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This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a family’s heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating.
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
“This excellent book is a painfully honest account of successive unwinnable wars. It is the text book Mr. Obama and others will need if Afghanistan is ever to be left to find its own peace and prosperity.” —Jon Snow, Channel 4 News (UK) Jonathan Steele, an award-winning journalist and commentator, has covered the country since his first visit there as a reporter in 1981. He tracked the Soviet occupation and the communist regime of Najibullah, which held the Western-backed resistance at bay for three years after the Soviets left. He covered the arrival of the Taliban to power in Kabul in 1996, and their retreat from Kandahar under the weight of U.S. bombing in 2001. Most recently Steele has reported from the epicenter of the Taliban resurgence in Helmand. Ghosts of Afghanistan turns a spotlight on the numerous myths about Afghanistan that have bedeviled foreign policy-makers and driven them to repeat earlier mistakes. Steele has conducted numerous interviews with ordinary Afghans, two of the country's Communist presidents, senior Soviet occupation officials, as well as Taliban leaders, Western diplomats, NATO advisers, and United Nations negotiators. Comparing the challenges facing the Obama administration as it seeks to find an exit strategy with those the Kremlin faced in the 1980s, Steele cautions that military victory will elude the West just as it eluded the Kremlin. Showing how and why Soviet efforts to negotiate an end to the war came to nothing, he explains how negotiations today could put a stop to the tragedies of civil war and foreign intervention that have afflicted Afghanistan for three decades.