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No other single author has so commanding a critical presence across so many disciplines within the arts and humanities, in so many national contexts, as Walter Benjamin (1892-1940). The belated reception of his work as a literary critic (dating from the late 1950s) has been followed by a rapid series of critical receptions in different contexts: Frankfurt Critical Theory and Marxism, Judaism, Film Theory, Post-structuralism, Philosophical Romanticism, and Cultural Studies.This collection brings together a selection of the most critically important items in the literature, across the full range of Benjamin's cultural-theoretical interests, from all periods of the reception of his writings, but focusing upon the most recent, to produce a comprehensive overview of the best critical literature.
This book presents an integrated interpretation and appraisal of Kant’s mature aesthetic. The writer draws readers into the realization of what is important and enduring in the Critique of Aesthetic Judgment by taking up the issues Kant raises and relating them to contemporary themes in aesthetics. Those parts of Kant’s theory that raise issues engaging contemporary discussion and debate, such as the role of pleasure, the tenability of the aesthetic attitude, the justification of claims to interpersonal agreement in aesthetic judgment in and the relation of beauty to excellence in art are given special emphasis and subjected to careful scrutiny.
Criticism of Theology provides a detailed and critical commentary on the continued fascination with religion by yet more significant Marxist philosophers, historians and critics: Max Horkheimer, E.P. Thompson, G.E.M. de Ste. Croix, Michael Löwy, Roland Barthes, Gilles Deleuze, Felix Guattari and Antonio Negri. Simultaneously critique and construction, Criticism of Theology carefully analyses their work through close textual readings, with a view to locating hidden gems that may be developed further. The book continues the project for a renewed and enlivened interaction between Marxism and religion, being the third of five volumes in the Criticism of Heaven and Earth series.
First published in 1978, this volume is addressed to the crisis prevailing in the social and cultural sciences. The authors explore the conflict between positivism and romanticism, between hard and soft sociological research methods, and between objectivity and subjectivity - conflicts that were particularly acute in sociology at the time of publication. All of the essays adopt the approach of 'symbolic realism' or 'cognitive aesthetics' to overcome the dualism in conventional sociological theory. This strategy of symbolic realism is a philosophical amalgam forged from findings in existential phenomenology, ordinary language philosophy and pragmatism. It establishes a legitimate basis for the application of aesthetic criteria to truth-seeking in the social sciences. The synthesis emergent from these essays suggests a paradigm with broad implications for all the human studies. Students of culture will find this volume a provocative point of departure for their own investigations.
No other single author has so commanding a critical presence across so many disciplines within the arts and humanities, in so many national contexts, as Walter Benjamin (1892-1940). The belated reception of his work as a literary critic (dating from the late 1950s) has been followed by a rapid series of critical receptions in different contexts: Frankfurt Critical Theory and Marxism, Judaism, Film Theory, Post-structuralism, Philosophical Romanticism, and Cultural Studies.This collection brings together a selection of the most critically important items in the literature, across the full range of Benjamin's cultural-theoretical interests, from all periods of the reception of his writings, but focusing upon the most recent, to produce a comprehensive overview of the best critical literature.
Illuminations contains the most celebrated work of Walter Benjamin, one of the most original and influential thinkers of the 20th Century: 'The Work of Art in the Age of Mechanical Reproduction', ‘The Task of the Translator’ and 'Theses on the Philosophy of History', as well as essays on Kafka, storytelling, Baudelaire, Brecht's epic theatre, Proust and an anatomy of his own obsession, book collecting. This now legendary volume offers the best possible access to Benjamin’s singular and significant achievement, while Hannah Arendt’s introduction reveals how his life and work are a prism to his times.
Hermeneutics between History and Philosophy collects together Gadamer's remaining important untranslated writings on the problem of history and the major philosophical traditions of the 20th century from the standpoint of hermeneutics. In these writings, Gadamer examines important thinkers as Husserl, Heidegger, Sartre, Bourdieu and Habermas and their ongoing legacies. This volume also includes a preface by the editors, who are also the translators, presenting the structure of the volume, a substantial introductionsituating Gadamer's particular project and examining the place of hermeneutics vis-a-vis the disciplines of history and philosophy in the 20th century. The translation is followed by a glossary of German terms and Greek and Latin expressions, as well as a bibliography of all the works cited and alluded to by Gadamer.
This book examines the discourse on ‘primitive thinking’ in early twentieth century Germany. It explores texts from the social sciences, writings on art and language and – most centrally – literary works by Robert Musil, Walter Benjamin, Gottfried Benn and Robert Müller, focusing on three figurations of alterity prominent in European primitivism: indigenous cultures, children, and the mentally ill.
The untold story of how the volcanic landscape surrounding Naples influenced a crucial moment in twentieth-century intellectual history In the 1920s, the Gulf of Naples was a magnet for European intellectuals in search of places as yet untouched by modernity. Among the revolutionaries, artists, and thinkers drawn to Naples were numerous scholars at a formative stage in their journeys: Walter Benjamin, Siegfried Kracauer, Alfred Sohn‑Rethel, Asja Lacis, Theodor W. Adorno, and many others. While all were indelibly shaped by the volcanic Neapolitan landscape, it was Benjamin who first probed the relationship between the porous landscape and the local culture. But Adorno went further, transforming his surroundings into a radical new philosophy—one that became a turning point in the modern history of the discipline. In this ingenious book, Martin Mittelmeier reveals the Gulf of Naples as the true birthplace of the Frankfurt School. From the majestic crater rim of Mount Vesuvius to the soft volcanic rock that Neapolitans used to build their city, Mittelmeier follows Adorno’s and his fellow thinkers’ footsteps through the cities along the gulf, demonstrating how their observations and encounters surface again and again in their writings for decades to come, and serve as the structuring principle of Critical Theory.
The decluttering craze meets a passion for sustainable living and interior design in this gorgeous new book for readers of The Life-Changing Magic of Tidying Up This book promises an opportunity for self-reflection and lasting change, by getting to the bottom of why we've accumulated too much stuff in the first place, therefore allowing us to transform our lives. Professional decluttering and design team Cary and Kyle of New Minimalism will take you through every step, from assessing your emotional relationship to your stuff to decluttering your home to then turning it into a beautifully designed space that feels clean and tidy without feeling sparse or prescriptive. And all of this without filling up a landfill—you'll find resources and strategies to donate and reuse your stuff so you don't have to feel guilty about getting rid of it!