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Covering 500 years of Ghana's history, The Ghana Reader provides a multitude of historical, political, and cultural perspectives on this iconic African nation. Whether discussing the Asante kingdom and the Gold Coast's importance to European commerce and transatlantic slaving, Ghana's brief period under British colonial rule, or the emergence of its modern democracy, the volume's eighty selections emphasize Ghana's enormous symbolic and pragmatic value to global relations. They also demonstrate that the path to fully understanding Ghana requires acknowledging its ethnic and cultural diversity and listening to its population's varied voices. Readers will encounter selections written by everyone from farmers, traders, and the clergy to intellectuals, politicians, musicians, and foreign travelers. With sources including historical documents, poems, treaties, articles, and fiction, The Ghana Reader conveys the multiple and intersecting histories of Ghana's development as a nation, its key contribution to the formation of the African diaspora, and its increasingly important role in the economy and politics of the twenty-first century.
High interest books, designed to appeal to both boys and girls; highly motivating stories which attract the reader's attention and hold it through the story.
"The country-specific chapters serve to underline the differences between African democracy and liberal democracy, yet some authors are at pains to emphasize that whatever their limitations, African democracies are an advance over what had gone before." -- African Studies Review
A comprehensive review of major political events in Ghana, with critical comments, during the past 50 years. The book takes off where its predecessor The New Ghana, the international best seller published in 1958, Ghana’s first independence anniversary, ended. Absorbing, balanced and detailed, it is nevertheless controversial and challenging. Unique for its vignettes on all the major personalities of the five decades that the author has been privileged to interact with. The book challenges certain myths about the Trans-Atlantic Slave Trade. The slow rate of development in Ghana in particular and Africa in general: the reasons why Ghana, despite its vast natural and mineral resources, is still a developing country. Traditions and customs which negate the rapid development of Ghana and robustly reviewed. What killed Nkrumah? Was Nkrumah anti-white? These are only a few of the interesting questions that the book attempts to answer. The book, which is unique in many ways, ends on a note of hope and expectation – that the next 5 years would be better than the last half century. Only time can tell.
Effective development of artisanal diamond mining communities must be based on a thorough understanding of the inherent complexities that characterise the sector. This research coordinated by the Egmont Institute and undertaken in support of the KPCS Working Group on Alluvial/Artisanal Producers (currently chaired by Angola), involved many of the leading thinkers in this field. It makes a significant contribution to our knowledge on the sector, laying the foundations for a concerted work programme. This study does not underestimate the challenges this sector poses. However, it emphasises the critical importance of this task because the integrity of the KPCS and all it stands for are dependent upon addressing the developmental dimensions of the diamond trade not just policing it.
Before his death at the age of twenty-seven, Jean-Michel Basquiat completed nearly 2,000 works. These unique compositions—collages of text and gestural painting across a variety of media—quickly made Basquiat one of the most important and widely known artists of the 1980s. Reading Basquiat provides a new approach to understanding the range and impact of this artist’s practice, as well as its complex relationship to several key artistic and ideological debates of the late twentieth century, including the instability of identity, the role of appropriation, and the boundaries of expressionism. Jordana Moore Saggese argues that Basquiat, once known as “the black Picasso,” probes not only the boundaries of blackness but also the boundaries of American art. Weaving together the artist’s interests in painting, writing, and music, this groundbreaking book expands the parameters of aesthetic discourse to consider the parallels Basquiat found among these disciplines in his exploration of the production of meaning. Most important, Reading Basquiat traces the ways in which Basquiat constructed large parts of his identity—as a black man, as a musician, as a painter, and as a writer—via the manipulation of texts in his own library.