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'A sparkling memoir ... A delight from start to finish' NINA STIBBE 'Anyone who loves the theatre will love this book' ZOË WANAMAKER In 1980s London, Sweetpea Slight is en route to drama school when she is snapped up to work as an assistant to the maverick theatre producer Thelma Holt. Full of wit, charm and backstage intrigue, her irresistible memoir of the resulting twenty years is at once the poignant story of a young woman coming of age, and an exhilarating journey down the rabbit hole into the enchanting world of theatre.
This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.
The world's most beautiful movie star is scarred in a fiery car accident. Her career over and her self-esteem in shreds, she hides in the magnificent home her grandmother left her in the mountains of North Carolina. But her motherly cousin refuses to let her become a recluse, and a handsome neighbor with painful dilemmas of his own is lured into the mix. Romance, family life, drama, humor, and secrets.
Fleeing England, a mysterious young woman named Emily risks the Atlantic during the War of 1812 for a new adventure in Canada. She never arrives. Deadly sea battles with Americans and a ship's captain hell-bent on revenge make her crossing treacherous, terrifying, and, should her true identity be revealed, tragic.
At eighteen, after moving to London with dreams of becoming an actress, an impressionable girl who paints freckles on her face begins work experience in a West End theatre company. In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a miniscule salary and renamed her. From that moment on she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might casually pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting options for the next production are discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and even a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.
After a year away from Paris, Kiki Button is delighted to be back in City of Lights. But danger threatens her return as she is pulled into another spy mission—one that brings her ever closer to the rising fascist threat in Europe. October 1922. Kiki Button has had a rough year at home in Australia after her mother’s sudden death. As the leaves turn gold on the Parisian boulevards, Kiki returns to Europe, more desperately in need of Paris and all its liveliness than ever. As soon as she arrives back in Montparnasse, Kiki takes up her life again, drinking with artists at the Café Rotonde, gossiping with her friends, and finding lovers among the enormous expatriate community. Even her summertime lover from the year before, handsome Russian exile Prince Theo Romanov, is waiting for her. But it’s not all champagne and moonlit trysts. Theo is worried that his brother-in-law is being led astray by political fanatics. Kiki’s boy from home, Tom, is still hiding under a false name. Her friends are in trouble—Maisie has been blackmailed and looks for revenge, Bertie is still lovesick and lonely, and Harry has important information about her mother. And to top it off, she is found by Dr. Fox, her former spymaster, who insists that she work for him once more. Amidst the gaiety of 1920s Paris, Kiki stalks the haunted, the hunted, and people still heartsore from the war. She parties with princes and Communist comrades, she wears ballgowns with Chanel and the Marchesa Casati, she talks politics with Hemingway and poetry with Sylvia Beach, and sips tea with Gertrude Stein. She confronts the men who would bring Europe into another war. And as she uses her gossip columnist connections for her mission, she also meets people who knew her mother, and can help to answer her burning question: why did her mother leave England all those years ago?
Does a family mystery stand in the way of saving Kip’s best friend? Katherine Pearl Baker—“Kip” for short—is the only child on her family’s rural peach farm. She longs for a pet to ease the loneliness. Unfortunately, her father has an angry opposition to all animals—horses in particular. Why he dislikes them is a confounding mystery. Hiding in the woods on the Fourth of July, Kip encounters a bedraggled donkey with one eye and a floppy ear. Immediately smitten and compelled to protect him, she feeds him biscuits and takes him home. When it is discovered the donkey fled an abusive owner, Kip’s father finally relents, reluctantly allowing him to stay. Kip is elated when her grandfather agrees to help her foster the donkey, who she names “Liberty Biscuit,” along with two emaciated horses removed by the local sheriff from the same home, as the cruelty case goes to court. While caring for the animals, Kip’s happiness is overshadowed by a shocking discovery in a trunk in the family farm’s hayloft—a faded photograph of her father as a boy that reveals secrets long kept. A court order to return the horses, and even worse, Kip’s beloved Liberty Biscuit, to the owner who had starved and beaten them, throws Kip’s world into turmoil. She knows she must find a way to keep them, or she will have betrayed the best friend she has ever had. But saving the animals means risking the complete unraveling of her family as she exposes the long-buried truth about a tragic accident and a hurt like she’s never known before.