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Traces the development of comics from the gross psychotic visions of the ultra-primitive 'pre-code' horrors, through to the relatively sophisticated graphic nightmares of Warren and Skywald. Fully illustrated throughout, this is a concise, entertaining and enlightening examination of this most popular and persecuted of comicbook genres.
This spine-tingling novel has more than enough fear factor for the most ardent fan of scary stories. Uncle Montague lives alone in a big house, but regular visits from his nephew, Edgar, give him the opportunity to recount some of the frightening stories he knows. As each tale unfolds, an eerie pattern emerges of young lives gone awry in the most terrifying of ways. Young Edgar begins to wonder just how Uncle Montague knows all these ghastly tales. This clever collection of stories-within-a-story is perfectly matched with darkly witty illustrations by David Roberts. Look for the other spine-tingling book in Chris Priestley's Tales of Terror series, Tales of Terror from the Black Ship!
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America’s changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.
An original new study of Spanish horror film.
Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them. The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s. Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette (Swamp Thing, Taboo, Tyrant), provides the introduction for this volume. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.
Regarded by many as the most comprehensive anthology of all time, ‘The Harvard Classics’ was first published in 1909 under the supervision of the Harvard president Charles W. Eliot. An esteemed academic, Eliot had argued that the elements of a liberal education could be gained by spending 15 minutes a day reading from a collection of books that could fit on a five-foot shelf. The publisher P. F. Collier challenged Eliot to make good on this statement and ‘Dr. Eliot's Five Foot Shelf’ was the result. Eight years later Eliot added a further 20 volumes as a sub-collection titled ‘The Harvard Classics Shelf of Fiction’, offering some of the greatest novels and short stories of world literature. The exhaustive anthology of the ‘The Harvard Classics’ comprises every major literary figure, philosopher, religion, folklore and historical subject up to the twentieth century. This comprehensive eBook presents the complete anthology, with Eliot’s original introductions, numerous illustrations, rare texts and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to life and works of the authors featured in the anthology * All 51 volumes of ‘The Harvard Classics’ * Eliot’s original concise introductions * Eliot’s general introduction to the anthology (Volume 50) * The complete 20 volume edition of ‘The Harvard Classics Shelf of Fiction’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Major works include the original illustrations that accompanied the text * Easily locate the chapters and sections you want to read with individual contents tables * Precise arrangement of texts into the original anthology order * A veritable digital library comprised in a single eBook! Please visit www.delphiclassics.com to see the full contents - too many titles to list fully here. CONTENTS: Vol. 1: FRANKLIN, WOOLMAN, PENN Vol. 2. PLATO, EPICTETUS, MARCUS AURELIUS Vol. 3. BACON, MILTON’S PROSE, THOS. BROWNE Vol. 4. COMPLETE POEMS IN ENGLISH, MILTON Vol. 5. ESSAYS AND ENGLISH TRAITS, EMERSON Vol. 6. POEMS AND SONGS, BURNS Vol. 7. CONFESSIONS OF ST. AUGUSTINE, IMITATION OF CHRIST Vol. 8. NINE GREEK DRAMAS Vol. 9. LETTERS AND TREATISES OF CICERO AND PLINY Vol. 10. WEALTH OF NATIONS, ADAM SMITH Vol. 11. ORIGIN OF SPECIES, DARWIN Vol. 12. PLUTARCH’S LIVES Vol. 13. AENEID, VIRGIL Vol. 14. DON QUIXOTE, PART 1, CERVANTES Vol. 15. PILGRIM’S PROGRESS, DONNE & HERBERT, BUNYAN, WALTON Vol. 16. THE THOUSAND AND ONE NIGHTS Vol. 17. FOLKLORE AND FABLE, AESOP, GRIMM, ANDERSON Vol. 18. MODERN ENGLISH DRAMA Vol. 19. FAUST, EGMONT, ETC. DOCTOR FAUSTUS, GOETHE, MARLOWE Vol. 20. THE DIVINE COMEDY, DANTE Vol. 21. I PROMESSI SPOSI, MANZONI Vol. 22. THE ODYSSEY, HOMER Vol. 23. TWO YEARS BEFORE THE MAST, DANA Vol. 24. ON THE SUBLIME, FRENCH REVOLUTION, ETC., BURKE Vol. 25. AUTOBIOGRAPHY, ETC., ESSAYS AND ADDRESSES, J.S. MILL, T. CARLYLE Vol. 26. CONTINENTAL DRAMA Vol. 27. ENGLISH ESSAYS: SIDNEY TO MACAULAY Vol. 28. ESSAYS: ENGLISH AND AMERICAN Vol. 29. VOYAGE OF THE BEAGLE, DARWIN Vol. 30. FARADAY, HELMHOLTZ, KELVIN, NEWCOMB, ETC Vol. 31. AUTOBIOGRAPHY, BENVENUTO CELLINI Vol. 32. LITERARY AND PHILOSOPHICAL ESSAYS Vol. 33. VOYAGES AND TRAVELS Vol. 34. FRENCH AND ENGLISH PHILOSOPHERS Vol. 35. CHRONICLE AND ROMANCE Vol. 36. MACHIAVELLI, MORE, LUTHER Vol. 37. LOCKE, BERKELEY, HUME Vol. 38. HARVEY, JENNER, LISTER, PASTEUR Vol. 39. PREFACES AND PROLOGUES Vol. 40. ENGLISH POETRY 1 Vol. 41. ENGLISH POETRY 2 Vol. 42. ENGLISH POETRY 3 Vol. 43. AMERICAN HISTORICAL DOCUMENTS Vol. 44. SACRED WRITINGS 1 Vol. 45. SACRED WRITINGS 2 Vol. 46. ELIZABETHAN DRAMA 1 Vol. 47. ELIZABETHAN DRAMA 2 Vol. 48. THOUGHTS AND MINOR WORKS, PASCAL Vol. 49. EPIC AND SAGA Vol. 50. INTRODUCTION AND READER’S GUIDE Vol. 51. LECTURES The Harvard Classics Shelf of Fiction 20 Volumes: FIELDING to TURGENEV
Musaicum Books presents to you the original regency romances, the incredible tales of love, lust, pleasure and betrayal. Content: Fantomina (Eliza Haywood) The History of Miss Betsy Thoughtless (Eliza Haywood) The Fortunate Foundlings (Eliza Haywood) Powder and Patch (Georgette Heyer) The Black Moth: A Romance of the XVIIIth Century (Georgette Heyer) Belinda (Maria Edgeworth) Patronage (Maria Edgeworth) Dangerous Liaisons (Pierre Choderlos de Laclos) Evelina (Fanny Burney) Cecilia (Fanny Burney) Camilla (Fanny Burney) The Wanderer (Fanny Burney) Mary: A Fiction (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) Miss Marjoribanks (Mrs. Olifant) Phoebe, Junior (Mrs. Olifant) Vanity Fair (William Makepeace Thackeray) Pamela (Samuel Richardson) Anti-Pamela (Eliza Haywood) Shamela (Henry Fielding)