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A haunting stroll through a cemetery in the old Imperial City of Aachen, Germany.
Features basic language review topics, including grammar, pronunciation, parts of speech, and idioms.
Medieval archaeology is a relatively young discipline. It relies heavily on and contributes to the neighbouring disciplines of history and geography as well as certain of the natural sciences. The kinds of sources investigated in the context of medieval archaeology also cast light on many aspects of life in later centuries. The main sources used are: graveyards, churches and churchyards; castles and fortifications; rural and urban settlements; technical production sites and routes of communication. Closely allied to these are the numerous finds of small objects of everyday life, from cutlery and tools to animal remains and grain. This book is a comprehensive discussion of what can be established from the use of such materials about the culture and daily life of medieval Germany. Each subject is augmented with the use of many illustrations. Besides methodological questions, the author considers what can be learnt about the history of settlement and architecture, of technology, of economic and social matters, of churches and missions, and of population, diet and vegetation.
During World War Two, a substantial number of German Luftwaffe aircrew were killed in action whilst flying missions over Britain. Their bodies were recovered and buried in war cemetaries, and this book is a guide to the graves of those German servicemen buried in the North East of England and Cumbria.
During the final weeks of World War II, the American army discovered multiple atrocity sites and mass graves containing the dead bodies of Jews, slave laborers, POWs and other victims of Nazi genocide and mass murder. Instead of simply reburying these victims, American Military Government carried out a series of highly ritualized “forced confrontations” towards German civilians centered on the dead bodies themselves. The Americans forced nearby German townspeople to witness the atrocity site, disinter the bodies, place them in coffins, parade these bodies through the town and lay them to rest in town cemeteries. At the conclusion of the ceremony in the cemetery in the presence of dead bodies, the Americans accused the assembled German civilians and Germany as whole of collective guilt for the crimes of the Nazi regime. This landmark study places American forced confrontations into the emerging field of dead body politics or necropolitics. Drawing on the theoretical work of Katherine Verdery and others, the book argues that forced confrontation represented a politicization of dead bodies aimed at the ideological goals of accusing Germans and Germany of collective guilt for the war, Nazism and Nazi genocide. These were not top-down Allied policy decisions. Instead, they were initiated and carried out at the field command level and by ordinary U.S. field officers and soldiers appalled and angered by the level of violence and killing they discovered in small German towns in April and May 1945. This study of the experience of war and forced confrontations around dead bodies compels readers to rethink the nature of the American soldier fighting in Germany in 1945 and the evolution, practice and purpose of American political and ideological ideas of German collective guilt.
Now available in a new format, this beautifully illustrated volume on the controversial nineteenth-century Romantic artist addresses his modern critics while deepening our appreciation for his singular genius. "A painting must stand as a painting, made by human hand," wrote Caspar David Friedrich, "not seek to disguise itself as Nature." One of his generation’s most popular painters, Friedrich imagined landscapes of powerful beauty and spirituality from within the confines of his studios. This breathtaking monograph, filled with glorious reproductions and details of his paintings, argues for Friedrich’s reputation as a sublime artist and interpreter of nature. In his thoughtful and well-researched commentary, author Johannes Grave explores Friedrich’s approach to landscape painting as well as his revolutionary thoughts about how these paintings should be received by their viewers. Looking closely at pieces such as Monk by the Sea, Abbey in the Oakwood, and the Tetschener Altar, Grave shows how Friedrich developed an innovative approach to landscape painting, one that communicated a new sense of space and time, and which draws the viewer into a unique aesthetic experience. Highly readable, insightful, and copiously illustrated, this compelling book sheds crucial light on Friedrich’s celebrated body of work.
Pocket-sized and packed with helpful instruction, this portable book provides a concise yet comprehensive guide to German grammar. Barron’s Pocket German Grammar covers parts of speech, sentence structure, punctuation, pronunciation advice, verb charts, and more. It also features definitions of basic grammatical terms with examples in German and English. The two-color design for headings, key words, and phrases makes this title a quick and easy reference and enhances its visual appeal. Whether you’re at a beginner, intermediate, or advanced, level, this is a must-have, inexpensive grammar resource for German-language students, teachers, or translators looking for a go-to guide or supplement.
Description: The graves of German soldiers near the Coast of Crete. German translation: "Soldiersâ€TM graves on the coast of Crete." Crete, Greece.