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The Euro crisis has served as a stark reminder of the fundamental importance of Germany to the larger European project. But the image of Germany as the dominant power in Europe is at odds with much of its recent history. Reluctant Meister is a wide-ranging study of Germany from the Holy Roman Empire through the Second and Third Reichs, and it asks not only how such a mature and developed culture could have descended into the barbarism of Nazism but how it then rebuilt itself within a generation to become an economic powerhouse. Perhaps most important, Stephen Green examines to what extent Germany will come to dominate its relationship with its neighbors in the European Union, and what that will mean.
In this quiet and devastating novel about the rise of fascism, Siggi Jepsen, incarcerated as a juvenile delinquent, is assigned to write a routine German lesson on the “The Joys of Duty.” Overfamiliar with these joys, Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, a constable, doggedly carry out orders from Berlin to stop a well-known Expressionist artist from painting and to seize all his “degenerate” work. Soon Siggi is stealing the paintings to keep them safe from his father. “I was trying to find out,” Lenz says, “where the joys of duty could lead a people.” Translated from the German by Ernst Kaiser and Eithne Wilkins
Paul, a young Irish engineer, follows his girlfriend to Berlin and begins work on the renovation of a commercial building in Alexanderplatz. Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered. Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site's physical reality. As the narration explores the mind's fragile architecture, he begins to map his own strange geography through a series of notebooks, or 'Love notes'. 'In such a brutish and masculine atmosphere, Duncan's account is an unmasked ray of hope... The prose is minimal, yet the ideas are maximal. If more men thought and wrote as tenderly and honestly as Adrian Duncan, we'd have stronger, sturdier novels and fewer garish monuments to consumerism' Irish Independent.
Emerging from a collection of city states 150 years ago, no other country has had as turbulent a history as Germany or enjoyed so much prosperity in such a short time frame. Today, as much of the world succumbs to authoritarianism and democracy is undermined from its heart, Germany stands as a bulwark for decency and stability. Mixing personal journey and anecdote with compelling empirical evidence, this is a critical and entertaining exploration of the country many in the West still love to hate. Raising important questions for our post-Brexit landscape, Kampfner asks why, despite its faults, Germany has become a model for others to emulate, while Britain fails to tackle contemporary challenges. Part memoir, part history, part travelogue, Why the Germans Do It Better is a rich and witty portrait of an eternally fascinating country.
This accessible introductory reference source surveys the linguistic and cultural background of the earliest known Germanic languages and examines their similarities and differences. The Languages covered include:Gothic Old Norse Old SaxonOld English Old Low Franconian Old High German Written in a lively style, each chapter opens with a brief cultural history of the people who used the language, followed by selected authentic and translated texts and an examination of particular areas including grammar, pronunciation, lexis, dialect variation and borrowing, textual transmission, analogy and drift.
This book aims to take users from scratch to having a solid base in German within six months, and to feel comfortable with the language in as little as three months. In only half an hour a day users will move ahead naturally until they are at ease with all the basic structures needed for communication and become familiar with the basic words and grammar of German. The method comprises two phases: the passive phase, in which users simply repeat what they hear and read, and the active phase, in which users begin to create sentences and imagine themselves in a variety of everyday situations.
Specially chosen for their power to evoke German life and culture, these short, simple readings include poems, stories, essays, and anecdotes by Goethe, Hesse, Heine, Schiller, and others.