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Gertrude Stein's 'GERTRUDE STEIN Ultimate Collection' offers readers a comprehensive look into the works of this influential American writer. Known for her experimental literary style and avant-garde approach to language, Stein's collection includes novels, short stories, poetry, plays, memoirs, and essays that challenge traditional literary conventions. Stein's distinctive use of repetition and wordplay adds a unique richness to her writing, making her work both complex and compelling. This collection showcases Stein's contributions to modernist literature and her impact on the literary landscape of the 20th century. Readers will find themselves immersed in Stein's thought-provoking and innovative writing, exploring themes of identity, language, and perception. Gertrude Stein's 'GERTRUDE STEIN Ultimate Collection' is a must-read for anyone interested in experimental literature and the evolution of modernist writing. Stein's groundbreaking work continues to captivate readers and push the boundaries of conventional storytelling, making this collection a valuable addition to any literary enthusiast's library.
"One of the best introductions to Gertrude Stein's work I've ever read. Joan Retallack's research is thorough and impressive, and she has done an outstanding job of assembling a valuable and interesting collection of Stein's writings."—Hank Lazer, author of Lyric & Spirit “This exquisitely edited volume of Gertrude Stein's writings is far more informative than the usual 'selected works.' Out of the immense opus that Stein produced over a long and prolific career, Joan Retallack has chosen telling pieces, so as to show both the extraordinary thematic, generic, and stylistic variety, and the coherence of her life's work. Meanwhile, Retallack's delightful and informative introduction can stand on its own as a luminous contribution to our understanding of Gertrude Stein's work and her place in literary history. The fascinating documents that end the book can be regarded as the sweet at the end of a fully satisfying and memorable experience. This is an essential book for both new and long-term discoverers of the wonder of Gertrude Stein's writings.”—Lyn Hejinian, author of The Language of Inquiry “Retallack's illuminating introduction is a vital contribution to our knowledge of Stein, revelatory of such issues as racism while viewing Stein's presence on the page and in the ear as performative play that creates a sensual apprehension of a new time (a perception of the activity of happiness). The selections and introduction demonstrate how Stein changed reading and perceiving.”—Leslie Scalapino, author of It's go in horizontal
This important collection presents Gertrude Stein for the first time in her brilliant modernity. Ulla E. Dydo's textual scholarship demonstrates Stein's constant questioning of convention, and A Stein Reader changes the balance of work in print, concentrating on Stein's experimental work and including many key works that are virtually unknown or unavailable. A Stein Reader includes unpublished work, such as the portrait "Article"; shows the astonishing stylistic change in the neglected "A Long Gay Book"; draws attention to the many unknown plays such as "Reread Another;" and offers fascinating portraits of Matisse, Picasso, and Sitwell. Illuminating headnotes bring out connections between pieces and provide invaluable keys to Stein's motifs and thought patterns.
Before Gertrude Stein became the twentieth century’s preeminent experimental writer, she spent a decade conducting research at Harvard’s psychological laboratory and the Johns Hopkins Medical School. This book shows how her extensive scientific training continued to exert a profound influence on the development of her extraordinary literary practices.
Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors. Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation. Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing.
""Geography and Plays" is a collection of Gertrude Stein's writing from about 1908 to 1920. Originally published in 1922 with an introduction by Sherwood Anderson, it was almost inaccessible for many years.From one of the modern era's most influential and boldly experimental writers--a generous collection of poems, stories and plays--all dating from 1910-1920. Wide range of the author's styles reveal Stein as philosopher, poet, portraitist, dramatist and short story writer, as the investigator of the nature of language, and much more."
Letters trace the friendship between Stein and Wilder from late 1934 until Stein's death in 1946
Matched only by Hemingway’s A Moveable Feast, Paris France is a "fresh and sagacious" (The New Yorker) classic of prewar France and its unforgettable literary eminences. Celebrated for her innovative literary bravura, Gertrude Stein (1874–1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with—and tirelessly championed the careers of—a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times). In Paris France (1940)—published here with a new introduction from Adam Gopnik—Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.