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"You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it…." Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends.
The Correspondence of George Sand and Gustave Flaubert captures a brilliant epistolary exchange that traverses the breadth of nineteenth-century French literary tradition. Within this collection, readers witness the unfolding of a deep, intellectual companionship that greatly influenced the literary output and critical reception of both authors. The volume is a testament to the diversity of literary styles and preoccupations of the period, showcasing the dialogue between two distinct yet harmoniously aligned literary voices. Through their letters, Sand and Flaubert navigate the realms of political tumult, aesthetic debates, and personal tribulations, offering unparalleled insights into the life of the writer in the nineteenth century. The contributors to this anthology, Sand and Flaubert, were titans of French literature, each bringing to the table a unique perspective shaped by divergent backgrounds and philosophies. Despite their differences, the correspondence reveals a mutual respect and understanding that transcends their individual stances, embodying the era's sociopolitical and cultural dynamism. Their letters create a rich tapestry that reflects the complexities of the human condition, guided by two of the most influential minds of their time. This collection is not merely an academic exercise but a doorway into the vibrant intellectual milieu of 19th-century France. It offers readers a unique opportunity to witness the interplay of ideas and emotions between two literary giants, enriching our understanding of their works and the period in which they lived. For scholars and enthusiasts of French literature, this volume is an invaluable resource that deepens our comprehension of the literary landscape of the time and the enduring power of written correspondence in shaping literary history.
Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: "You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it...."
The George Sand-Gustave Flaubert Letters is a compilation of personal correspondence between two great nineteenth century French writers and contemporaries. The letters reveal often divergent but always profound, effervescent, and fascinating views on art, literature, drama, philosophy, culture, and gossip of the period, an unparalleled window into history, and a rare interior glimpse into the creative psyche of two literary giants.
The George Sand-Gustave Flaubert Letters by Gustave Flaubert is a collection of letters between famous 19th-century French novelists George Sand and Gustave Flaubert. The letters of Gustave Flaubert range in date from 1829, when he was 7 or 8 years old, to a day or two before his death in 1880. They are considered one of the finest bodies of letters in French literature, admired even by many who are critical of Flaubert's novels.
Gustave Flaubert (1821-1880) was an influential French writer who was perhaps the leading exponent of literary realism of his country. He is known especially for his first published novel, Madame Bovary, for his Correspondence, and for his scrupulous devotion to his style and aesthetics. The celebrated short story writer Maupassant was a protégé of Flaubert. Amantine-Lucile-Aurore Dupin (1804-1876), best known by her pseudonym George Sand, was a French novelist and memoirist. She is equally well known for her much publicized romantic affairs with a number of artists, including the composer and pianist Frédéric Chopin and the writer Alfred de Musset. She corresponded with Gustave Flaubert. Despite their obvious differences in temperament and aesthetic preference, they eventually became close friends. Excerpt: "You worry me when you tell me that your book will blame the patriots for everything that goes wrong. Is that really so? and then the victims! it is quite enough to be undone by one's own fault without having one's own foolishness thrown in one's teeth. Have pity! There are so many fine spirits among them just the same! Christianity has been a fad and I confess that in every age it is a lure when one sees only the tender side of it; it wins the heart. One has to consider the evil it does in order to get rid of it...."
A revelatory collection of correspondence by the lauded author of titanic American classics such as The Recognitions and J R, shedding light on his staunchly private life. UPDATED WITH OVER TWO DOZEN NEW LETTERS AND PHOTOGRAPHS Now recognized as one of the giants of postwar American fiction, William Gaddis shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and also reveal the extent to which he drew upon events in his life for his fiction. Here we see him forging his first novel, The Recognitions (1955), while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award–winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter’s Gothic (1985); then teaches himself enough about the law to produce A Frolic of His Own (1994). Resuming his lifelong obsession with mechanization and the arts, he finishes a last novel, Agapē Agape (published in 2002), as he lies dying. This newly revised edition includes clarifying notes by Gaddis scholar Steven Moore, as well as an afterword by the author’s daughter, Sarah Gaddis.
M. Flobaire, You must be a truly dirty oaf to have taken my name and written a letter with it to a lady who had some favors for me which you doubtless received in my place and inherited my hat in place of which I have received yours which you left there. It is the lowness of that lady's conduct and of yours that make me think that she lacks education entirely and all those sentiments which she ought to understand.
Letters of Note, the book based on the beloved website of the same name, became an instant classic on publication in 2013, selling hundreds of thousands of copies. This new edition sees the collection of the world's most entertaining, inspiring and unusual letters updated with fourteen riveting new missives and a new introduction from curator Shaun Usher. From Virginia Woolf's heart-breaking suicide letter to Queen Elizabeth II's recipe for drop scones sent to President Eisenhower; from the first recorded use of the expression 'OMG' in a letter to Winston Churchill, to Gandhi's appeal for calm to Hitler; and from Iggy Pop's beautiful letter of advice to a troubled young fan, to Leonardo da Vinci's remarkable job application letter, Letters of Note is a celebration of the power of written correspondence which captures the humour, seriousness, sadness and brilliance that make up all of our lives.