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"I have no desire whatever to reform myself. My only desire is to reform people who try to reform me. And I believe that the only way to reform people is to kill 'em. My motto is, Rob em all, Rape em all and Kill em all." - Carl Panzram In 1902, at the age of 11, Carl Panzram broke into a neighbour's home and stole some apples, a pie, and a revolver. As a frequent troublemaker, the court decided to make an example of him and placed him into the care of the Minnesota State Reform School. During his two-year detention, Carl was repeatedly beaten, tortured, humiliated and raped by the school staff. At 15-years old, Carl enlisted in the army by lying about his age but his career was short-lived. He was dishonourably discharged for stealing army supplies and was sent to military prison. The brutal prison system sculpted Carl into the man that he would remain for the rest of his life. He hated the whole of mankind and wanted revenge. When Carl left prison in 1910, he set out to rob, burn, rape and kill as many people as he could, for as long as he could. His campaign of terror could finally begin and nothing could stand in his way. Kill 'Em All is a chilling and gripping account of one of the most brutal and gruesome true crime stories in American history. Ryan Green's riveting narrative draws the reader into the real-live horror experienced by the victims and has all the elements of a classic thriller. CAUTION: This book contains descriptive accounts of abuse and violence. If you are especially sensitive to this material, it might be advisable not to read any further
“You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, black and white, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history, illuminating not only our understanding of the immensely troubled, misunderstood, and complicated Godfather of Soul, but the ways in which our cultural heritage has been shaped by Brown’s enduring legacy. Praise for Kill ’Em and Leave “A tour de force of cultural reportage.”—The Seattle Times “Thoughtful and probing.”—The New York Times Book Review “Masterly . . . powerful.”—Los Angeles Review of Books “McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to ‘the real James Brown’] as we’ll ever get.”—David Hajdu, The Nation “A feat of intrepid journalistic fortitude.”—USA Today “[McBride is] the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York “Illuminating . . . engaging.”—The Washington Post “A gorgeously written piece of reportage that gives us glimpses of Brown’s genius and contradictions.”—O: The Oprah Magazine
Why do groups become genocidal and try to incapacitate all members of an alien group, even sometimes killing fetuses? Prematurely alluding to evil or to the Devil blocks the possibility for further inquiry. Get 'Em All! Kill 'Em! is the first systematic attempt to explain what, up until now, has seemed to be inexplicable phenomena.
Metallica's 1983 debut Kill 'Em All was the ground-breaking and influential album that laid the foundation for all the heavy metal and thrash metal that followed, with many of its songs still crowd favourites thirty-five years later. This matching folio contains complete, note-for-note arrangements for every song on the album, as well as the two bonus tracks from the re-issue which were later included on ‘Garage Inc.’, Am I Evil? and Blitzkrieg. Each song is presented in authentic Guitar Tablature, with accompanying standard notation. Songlist: - Hit The Lights - The Four Horsemen - Motorbreath - Jump In The Fire - (Anesthesia) Pulling Teeth - Whiplash - Phantom Lord - No Remorse - Seek And Destroy - Metal Militia - Am I Evil? - Blitzkrieg
_____________________ The long-awaited sequel to KILL YOUR FRIENDS A Guardian Book of the Year 2018 It is 2017 – the time of Trump, Brexit and fake news. And time for the return of Steven Stelfox, former A&R man who made his millions from a hit reality TV show. Now Stelfox works occasionally as a music industry ‘consultant’. A fixer. He’s had a call from his old friend James Trellick, president of one of the largest record companies in America. Trellick has a huge problem on his hands in the shape of... Lucius Du Pre. Once the biggest pop star on earth. Now he’s a helpless junkie, a prolific sexual predator, and massively in debt to Trellick’s record company. And the picture only gets bleaker when the parents of one of Du Pre’s ‘special friends’ begin blackmailing him. Enter Stelfox stage right. He’s the perfect man to find a way out of this nightmare, and to make a killing in the process. There’s no line he won’t cross. _____________________ ‘A banging action satirical thriller. But it’s also a proper novel about the Trumpian era, of the reality TV era, the fake news era. It’s managed to say a lot of things in a way that very few other novels are doing and in a very comedic way’ IRVINE WELSH 'A bruising triumph; Amis' MONEY for the Trump generation. What a monster he's created' IAN RANKIN ‘John Niven understands our era better than almost anyone’ DOUGLAS COUPLAND ‘A scabrously entertaining satire of what it is like to be rich and white in the land of the free if you are utterly depraved, “where money doesn’t just talk, or swear, it nukes”. ... There is a twisted poetry in Niven’s mastery of invective’ THE TIMES ‘Savagely, viciously witty, this frantic hymn to greed is filthy, frenetic and totally fabulous’ SUNDAY MIRROR ‘A full-throttle send up of toxic masculinity ... Niven at full tilt is always something to behold.’METRO
The new gonzo graphic novel love letter to 90s action movies by Eisner-nominated cartoonist Kyle Starks (Sexcastle, Rick and Morty). A betrayed murderess wants revenge. A hard drinking former cop wants his job back. For either to get what they want, they’re going to have to fight their way through fifteen flights of criminals, assassins, drug lords, murderers, yup, even accountants, and… KILL. THEM. ALL.
One of the most highly regarded poker books to come out in the last decade is now even better than before. The expanded and revised second edition of Kill Everyone, by Aussie Millions champ Lee Nelson (with Steve Heston and Tyson Streib), now includes hand illustrations throughout the book—and even more enticing for poker players—commentary throughout the book by internet-poker and European playing sensation Bertrand "Elky" Grospellier, World Poker Tour’s 2009 Poker Player of the Year. Kill Everyone begins where Kill Phil left off. Its perfect blend of real-time experience, poker math, and computational horsepower combine to create new concepts and advanced strategies never before seen in print for multi-table tournaments, Sit-n-Gos, and satellites. It also explains how to choose the right strategy for the right game, provides the proper tactics, and introduces new weapons into a tournament-poker-player's arsenal. This book is for anyone serious about playing tournament poker, both live and online. And for cash-game players, a bonus chapter, penned by online cash-game ace and 2007 WSOP bracelet winner Mark Vos, helps you develop your short-handed no-limit hold ’em cash game.
Genocide, mass murder, massacres. The words themselves are chilling, evoking images of the slaughter of countless innocents. What dark impulses lurk in our minds that even today can justify the eradication of thousands and even millions of unarmed human beings caught in the crossfire of political, cultural, or ethnic hostilities? This question lies at the heart of Why Not Kill Them All? Cowritten by historical sociologist Daniel Chirot and psychologist Clark McCauley, the book goes beyond exploring the motives that have provided the psychological underpinnings for genocidal killings. It offers a historical and comparative context that adds up to a causal taxonomy of genocidal events. Rather than suggesting that such horrors are the product of abnormal or criminal minds, the authors emphasize the normality of these horrors: killing by category has occurred on every continent and in every century. But genocide is much less common than the imbalance of power that makes it possible. Throughout history human societies have developed techniques aimed at limiting intergroup violence. Incorporating ethnographic, historical, and current political evidence, this book examines the mechanisms of constraint that human societies have employed to temper partisan passions and reduce carnage. Might an understanding of these mechanisms lead the world of the twenty-first century away from mass murder? Why Not Kill Them All? makes clear that there are no simple solutions, but that progress is most likely to be made through a combination of international pressures, new institutions and laws, and education. If genocide is to become a grisly relic of the past, we must fully comprehend the complex history of violent conflict and the struggle between hatred and tolerance that is waged in the human heart. In a new preface, the authors discuss recent mass violence and reaffirm the importance of education and understanding in the prevention of future genocides.
“A probing biography of the enfant terrible of 1960s and 1970s film-making . . . exhaustive and endlessly intriguing.” —Booklist Written by the film critic and historian David Weddle, this fascinating account does critical justice to an important body of cinema as it spins the tale of David Samuel Peckinpah’s dramatic, overcharged life and the turbulent times through which he moved. Sam Peckinpah was born into a clan of lumberjacks, cattle ranchers, and frontier lawyers. After a hitch with the Marines, he made his way to Hollywood, where he worked on a string of low-budget features. In 1955 he began writing scripts for Gunsmoke; in less than a year he was one of the hottest writers in television, with two classic series, The Rifleman and The Westerner, to his credit. From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. Rising to prominence in the social and political upheaval of the late sixties and early seventies, Peckinpah and his generation of directors—Stanley Kubrick, Arthur Penn, Robert Altman—broke with convention and turned the traditional genres of Western, science fiction, war, and detective movies inside out. No other era in Hollywood has matched it for sheer energy, audacity, and originality; no one cut a wider path through that time than Sam Peckinpah. “Groundbreaking.” —Michael Sragow, The Atlantic
The bloody Albigensian Crusade launched against the Cathar heretics of southern France in the early thirteenth century is infamous for its brutality and savagery, even by the standards of the Middle Ages. It was marked by massacres and acts of appalling cruelty, deeds commonly ascribed to the role of religious fanaticism. Here, in the first military history of the whole conflict, Sean McGlynn tells the story of the crusade through its epic sieges of seemingly impregnable fortresses, desperate battles and destructive campaigns, and offers expert analysis of the warfare involved, revealing the crusade in a different light – as a bloody territorial conquest in which acts of terror were perpetrated to secure military aims rather than religious ones. The dramatic events of the crusade and its colourful leading characters – Simon de Montfort, Louis the Lion, Innocent III, Peter of Aragon, Count Raymond of Toulouse – are brought to life through the voices of contemporary writers who fought and experienced it.