from his notorious past (Gregg Olson, New York Times–bestselling author of Starvation Heights). From 1926 to 1928, Gordon Stewart Northcott committed at least twenty murders on a chicken ranch outside of Los Angeles. He held his nephew, Sanford Clark, captive there from the age of thirteen to fifteen. Sanford would be Northcott’s sole surviving victim. Forced by Northcott to take part in the murders, he carried tremendous guilt all his life. Yet despite his youth and the trauma he endured, Sanford helped gain justice for the dead and their families by testifying at the trial that led to Northcott’s execution. These shocking events inspired Clint Eastwood’s film The Changeling. But in The Road Out of Hell, acclaimed crime writer Anthony Flacco uses revelatory new accounts from Sanford’s son to tell the complete, true story. Going beyond the film’s narrative, Flacco recounts not only Sanford’s nightmarish captivity, but also the inspiring life he led afterward. In dramatizing one of the darkest cases in American crime, Flacco constructs a riveting psychological drama about how Sanford was able to detoxify himself from the evil he’d encountered, offering the ultimately redemptive story of one man’s remarkable ability to survive hell on earth and emerge intact.