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Over 200 full-color pages highlight the magnificent career of artistic legend George Perez! From his early days at Marvel on such titles as Fantastic Four and The Avengers to DC Comics' landmark titles, New Teen Titans and Crisis on Infinite Earths, plus independent work for T.H.U.N.D.E.R. Agents and so many others, along with his own creations Sachs and ...
A full-color, hardcover title that collects Spider-Woman: #1-4 follows the new adventures of Jessica Drew, aka Spider-Woman, as she rediscovers her life in a world she did not make.
When the supernatural forces maintaining the fragile balance of power in this world start to unravel, Josh Miller, a young college grad and expectant father, is caught in the middle of a vast conspiracy threatening to tear apart the foundations of humanity as we know it. As myth and reality collide, Josh finds himself on the frontline of a battle against an enemy dating back to the beginning of time itself. Comic legends KLAUS JANSON (Daredevil, Dark Knight Returns) and PABLO RAIMONDI (X-Factor, Book of Doom) proudly present SACRED CREATURES, their first-ever creator-owned series. Collects SACRED CREATURES #1-6
Once upon a time, the world’s greatest heroine was reimagined by a comic book legend. More than forty years after debuting in ALL STAR COMICS #8, the Wonder Woman was reshaped by the legendary George Pérez and returned to the public eye in 1986. She was met with such acclaim that Pérez’s original commitment of six months was extended, and extended, until almost five years had passed. In collaboration with co-writer Len Wein and inker Bruce Patterson, Pérez spearheaded Wonder Woman’s adventures for years, leading her to an unprecedented level of success. Now these groundbreaking tales are available in the first of a series of eBooks, collecting WONDER WOMAN #1-14 with bonus material including a Who’s Who of Wonder Woman’s world and an art gallery.
When there are seven grandparents but only one Silas, is there enough of him to go around? Each of Silas' grandparents are unique. They take him to amusement parks, or museums, dog shows or camping. But when Silas' parents go away on a business trip, all seven grandparents invite Silas to stay with them. One Silas can't be with seven different grandparents at the same time! How can he choose one without hurting the others' feelings? Silas' Seven Grandparents is a fun and loving story about having multiple sets of grandparents and stepgrandparents as a result of divorce and remarriage. Silas' grandparents enjoy exposing him to a variety of interests, values and cultures. But problems arise when Silas feels he can't be everywhere at once. In the end, it's Silas' sensitive, inclusive nature that brings everyone together.
La Borinqueña is a patriotic symbol presented in a classic superhero story. Her powers are drawn from elements and mysticism found on the island of Puerto Rico. The fictional character, Marisol Rios De La Luz, is a Columbia University Earth and Environmental Sciences Undergraduate student living with her parents Flor De La Luz Rojas and Oscar 'Chango' Rios Velez in Williamsburg, Brooklyn. She takes a semester of study abroad in collaboration with the University of Puerto Rico. There she explores the caves of Puerto Rico: Ventana, La Cueva del Indio, Las Cuevas de Camuy, La Cueva del Viento and the caves at the Julio Enrique Monagas National Park. At each of these caves she finds five similar sized crystals. Atabex, the Taino mother goddess, appears before Marisol once the crystals are united and summons her sons Yúcahu and Juracan. Yúcahu, God of the seas and the mountains gives Marisol her superhuman strength. Juracan, god of the hurricanes gives her the power of flight and control of the wind.
Annabelle, Annabelle, Lost Her Head is a story that reveals, the bond between a child and their lifelong companion is stronger than... Duct Tape. Lucy's unconditional love is evident in this edgy, dark side of the moon, real world adventure between a girl and her doll. Watch them as they work through struggles, and celebrate in their victories. This pair can work through any challenge in their path, when they work together, and a little bit of magic never hurt.
Master comics storyteller George P rez (NEW TEEN TITANS) revitalized Wonder Woman in the mid-'80s with this stunning new origin for the Amazonian Princess! What terrible event led to the birth of the Amazons, and how will Wonder Woman fare as their agent against the vile Ares? Find out here!
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.