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A revised edition of this classic survey that presents a thorough overview of Georgia O’Keeffe’s life and work. Georgia O’Keeffe (1887–1986) was a major figure in American art for seven decades. Throughout that long and prolific career she remained true to her unique artistic vision, creating a highly individual style that synthesized the formal language of modern European abstraction and the themes of traditional American pictorialism. The main subjects she returned to again and again were the flowers, animal bones, and landscapes around her studios in Lake George, New York, and New Mexico, to which her legacy is tied. This comprehensive and illuminating book by noted O’Keeffe scholar Lisa Mintz Messinger surveys her complete oeuvre—drawings, watercolors, and paintings from all periods—and explains her life in the context of her artistic output. Now revised with an updated bibliography, Georgia O’Keeffe features color reproductions of artworks throughout.
Offers a portrait of the twentieth-century woman artist through discussions of her marriage to art photography pioneer Alfred Stieglitz, the impact of his infidelity on her psyche, and her relocation to New Mexico, where she created her signature works.
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Georgia O'Keeffe has dominated twentieth-century American art and proved herself one of its most original talents. Jan Garden Castro's The Art & Life of Georgia O'Keeffe offers the most complete account of both the artist's fascinating private life and her extraordinary career. In 1917 Alfred Stieglitz, pioneer photographer and impresario, organized O'Keeffe's first one-person exhibition, the last show at his famous gallery "291." She also became the subject of many of his finest photographic works and the center of his personal and professional world for the rest of his life. Her acceptance into the Stieglitz group brought her in touch with a wide circle of creative individuals, including Ansel Adams, Arthur Dove, John Marin, and Charles Demuth, to name a few. While learning from these colleagues, O'Keeffe also maintained a fierce independence from them. She had a certain mystique as a woman and an artist, and many of her contemporaries immortalized her in their work. She was the first woman artist whose face and life were of great interest to the public. Georgia O'Keeffe's career has spanned much of the history of modern art in America. Here are more than a hundred paintings, many rarely exhibited or reproduced, photographs of O'Keeffe at various stages of her life and of the landscapes that inspired her, and a text richly documented with letters and interviews. This material, combined with Jan Castro's insightful criticism, reveals O'Keeffe's legacy as an artist and the force of her intriguing personality.
In June 1966, photographer John Loengard was asked by Life magazine to photograph Georgia O'Keeffe in New Mexico, where she had been living since the late 1930s. Georgia O'Keeffe was 79 years old at the time, Loengard was 32, and for three days he observed and photographed the private life of this pioneer artist who virtually redefined American painting. For this unique book, we selected almost fifty of the finest black-and-white pictures Loengard took of the grand, solitary woman in the desert, and juxtaposed them with selected paintings of hers. They record the course of a day in the life of Georgia O'Keeffe from sunrise to sunset, developing their own quiet, mysterious effect. It becomes clear how much the austere poetry of the landscape corresponded to the artist's own self-created world and how her artistic imagination was kindled by bleached bones and an infinite desert. Now available as a reduced size reprint.
Between the two world wars, middle-class America experienced a "marriage crisis" that filled the pages of the popular press. Divorce rates were rising, birthrates falling, and women were entering the increasingly industrialized and urbanized workforce in larger numbers than ever before, while Victorian morals and manners began to break down in the wake of the first sexual revolution. Vivien Green Fryd argues that this crisis played a crucial role in the lives and works of two of America's most familiar and beloved artists, Georgia O'Keeffe (1887-1986) and Edward Hopper (1882-1967). Combining biographical study of their marriages with formal and iconographical analysis of their works, Fryd shows how both artists expressed the pleasures and perils of their relationships in their paintings. Hopper's many representations of Victorian homes in sunny, tranquil landscapes, for instance, take on new meanings when viewed in the context of the artist's own tumultuous marriage with Jo and the widespread middle-class fears that the new urban, multidwelling homes would contribute to the breakdown of the family. Fryd also persuasively interprets the many paintings of skulls and crosses that O'Keeffe produced in New Mexico as embodying themes of death and rebirth in response to her husband Alfred Stieglitz's long-term affair with Dorothy Norman. Art and the Crisis of Marriage provides both a penetrating reappraisal of the interconnections between Georgia O'Keeffe's and Edward Hopper's lives and works, as well as a vivid portrait of how new understandings of family, gender, and sexuality transformed American society between the wars in ways that continue to shape it today.
Explores O'Keeffe's unmatched accomplishments in still-life painting in two essays accompanied by reproductions of her work and photographs of her studios.
Continuing Chronicle's acclaimed series of artist books for kids, Wideness and Wonder is the fascinating story of the mysterious and beloved artist Georgia O'Keeffe. Well-known children's biography writer Susan Goldman Rubin traces the events that shaped O'Keeffe's art and how art influenced OKeeffe's life in return. Wideness and Wonder is colorful, accessible, and packed with the art that made O'Keeffe so renowned.
Winner of the 2018 Dedalus Foundation Exhibition Catalogue Award This book explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe "never allowed her life to be one thing and her painting another." This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanies the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic. This book accompanies the show at the Peabody-Essex Museum, Georgia O’Keeffe: Art, Image, Style.