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This anthology of German verse in English translation covers a period that includes perhaps two-thirds of the superlative poets of the German language. Here are 147 poems representing 27 poets from Matthias Claudius to Friedrich Nietzsche. The selection is representative, including both the universally known (Goethe, Schiller, Holderlin) and the less familiar (Brentano, Droste-Hulshoff, Holty, Hebbel, Storm). Among the translations are classics by Coleridge, Longfellow, and the Irish poet James Mangan.
Expertly introduced and edited by A. Leslie Willson, the present volume is a collection to read and cherish, and to reread: to pass along and talk about. Its broad themes of tragedy, satire, and carefully observed daily living make it a cross section of German life and liveliness over the second half of the 20th century.
Long in preparation and in considerable demand, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages.
Volume 62 of this ground-breaking 100 volume collection is organized into four sections: Psychology as Philosophy, Psychoanalysis and Its Critics, Research in Gestalt Psychology, and The Iconoclasts. A showcase of German-psychological thinkers and thought through the 20th century, this volume includes several new translations of articles by pyschologists whose work is rarely available in English.
This anthology of German verse in English translation covers a period that includes perhaps two-thirds of the superlative poets of the German language. Here are 147 poems representing 27 poets from Matthias Claudius to Friedrich Nietzsche. The selection is representative, including both the universally known (Goethe, Schiller, Holderlin) and the less familiar (Brentano, Droste-Hulshoff, Holty, Hebbel, Storm). Among the translations are classics by Coleridge, Longfellow, and the Irish poet James Mangan.
Includes: Gunther Anders, "Victims of Aggression"; Hannah Arendt, "From the Life of the Mind"; Ernst Bloch, "On Fine Arts in the Machine Age, From "The Principle of Hope"; Karl Jaspers, "Existential Philosophy"; Albert Schweitzer, "Philosophy of Civilization"; Karl R. Popper, "An Optimistic View of Our Age"; Ludwig Wittgenstein, From "Philosophical Investigations"; and more.
Included in this anthology are: --Farmyard by Franz Xaver Kroetz--Offending the Audience by Peter Handke--Eve of Retirement by Thomas Bernhard--Big and Little by Botho Strauss>
This collection of High Modernism among Austrian and German writers includes:--Pogrom and a selection from The Case of Sergeant Grischa by Arnold Zweig--"The Murder of a Buttercup" and a selection from Berlin Alexanderplatz (recently cited as one of the 100 Most Meaningful Books of All Time in a survey that was reported in The Guardian, and made into a landmark multipart television series by Rainer Werner Fassbinder) by Alfred D÷blin--Selections from Jew Snss and The Oppermans by Lion Feuchtwanger--A selection from The Seventh Cross and "Excursion of the Dead Girls" by Anna Seghers>
This essential collection of Franz Kafka's writings includes classic as well as new translations: "The Metamorphosis" "The Judgment" "A Country Doctor "In the Penal Colony" From A Hunger Artist ("First Sorrow," "A Little Woman," "A Hunger Artist," "Josephine, the Singer; or, The Mouse People") "The Hunter Gracchus" "The Great Wall of China" "Letter to His Father">
The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance. This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.